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PRESONUS STUDIO 192 MOBILE: Audio Interface/Studio Command Center - NEU!
Built to Create.
The PreSonus Studio 192 Mobile USB 3.0 audio interface delivers exceptional
sonic fidelity, flexible connectivity, and professional monitoring and
mixing controls in a single rack space. Whether you’re a producer, an
audio engineer, an independent band, a sound designer, or all of the
above, your Studio 192 Mobile was built for you to create.
Your studio command center.
The Studio 192 Mobile is designed to be the central hub for any project or
professional studio. The onboard talkback mic can be routed to any mix.
Onboard Dim and Mono options let you take control of your main mix.
Listen to any mix from either headphone amp. Use the ten balanced
outputs for monitor mixing, speaker switching, or both, depending on how
you work. With its flexible software and abundant I/O, the Studio 192 Mobile
fits into any recording and production environment.
Superior sound.
Audiophile-grade digital converters, ultra-low jitter clocking, and
recallable preamps add up to a superior recording and listening
experience. The Studio 192 Mobile operates at up to 192 kHz for
ultra-high-definition mixing and recording. High-quality Burr-Brown
converters on every input and output provide 118 dB of dynamic range to
capture complex musical harmonics smoothly and naturally with no audible
distortion. And our recallable XMAX™ microphone preamps deliver
incredibly high headroom, deep lows, smooth highs, and a rich overall
sound so you’ll hear every breath, transient, and detail in your
recordings.
The Studio One in Studio 192 Mobile.
With the Studio 192 Mobile, your audio
interface is an integrated extension of your recording environment.
Launch Studio One 3, and you’ll find full preamp control and
zero-latency monitor-mix functions integrated into your recording
environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP
and in Studio One on your computer so you can record and monitor with
Studio 192-based processing and seamlessly switch to the Studio One Fat
Channel for playback. Need to track away from your computer? Launch
Studio One Remote on your iPad®.
Remote control with UC Surface, too!
The Studio 192 Mobile's onboard features can also be controlled in PreSonus’
free UC Surface control software, so even if you use third-party
recording software, you can remotely access them. UC Surface has rapidly
won accolades for an intuitive mixing interface that provides quick
access to everything you need to create quality monitor mixes.
Great signal processors are a PreSonus tradition.
Adding just the right amount of effects and processing to a monitor
mix can make a huge difference in a musician’s ability to experience
their performance naturally. To that end, the Studio 192 Mobile provides
sixteen instances of Studio One’s Fat Channel plug-in, one for every
analog input and the first ADAT inputs, plus a stereo reverb and delay.
The result is a better performance and a better recording.
Expandable when you need more I/O.
The Studio 192 Mobile has 18 digital inputs and outputs,
allowing you to add more analog I/O when you need it. The DigiMax DP88
preamp/converter was designed to seamlessly extend the analog I/O on the
Studio 192 Mobile with eight digitally-controlled XMAX preamps, ADAT I/O
support up to 96 kHz, direct analog inputs, DAC outputs, and word clock
I/O. Its mic preamps are fully remote-controllable from UC Surface,
Studio One, and Studio One Remote when connected via ADAT Lightpipe to
the Studio 192 so that they naturally extend your analog inputs both
sonically and functionally.
