Up for sale is an awesome 11 x 14" full color photo print of a hand oil tinted photograph from the 1955 movie, Picnic featuring actors, William Holden & Kim Novak.

This is a high-resolution (320 dpi/ 3,300 x 4,200 pixel) 11" x 14" vintage image, hand oil tinted and photo processed onto Fuji Film Archival Photo Paper.
Fuji Film Archival Photo Paper is the highest quality paper and photo processing available. Fuji guarantees it not to fade for up to 70 years!

 

William Holden & Kim Novak, Picnic 1955

William Holden (April 17, 1918 - November 12, 1981) was an American film actor.

Holden won the Academy Award for Best Actor in 1954, and the Emmy Award for Best Actor in 1974. One of the top stars of the 1950s, he was named one of the "Top 10 stars of the year" six times (1954-1958, 1961) and appeared on the American Film Institute's AFI's 100 Years... 100 Stars list as #25.

Early life and career
Holden, eldest of three sons (brothers were Robert & Richard), was born as William Franklin Beedle, Jr. in O'Fallon, Illinois, the son of Mary Blanche (nee Ball), a schoolteacher, and William Franklin Beedle, Sr., an industrial chemist. The family, which moved to South Pasadena, California when he was three, was of English descent; Holden's paternal great-grandmother, Rebecca Westfield, was born in England in 1817, while some of his mother's ancestors emigrated in the 17th century to Millenback, Lancaster County, Virginia in the U.S. from England.

After graduating from South Pasadena High School, Holden attended Pasadena Junior College, where he became involved in local radio plays. Contrary to legend and theatre publicity, he did not study at the Pasadena Playhouse, nor was he discovered in a play there. Rather, he was spotted by a talent scout from Paramount Pictures in 1937 while appearing as an old man in a play at the Playbox, a separate and private theatre owned by Pasadena Playhouse director Gilmor Brown. His first film role was in Prison Farm the following year.

Hollywood's "Golden Boy"
His first starring role was in Golden Boy (1939), in which he played a violinist turned boxer.

After Columbia Pictures picked up half of his contract, he alternated between starring in several minor pictures for Paramount and Columbia before serving as a 2nd lieutenant in the United States Army Air Forces during World War II, where he acted in training films. Beginning in 1950, his career rebounded when Billy Wilder tapped him to star as the down-at-the-heels screenwriter Joe Gillis who is taken in by faded silent-screen star Norma Desmond (Gloria Swanson) in Sunset Boulevard, for which Holden earned his first Best Actor Oscar nomination.

Following this breakthrough film, he played a series of roles that combined good looks with cynical detachment, including a prisoner-of-war entrepreneur in Stalag 17 (1953), for which he won the Academy Award for Best Actor, a pressured young engineer/family man in Executive Suite (1954), an acerbic stage director in The Country Girl (1954), a conflicted jet pilot in the Korean War film The Bridges at Toko-Ri (1954), a wandering braggart in Picnic (1955), a dashing war correspondent in Love Is a Many-Splendored Thing (1955), an ill-fated prisoner in The Bridge on the River Kwai (1957) and a WWII tug boat captain in The Key (1958).

He also played a number of sunnier roles in light comedy, such as the handsome architect pursuing virginal Maggie McNamara in the controversial Production Code-breaking The Moon is Blue (1953), as Judy Holliday's tutor in Born Yesterday (1950), as a playwright captivated by Ginger Rogers' character in Forever Female (1953) and as Humphrey Bogart's younger brother, a playboy, in Sabrina (1954), which also starred Audrey Hepburn.

Holden starred in his share of forgettable movies which he was forced to do by studio contracts such as Paris When It Sizzles (1964), also co-starring Audrey Hepburn. By the mid-1960s, his roles were having less critical and commercial impact.

