SUPER RARE! 

Bronze Dvaravati Standing Teaching Buddha Relic


This is an authentic Bronze Dvaravati Standing Teaching Buddha Relic that a picked up during one of my antique expeditions around Southeast Asia  Although this piece dates back to the period when the Dvaravati Kingdom had come under the influence of the Khmer Empire causing the style of the Buddhas made during this period the reflect the Khmer style as can be seen in this piece. It depicts the Buddha with hand mudras in the teaching position. Relics like this are increasingly difficult to find and procure. It will look splendid in your home or place of worship. If you find yourself drawn to it, I highly recommend that you buy it now. I have included more info about the Dvaravati period below.

DIMENSIONS: APPROX 10 inches  X 3 inches X 3 inches (Can be seen in photos above)

MATERIALS: Bronze

Age: Circa 12th - 13th Century

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Dvaravati

From Wikipedia, the free encyclopedia
See Dvaraka for the Yadava capital of the Mahabharata.
Territory of Dvaravati
Mon Wheel of the Law (Dharmacakra), art of Dvaravati period, c. 8th century.
Buddha, art of Dvaravati period, c.9th century
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The Dvaravati (ThaiทวารวดีRTGSThawarawadi) period lasted from the 6th to the 13th centuries. Dvaravati refers to both a culture and a disparate conglomerate of principalities.

Contents

History[edit]

The Mon Kingdom of Dvaravati, which may or may not have existed in the fifth and sixth centuries, was controlling at least in the seventh century the Buddhist sites of Phra Pathom and Phong Tuk;[1] legends engraved in on royal urns report the following kings: Suryavikrama (673-688), Harivikrama (688-695), Sihavikrama (695-718).[2] A Kmher inscription dated 937 documents a line of princes of Chanasapura started by aBhagadatta and ended by a Sundaravarman and his sons Narapatisimhavarman and Mangalavarman.[3] But at that time, the 10th century, Dvaravati began to come under the influence of the Khmer Empire and central Thailand was ultimately invaded by King Suryavarman II in the first half of the 12th century.[4] Hariphunchai survived its southern progenitors until the late 13th century AD when it was incorporated in the LannaKingdom.[5] The people of the region used the Mon language, but whether they were Mon people is unknown. There is evidence that these principalities may comprise many cultural groups of people, including Malays and Khmer people. The theory of Thai migration into Dvaravati has been refuted and is now known to have happened much later.

The term Dvaravati derives from coins which were inscribed in Sanskrit śrī dvāravatī. The Sanskrit word dvāravatī means "she with many gates" (from dvar "door gate"). Its name may derive from the city of Dvārakā in ancient India.

Little is known about the administration of Dvaravati. It might simply have been a loose gathering of chiefdoms rather than a centralised state, expanding from the coastal area of the upper peninsula to the riverine region of Chao Phraya RiverHinduism and Buddhism were significant. The main settlements appear to have been at Nakhon PathomU Thong and Khu Bua west of the Chao Phraya. Other towns like Lavo (modern-dayLopburi) or Si Thep were also clearly influenced by the Dvaravati culture but probably were not part of the Dvaravati state.

The traditional chronology of Dvaravati is mainly based on the Chinese textual account and stylistic comparison by art historians. However,the results from excavations in Chansen and Tha Muang mound at U-Thong do not support the traditional dating. Newly dated typical Dvaravati cultural items from the site of U-Tong indicate that the starting point of the tradition of Dvaravati culture can be pushed back to 200 CE and lasted until 600 CE. Thus a tradition of "Early" or"Proto-Dvaravati culture" might have been established during this period.[6]