Featuring a highly figured Koa top the Godin A6 Ultra Koa
extreme is a guitar that can fill the gap in almost anyone's
collection. Plugged in it is an electric guitar, an acoustic guitar or a
blend of the two. Unplugged the Godin A6
Ultra is loud enough for practice or just strumming, and it plays and
feels like an electric. Perfect for home use, bands, or solo performers,
the Godin A6 Ultra Koa Extreme is an exceptional value for a North American made guitar.
The
Godin A6 Ultra Koa
Extreme is a great eye-catching value, and the perfect guitar for a
gigging soloist, jazz player, or a feedback-free substitute for an
acoustic guitar. From first hand experience, the Godin A6
is the perfect companion for bands that need acoustic guitar
accompaniment, but don't want to deal with a true acoustic on a loud
stage. The Godin A6 sounds as good as most amplified acoustics, it never
feeds back, and it's comfortable and easy to play all night long.
The Godin A6 Ultra Koa Extreme features the follow construction and components:
- Solid Koa Extreme figured top with chambered maple back
- High gloss finish
- Godin humbucker neck pickup with passive volume treble and bass mini-knobs
- Godin EPM under saddle bridge transducer with sliders for active treble, mid, and bass
- 25.5" scale mahogany neck with Indian rosewood fingerboard
- TUSQ saddle and nut
- Schaller strap lock buttons
- Output jacks for electric and electric/acoustic mix (when using both they act as individual electric and acoustic jacks)
- Deluxe Godin padded gig bag
- Made in Canada
- 2015 list price $1259
Whether
using the mixed output or running the individual electric/acoustic
output jacks, the A6 Ultra can span a wide range of tones and excels as a
live performance instrument.
Using
the split separate outputs, a typical configuration is running the
humbucker neck pickup into a conventional guitar amp, and the bridge
transducer into an acoustic guitar amp, or through a preamp
direct into the PA. The neck humbucker is voiced for fairly mellow
tones, and the chambered body provides a round, deep tonality. It does a
surprisingly good job at emulating a hollow body jazz guitar. The
bridge piezo is bright and crisp sounding, but largely devoid of piezo
crackle and quack. Tested through a Fishman Loudbox with a touch of
reverb it sounded articulate and clean, and unless you are a hardcore
folkie,
would easily hold its own in most performing situations. Direct into a
PA, it does benefit with a little signal conditioning, and we tried it
with our BBE Acoustimax preamp. The Acoustimax has a built-in BBE Sonic
Maximizer, which works to open up the sound and making any acoustic type
instrument sound more spacious and open.
Using
the blended output, it's possible to get all Electric, all Acoustic, or
a blend of the two. By blending a little neck pickup into a mostly
acoustic signal, you get a very rich acoustic tone with a nice low end.
For players doing primarily acoustic work, the blended output is
probably all they will ever need.
At home the Godin A6
is great for just sitting around or practicing both your electric and
acoustic parts. While certainly not as full sounding as a true acoustic,
it puts out a reasonable amount of volume, the slim body is easy to
hold, and the Godin electric style neck has light action and is easy on
the fingertips. At only 6 pounds it travels easily and takes up far less
space than a traditional acoustic.
The Godin A6
is one of those guitars that once you own it, you'll wonder how you got
along without it. Whether your are a performer or just like to play,
the Godin A6 is a go-to instrument for a wide array of playing environments.