Microphone Preamp |
|
| Type |
XLR Female (via Combo), Balanced Remote |
| Maximum Input level (min. gain, 1 kHz@0.5% THD+N) |
+12 dBu, +/-0.5 dB |
| Gain Control Range |
60 dB, +/-1 dB |
| Frequency Response (A-D) |
10 Hz to 40 kHz, +/-0.2 dB |
| Dynamic Range (min. gain, a-wtd) |
> 110 dB |
| Dynamic Range (mid. Gain, unwtd) |
> 105 dB |
| THD+N (min. gain, a-wtd) |
< 0.005% |
| Input Impedance |
1600 Ω |
| EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, a-wtd) |
< 128 dBu |
| Common Mode Rejection Ratio (1 kHz, +55dB gain) |
> 55 dB |
| Phantom Power |
+48 V, +/- 3 V, > 8mA per channel |
Instrument Inputs |
|
| Type |
¼” TS Female (via Combo), Unbalanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) |
+16 dBu +/-0.5 dB |
| Gain Control Range |
60 dB, +/-1 dB |
| Frequency Response (A-D) |
20 Hz to 20 kHz, +/-0.2 dB |
| Dynamic Range (min. gain, a-wtd) |
> 110 dB dB |
| Dynamic Range (mid. Gain, unwtd) |
> 105 dB |
| THD+N (1 kHz, -1 dBFS, a-wtd) |
< 0.005% |
| THD+N (1 kHz, -1 dBFS, un-wtd) |
< 0.005% |
| Input Impedance |
> 1 MΩ |
| Crosstalk (1 kHz, channel-to-channel) |
< -80 dB |
Line Inputs |
|
| Type |
¼” TRS Female (via Combo), Balanced |
| Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) |
+ 18 dBu, +/-0.5 dB |
| Frequency Response (A-D) |
20 Hz to 20 kHz, +/-0.2 dB |
| Dynamic Range (min. gain, a-wtd) |
> 114 dB |
| Dynamic Range (mid. gain, unwtd) |
> 105 dB |
| THD+N (1 kHz, -1 dBFS, a-wtd) |
< 0.005% |
| Input Impedance |
10 kΩ |
| Crosstalk (1 kHz, channel-to-channel) |
< -80 dB |
Main and Line Outputs |
|
| Type (Line Outputs) |
¼” TRS Female, Impedance Balanced |
| Type (Main Outputs) |
XLR Male, Impedance Balanced |
| Maximum Output Level |
+18 dBu, +/-0.5 dB |
| Frequency Response |
20 Hz to 20 kHz, +/-0.2 dB |
| Dynamic Range (a-wtd) |
> 112 dB |
| THD+N (1 kHz, -1 dBFS, un-wtd) |
< 0.005% |
| Output Impedance |
51 Ω |
| Crosstalk (1 kHz, channel-to-channel) |
< -80 dB |
Headphone Outputs |
|
| Type |
¼” TRS Female, Stereo, Unbalanced |
| Maximum Output Level |
150 mW/channel @ 60 Ω |
| Frequency Response |
20 Hz to 20 kHz, +/-0.3 dB |
| Dynamic Range (a-wtd) |
> 103 dB |
| THD+N (1 kHz, -1 dBFS, un-wtd) |
< 0.005% |
| Crosstalk (1 kHz, channel-to-channel) |
< -80 dB |
Internal Talkback Microphone |
|
| Type |
Electret Condenser |
| Sensitivity |
-42 dB |
Signal Level LEDs |
|
| Signal 1 |
-50 dBFS |
| Signal 2 |
-30 dBFS |
| Signal 3 |
-20 dBFS |
| Signal 4 |
-10 dBFS |
| Signal 5 |
-6 dBFS |
| Signal 6 |
-4 dBFS |
| Signal 7 |
-2 dBFS |
| Clip |
-0.5 dBFS |
Digital Audio |
|
| Host Interface |
USB 3.0 (backwards compatible to USB 2.0) |
| ADC Dynamic Range (A-wtd, 48 kHz) |
118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) |
118 dB |
| Bit Depth |
24 bits |
| Internally Supported Sample Rates |
44.1, 48, 88.2, 96, 176.4, 192 kHz |
| ADAT Optical I/O |
ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)] |
| S/PDIF I/O |
RCA female connections, supported up to 96 kHz |
| Word Clock I/O |
BNC connector, 4.5 Vpp @75Ω load |
Clock |
|
| Jitter |
<50 ps RMS (20 Hz – 20 kHz) |
| Jitter Attenuation |
>60 dB (1 ns in => 1 ps out) |
Power |
|
| External Power Adapter |
+12 VDC, 3.0A, center positive |
| Connector Type |
Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm length |
Physical |
|
| Dimensions |
1U rackmount |
| Height |
1.75” (44.45 mm) |
| Depth |
7” (178 mm) |
| Width |
12,5” (317 mm) |
| Weight |
5 lb. (2.3 kg) |
We have lot of Presonus stuff in offer. If you need something, let us know and we will prepare a new listing for you.
Our prices contain VAT (23%). If you have a
company registered in EU with valid EU VAT number you can buy this
item without VAT (23% less)! Just contact us BEFORE purchase and we will make all
necessary arrangements!
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