RA R A MILLER CROW DRAWING DECORATIVE SELF TAUGHT SOUTHERN FOLK ART    

Crow, 1996, felt tip marker on matt board, 7 3/4” x 10 3/4”

In the 1990's I collected folk art and would visit RA Miller often and we became pretty good friends. You had to get to his place early before the galleries bought everything. If he had anything for sell I would usually buy it. RA was a prolific and spiritual folk artist who would produce painted tin cut outs during the day and would draw mainly at night of whatever came to mind. Inspiration from the television, the bible, family (Blow Oskar was his cousin who drove a bread truck and would honk his horn passing RA's place) and friends, growing up in the country. RA was quite the preacher and would sometimes go into a preaching rant while I was visiting. He believed deeply in God and he used his artwork to spread his message. He was one of the true originals.


Excerpt from Raw Vision issue no. 36


...For many years, art collectors and dealers have left the interstate highway north of Gainesville, Georgia, at the exit to the Old Cornelia Highway and followed the road to the unincorporated, north-Georgia community of Rabbittown. They were watching out for a seven-foot-tall cross with a tin bird nailed to its center and flanked by rectangular signs roughly inscribed, ‘Lord Love You.’ Behind the cross, crude propeller blades on whirligigs made by local artist R A Miller and planted on Windy Hill, spin and twirl on gusty days. Following the road around the Hill, visitors have usually encountered Miller at work in the outdoor shop adjacent to his house, cutting out and painting scores of figures from scrap lumber or roofing tin. Every available exterior surface of his house-cum-gallery is used to display works for sale.

Twenty years ago, when R A Miller was brought to the attention of a wide audience through an Atlanta television program and a music video by the internationally famous rock group, R.E.M. who are based in Athens, Georgia, the hill was covered with around 300 whirligigs. Most had cutout-tin figures nailed to them. In recent times, Windy Hill has been stripped almost bare by the hordes of professional and amateur buyers drawn to the site by Miller’s reputation as a maker of strange and wonderful whimsical objects. Miller often welcomed all-comers with ‘You’re too late. I ain’t got nothing left,’ gesturing to a wall that only held a dozen or more tin cutouts and drawings on a panel. Some years ago, a typical explanation for what Miller considered to be the disgrceful scarcity went something like this: ‘Feller from California come in and bought pretty near a truckload of stuff from me. And there was plenty of folks here before that. Must be one of my things on every street corner down in Atlanta. They don’t know it ain’t nothing but junk.’


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