Description du produit Zombies, Sex and Guns, Oh My! HIP, OFFBEAT, INTENSELY EROTIC & TOTALLY UNIQUE CULT GORY HORROR Meet Francesco Dellamorte (Rupert Everett), gravedigger and guardian of the mythical Buffalora Cemetery where the dead just don t stay dead. Seven days after burial, the fresh cadavers claw their way out of their coffins looking for flesh to eat. And it's Francesco's job to dispatch these 'Returners' before they escape into the local community. But his quest to stop the dead from invading the world of the living falters when he falls in love with a beautiful and enigmatic widow visiting her husband's crypt. For when he kills her by mistake, and is cursed to see her face for eternity, the difference between being alive and dead become chillingly confused in his shocked and romantically damaged brain. From Michele Soavi, director of THE CHURCH and THE SECT, a surreal blend of George Romero gore, Dario Argento style and Monty Python irreverence in the weirdest zombie movie ever made. Special Features: - Full, complete & Uncut - Commentary + subtitled fact-track by director Michele Soavi & writer Gianni Romoli - Exclusive Booklet by Alan Jones: Alan Jone's personal on-set memoir and genesis of the film - Original Theatrical trailer - Photo Gallery of on-set stills - Original English Audio. Plus optional Italian Audio track with English Subtitles - Dolby 2.0 audio - Shameless trailer gallery Synopsis Francesco Dellamorte è il custode del cimitero di Buffalora e svolge il suo compito con l'aiuto di Gnaghi, grasso e ritardato. Il cimitero ha una piccola particolarità: i morti tornano a vivere dopo pochi giorni dalla sepoltura e Dellamorte deve eliminarli sparando loro con una pistola. Una giovane vedova, giunta al cimitero per visitare la tomba del marito, attira l'attenzione di Dellamorte e i due fanno l'amore sulla tomba proprio mentre il marito torna in vita. Dellamorte lo elimina, ma non prima che questi abbia morso la donna, con gravi conseguenze. Tratto da un romanzo di Tiziano Sclavi, il creatore di Dylan Dog.