Contemporary Photography: Absolute Landscape between Illusion and Reality

This catalogue accompanies the exhibition 'Absolute Landscape between Illusion and Reality' held from February to March 1997 at the Yokohama Museum of Art.


Today's landscape becomes a new theme that is charged with a completely different meaning. Inhuman cityscapes — the site of repressed desire, the darker side of the city hidden from our eye, and the topography of the metropolis constantly destroyed and them re-created — are at once the 'lost' landscape and the 'only and absolute' landscape left to us.


Works selected for this exhibition are mundane in the sense that they constitute the prosaic urban scenery that one will remember in his lifetime or the inevitable landscape of death. Thus, the artists who have created them do not necessarily seek to convey a specific social message through them but to express their private gaze cast upon landscape and a sense of distance from it.


Artist biographies are included.


Other participating artists: Larry Clark, Beat Streuli, Wolfgang Tillmans, Andres Serrano, Lewis Baltz, Catherine Wagner, Jean-Marc Bustamante, Andreas Gursky, Jeff Wall, Hannah Collins, John Gossage, Thomas Struth, Alfredo Jaar.

Access Level:

On-site

Location Code:

EX.JAP.CPA

Language/s:

English, Japanese

Chapter Heading/s:

An Aspect of Contemporary Photography: Discovering the Evidence of Non-presence - Taro AMANO(天野太郎)


Hard-core Vulgar: from Kanemura Osamu's Keihin Machine - Shino KURAISHI(倉石信乃)


Absolute Landscape - Catherine GROUT

Artist/s:

Noritoshi HIRAKAWA(平川典俊), Osamu KANEMURA(金村修), MA Xiaohu(馬小虎)

Curator/s:

Taro AMANO(天野太郎)

Publisher/s:

Yokohama Museum of Art , Yokohama, Japan

Organiser/s:

Yokohama Museum of Art

Venue/s:

Yokohama Museum of Art, Yokohama, Japan

Year of Publication:

1997

No. of Pages:

181

No. of Copies:

1

Media Image:

Absolute Landscape between Illusion and Reality - Cover

Content Type/s:

catalogue

Keyword/s:

Photography


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