Pedal is in mint condition w/original box and power supply.

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Players who miss the days when tube amps came with onboard reverb and tremolo will be happy to add the two-in-one Strymon Flint to their front end. This flexible stereo pedal marries three decades of vintage spring and studio reverb tones with three independent tremolo models for instant surf rock, blues, rockabilly, and indie rock appeal. Both effects can be used on their own or in series to cover a wide range of creative ground. The Strymon Flint's two dedicated tremolo parameters and three reverb controls will get players up and running with a great tone in no time. But for tone tweakers, a set of advanced controls, which includes an Effect Order control to put either the reverb or the trem first in the chain, provides endless opportunities for adjustment.

Strymon pedals are already an industry standard in professional-quality effects. Strymon is dedicated to offering exceptional customer service and, in their own words, making "gear that sounds better than anything you've ever heard." The California-based company uses only the highest-quality components and powerful processors in their pedals. And each design offers more tweakable parameters than meets the eye for fine-tuning your tone. This construction and dedication to quality are the reasons Sweetwater is impressed with Strymon, and why you can find their pedals on the boards of professional musicians around the world.

Strymon Flint Tremolo & Reverb Pedal Features:
Includes 3 classic tube amp reverbs and tremolos
Reverb and trem can be used independently or in series (re-orderable)
Dedicated controls on both sides for instant tweaking
"Hidden" secondary control layout for advanced users
Expression pedal input lets you tap in tremolo speed hands free
Adjustable 3dB boost/cut keeps your clean and effects levels consistent
TS mono/TRS stereo input (switchable)
Stereo outputs feed a stereo amp or PA
24-bit/96kHZ A/D/A conversion
Durable aluminum chassis
True-bypass switching keeps the Flint from sucking tone when disengaged