Later career
In 1969, Holden starred in director Sam Peckinpah's graphically violent Western The Wild Bunch, winning much acclaim. Also in 1969, Holden starred in director Terence Young's family film L'Arbre de Noel, co-starring Italian actress Virna Lisi, based on the novel of the same name by Michel Bataille. This film was originally released in the United States as The Christmas Tree and on home video as When Wolves Cry.

Five years later, he starred with Paul Newman and Steve McQueen in The Towering Inferno. He was also praised for his Oscar-nominated leading performance in Sidney Lumet's Network (1976), playing an older version of the character type he had perfected in the 1950s, only now more jaded and aware of his own mortality. In 1980, Holden appeared in The Earthling with child actor Ricky Schroder, playing a loner dying of cancer who goes to the Australian outback to end his days, meets a young boy whose parents have been killed in an accident, and teaches him how to survive. Schroder later named one of his sons Holden.

During his last years, he also appeared in When Time Ran Out and Blake Edwards's S.O.B.. While his second Irwin Allen was a critical and commercial failure and largely disliked by Holden himself, his other last film directed by Edwards was more successful and a Golden Globe-nominated picture.

Personal life
Holden was married to actress Brenda Marshall from 1941 until their divorce (after many long separations) in 1971. They had two sons, Peter Westfield (born in 1944) and Scott Porter (born in 1946, died 2005, San Diego, CA). He also adopted his wife's daughter Virginia from her first marriage.

Although never involved in politics himself, he was best man at the marriage of his friend Ronald Reagan to Nancy Davis in 1952. He maintained a home in Switzerland and also spent much of his time working for wildlife conservation as a managing partner in an animal preserve in Africa. His Mount Kenya Safari Club in Nanyuki, Kenya, (founded 1959) became a mecca for the international jet set.

In 1974, he began a relationship with actress Stefanie Powers which sparked her interest in animal welfare. After his death, Powers set up the William Holden Wildlife Foundation at Holden's Mount Kenya Game Ranch.

Holden suffered from alcoholism and depression. In 1966, he was involved in a car accident in Italy in which the other driver was killed. It was determined that Holden had been driving under the influence of alcohol; he was charged with vehicular manslaughter and received an eight-month suspended prison sentence. Overcome with guilt, friends said this led the actor to even heavier bouts of drinking.

His younger brother, Robert W. "Bobbie" Beedle, was a Navy fighter pilot who was killed in action in World War II, on January 5, 1945. After The Bridges at Toko-Ri (1955) was released, Beedle was remembered by his squadron-mates as having been very much like Holden's character Lt. Harry Brubaker.

Death
In late 1980 Holden reportedly was diagnosed with lung cancer after visiting a lung specialist in Hanover. Holden was alone and intoxicated in his apartment in Santa Monica, California, when he apparently slipped on a throw rug, severely lacerated his head on a night table, and bled to death. Evidence suggests he was conscious for at least half-an-hour after the fall but may not have realized the severity of the injury and did not summon aid or was unable to call for help. His body was found on November 16, but forensic evidence suggests Holden likely died four days earlier. He was 63 years old.

Holden was cremated and his ashes scattered in the Pacific Ocean.


Kim Novak (born February 13, 1933) is a two-time Golden Globe Award-winning American actress. She is best known for her performance in the classic 1958 film Vertigo. She retired from acting in 1991 and is now an artist of watercolor and oil paintings, sculpture and stained glass design.

Early life
Kim Novak was born Marilyn Pauline Novak in Chicago, Illinois of Czech ancestry. Her father was a railroad clerk and former teacher; her mother also was a former teacher, and Novak has a sister. While attending Farragut High Academy, she won a scholarship to the Art Institute of Chicago. After leaving school, she began a career modeling teen fashions for a local department store. She later received a scholarship at a modeling academy and continued to model part-time. She worked as an elevator operator, a sales clerk and a dental assistant. After a job touring the country as a spokesman for a refrigerator manufacturer, "Miss Deepfreeze," Novak moved to Los Angeles, where she continued to find work as a model.

