Satsuma
Vase Yasuda Co Artist Ryozan 亮山 Japanese Meiji Period (1868-1912) Museum
Quality
The
vase has amazing and beautiful depictions of scenes in Japan. The detail is so
fine and minute when one takes a finger across the surface one can feel the
raised finish which adds to depth of the design.
Height:
11 7/8 inches, 30 cm.
Width:
6 inches, 15.24 cm.
Weight: 3 lbs 8 oz.
Age:
Meiji Period (1868 - 1912).
Marks:
Ryozan and Yasuda Company Trademark in gold. Circle with a cross mark is the Shiatzu
mon or the family crest of the clan that ruled Satsuma Han.
Condition:
Excellent, I inspected this vase very closely and only found one spot where the
gold finish on the neck edge was a little thin.
Ryozan
亮山.
Ryozan, who was born Nakamura Tatsunosuke, worked in Kyoto and studied under
Nishimura Zengoro. He was the most famous artist to work for the Yasuda
Company. Pieces from Yasuda Kyoto Tokiji Goshigaisha usually have the full name
of the company plus the trademark.
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Insurance
is required on all items over $500 in value. ANY item shipped without insurance
is the responsibility of the purchaser. Buyers of ALL items shipped overseas
are responsible for ANY damage over the maximum amount allowed by the US Post
Office to that country. We pack extremely well but many countries have very low
insurance amounts we can buy. Typically $500-1000. Buyer may return in 14 days
for refund.
Shipped in a box within a box 17" x 13" X 13", weight 9 lbs to 10 lbs.
Satsuma
pottery acquired its name from an old province of Japan that is now the western
half of Kagoshima Prefecture on the island of Kyūshū. From this province came one of the best-known
names in the field of Japanese ceramics.
The Satsuma style of pottery dates back to the early 17th century and
was inspired by in part by Korean and Chinese pottery. The Korean exchange of ceramic technology
came about due to a series of invasions launched by the Japanese to the Korean
mainland. Further stylistic influence
can also be traced to Chinese products that were exported to Japan. From these
influences and with the infusion of Japanese motif and sensibilities the
Satsuma style of ceramics was created.
The
wares were first made famous by the patronage and the promotion of the Shiatzu
family who ruled over the province as the daimyo (feudal lord). During the early 17th and 18th centuries, the
production of the ceramics was limited and most were destined for the use of
the Shiatzu family, therefore it was quite rare to find an authentic Satsuma
ware during that time. The scarcity of
the early production of earthenware only increased their desirability to
collectors and many forgeries and fakes found their way in to the open
market.
Production
of Satsuma earthenware began to change due to their great success at the World
Fair of 1867 held in Paris, and the opening of Japan to the outside world. Earthenware specifically from Satsuma became
fashionable and thus desirable in the Western world. Many cities in Japan began to make “Satsuma
style” earthenware to meet the demands of Western consumers. The two most famous Satsuma ware companies
outside of Satsuma were Kinkozan of Kyoto and Yabu Meizan of Osaka. Even though Satsuma ware has been produced
outside of the province and many are considered the finest examples of Satsuma
style, according to many Japanese collectors and academics, genuine Satsuma
ware has to be produced in Satsuma.
The
ware is defined by the opaque dense, cream colored earthenware with fine
crackle glaze decorated with over glaze enamel colors. The ceramics were highly decorative and their
diverse motif ranged from elaborate depictions of flora and fauna (real and
mythological) and idealized landscapes to romantic scenes of domestic
life. In the 19th century, as the
popularity of the ware increase in the West, Japanese potters began to focus
the production and design of the wares to a Western audience and sought to
conform to what they though as Western taste.
At the beginning the vases, dishes, cups, bowls, incense burners and the
myriad of other wares were typically over laden with gold embellishments and
depictions of myths and idealized scenery that did not necessarily reflect
Japanese sensibilities, but as the Satsuma ware business matured a more
controlled and refined aesthetic developed in such companies as Yabu Meizan of
Osaka. In the esteemed history of
Japanese global enterprises, Satsuma ware can be considered one of the first
Japanese products that were driven by the Western market.