Career
The 21-year-old Marilyn Novak struck a pose on a stairway for the RKO 3-D motion picture The French Line (1954) starring Jane Russell and Gilbert Roland. Novak received no screen credit. Eventually, she was seen by a Columbia Pictures talent agent and filmed a screen test. Studio chief Harry Cohn was searching for another beauty to replace the rebellious and difficult Rita Hayworth. Novak was signed to a six-month contract. Paramount Pictures had an arrangement whereby budding actresses resided at a "ladies' residence", similar to a sorority, where their personal lives were under supervision.

Columbia decided to make the blonde, buxom actress its version of Marilyn Monroe. Immediately, there was the issue of what to do about her name. Neither Novak nor Columbia wanted to be seen as cashing in on Marilyn Monroe's enormous popularity, so Novak's real first name had to go. She resisted changing it to Kit Marlowe. She and the studio finally settled on the stage name Kim Novak. Cohn told her to lose weight, and he won the battle to make her wear brassieres. She took acting lessons, which she had to pay for herself.

Novak debuted as Lona McLane in Pushover (1954) opposite Fred MacMurray and Philip Carey. Though her role was not the best, her beauty caught the attention of fans and critics alike. She then played the femme fatale role as Janis in Phffft! (1954) opposite Judy Holliday, Jack Lemmon, and Jack Carson. Novak's reviews were good. People were eager to see the new star, and she received an enormous amount of fan mail.

After playing Madge Owens in Picnic (1955) opposite William Holden, Novak won a Golden Globe Award for Most Promising Newcomer and for World Film Favorite. She was also nominated for the British BAFTA Film Award for Best Foreign Actress. She played Molly in The Man with the Golden Arm (1955), on loan to United Artists, with Frank Sinatra. The movie was a big hit. She worked with Sinatra again for Pal Joey (1957), which also starred Rita Hayworth. She also starred in Jeanne Eagels (1957) with Jeff Chandler. Her popularity became such that she made the cover of the July 29, 1957 issue of Time Magazine. That same year, she went on strike, protesting at her salary of $1,250 per week.

In 1958, Novak starred in the Alfred Hitchcock-directed classic thriller Vertigo with James Stewart. In the first half of the film, she plays an elegant, troubled blonde named Madeleine Elster. In the second half, she plays an earthy brunette shopgirl named Judy Barton. It is revealed that these two women are actually the same person, and that Judy was masquerading as Madeleine as part of an initially successful plot to murder the real Madeleine Elster. Today, the film is considered a masterpiece of romantic suspense, though Novak's performance has a mixed reputation. Critic David Shipman thought it "little more than competent", while David Thomson sees it as "one of the major female performances in the cinema". Hitchcock, rarely one to praise actors, dismissed Novak in a later interview. "You think you're getting a lot," he said of her ability, "but you're not."

Following Vertigo, she reunited with Stewart and Jack Lemmon in Bell, Book and Candle (1958), a comedy tale of modern-day witchcraft that did not do well at the box office. In 1960, she co-starred with Kirk Douglas in the critically acclaimed Strangers When We Meet also featuring Walter Matthau and Ernie Kovacs.

In 1962, Novak took the leap of producing her own movie, financing her own production company in association with Filmways Productions. Boys' Night Out, in which she starred with James Garner and Tony Randall, marked a turning point in her career when it was not received well either by critics or the public. She continued to act, but took fewer roles as she began to prefer personal activities over acting. She refused to accept many of the sexpot roles she was being offered. She also turned down several strong dramatic roles including Breakfast at Tiffany's, The Hustler, Days of Wine and Roses, and The Sandpiper.

Novak was paired with Lemmon for a third and final time in a mystery-comedy, The Notorious Landlady (1962). She played the vulgar waitress Mildred Rogers in a remake of W. Somerset Maugham's drama Of Human Bondage (1964) opposite Laurence Harvey. She starred in Billy Wilder's cult classic Kiss Me, Stupid (1964) with Ray Walston and Dean Martin, a film critically panned at the time which has since gained a strong following. After playing the title role in The Amorous Adventures of Moll Flanders (1965) with Richard Johnson and Angela Lansbury, Novak took a break, seeing as little of Hollywood as possible.

Her comeback came in a dual role as a young actress, Elsa Brinkmann, and an early-day movie goddess who was murdered, Lylah Clare, in producer-director Robert Aldrich's The Legend of Lylah Clare (1968) with Peter Finch and Ernest Borgnine for MGM. It failed miserably. After playing a forger, Sister Lyda Kebanov, in The Great Bank Robbery (1969) opposite Zero Mostel, Clint Walker, and Claude Akins, she stayed away from the screen for four years. She then played the key role of Auriol Pageant in the horror anthology film Tales That Witness Madness (1973). She starred as veteran showgirl Gloria Joyce in the made-for-TV movie The Third Girl From the Left (1973) with Tony Curtis and played Eve in Satan's Triangle (1975).

In 1979, she played Helga in Just a Gigolo starring David Bowie and then Lola Brewster in an Agatha Christie mystery/thriller The Mirror Crack'd (1980) with Angela Lansbury, Tony Curtis, Rock Hudson and Elizabeth Taylor. She and Taylor portrayed rival actresses. She made occasional television appearances over the years. She co-starred with James Coburn in the TV-movie Malibu (1983) and played Rosa in a revival of Alfred Hitchcock Presents (1985). The actress joined the cast of the series Falcon Crest during the 1986-87 season in the role of Kit Marlowe (the stage name rejected at the start of her career).

Her most recent appearance on the big screen to date came as a terminally ill writer in the mystery/thriller Liebestraum (1991) for MGM. However, due to battles with the director over how to play the role, her scenes were cut. In a rare interview with Stephen Rebello in the July 2005 issue of Movieline's Hollywood Life, Novak admitted that she had been "unprofessional" in her conduct with director Mike Figgis. Since that time, she has turned down many other offers to appear in film and TV. Novak has not ruled out returning to the screen.

In an interview in 2007, she said that she has not ruled out acting and would consider returning to the screen "if the right thing came along."

Honors
For her contribution to motion pictures, Novak was awarded a star on the Hollywood Walk of Fame, at 6332 Hollywood Boulevard.

In 1995, Novak was ranked 92nd by Empire Magazine on a list of the 100 sexiest stars in film history. In 1955 she won the Golden Globe Award for Most Promising Newcomer-Female; in 1957 she won another Golden Globe for World Favorite female actress. In 1997 Kim won an Honorary Berlin Golden Bear Award. In 2002 a Lifetime Achievement Award was presented to Novak by Eastman Kodak.

New York rock band The Velvet Underground had a song about Kim Novak on their album Loaded, called "New Age".

Personal life
Since March 12, 1976, Novak has been married to veterinarian Dr. Robert Malloy and lives with him in Oregon where they raise horses and llamas. Novak has two stepchildren.

For barely a year, Novak was previously married to English actor Richard Johnson from March 15, 1965 to April 23, 1966. Despite their divorce, the two have remained friends. Novak also dated Sammy Davis, Jr in the late 1950s. She was engaged to director Richard Quine although they never married, according to critic Jonathan Rosenbaum.

Her home in Eagle Point, Oregon was partially destroyed in a fire on July 24, 2000. Among Novak's lost mementos were scripts of some of her most critically acclaimed movies, including Vertigo and Picnic. A computer containing the only existing draft of her unfinished autobiography was also lost to the fire. She later said that the fire was a sign that she shouldn't be writing a biography.

Novak is an accomplished artist who expresses herself in watercolor and oil paintings, sculpture, stained glass design and photography. She also writes poetry.


Photograph is from the 1955 movie, Picnic & was Hand Oil Tinted by artist Margaret A. Rogers

 

You can't get this colorized version of this photo anywhere else!

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