Tired of hauling three or four guitars to a gig? The Godin LGX-SA may be
your silver bullet. Featuring two Seymour Duncan pickups, six saddle
mounted transducers on a fixed bridge, a 13-pin synth output, and very
flexible switching, the LGX-SA is at least three guitars in one. Plus
being a Godin, they manage to make it all sound good, and be very easy
to use.
With its AA carved flame maple top, the Godin LGX-SA is the Total Package:
- AA Carved Flame Maple top
- Maple top with Mahogany back
- Mahogany neck, 25.5" scale, 1-11/16 at the nut
- Richlite® fingerboard
- Locking tuners
- Duncan SH-2 neck and Duncan Custom bridge pickup
- 5-way pickup switch (three traditional positions plus coil splits)
- Volume and tone controls for Duncan pickups
- Six RMC piezo saddle transducers with 3 band active EQ
- 1/4" Outputs for Electric, Acoustic or mixed signals
- 13-pin synth output for Roland GR-type synthesizers
- Schaller strap locks
- Dual action truss rod
- Godin Deluxe padded gig bag
- Made in Canada
- List price $2095
Test gear: Dr Z. Remedy Head, Tone Tubby 1x12 pine cabinet with Weber 12F150B speaker
At
first blush, the LGX-SA
seems like a daunting challenge to master. Lots of sliders, knobs and
the like. But after a quick glance at the owner's manual -- yes we do
read the directions -- we were off and running and never looked back.
For our test we ran separate cables for the electric guitar into a
conventional amplifier (Dr. Z. Remedy) and the "acoustic" guitar into a
BBE preamp and QSC K-10 powered speaker. We also tested the synth output
into a Roland GR-20 guitar synth.
Starting
with the electric guitar side, it's essentially a conventional
two-pickup electric guitar, and a pretty nice one at that. The nicely
polished medium frets are set into a Richlite fingerboard, and the
1-11/16 wide neck is a nice width for both traditional electric playing
and "acoustic" work. Richlite is a wood-fibre composite material that is
a sustainable alternative to jet black ebony, and it's hard dense
surface provides good note tracking for the synthesizer functions. It
has the additional benefit of providing a slick, smooth playing surface
that is percussive and fast.
The Duncan Jazz Model SH-2
neck humbucker has a warm, fat sound with enough output to elicit a
little crunchy edge out of our Dr. Z. The tone is on the warmer side,
but it's not flabby, and the low strings have a good solid punch. Using a
mild gain pedal like a Sparkle Drive or Keeley White Sands added a
pleasantly bright vintage crunch that was detailed, musical, and lively.
Piling on excessive gain can get a little swampy, so pedal discretion
is advised. But when using gain in moderation, the LGX-SA knocks out
chewy rock crunch that's as thick as a Georgia summer night.
The
Seymour Duncan Custom bridge pickup is a medium-hot pickup that has a
healthy dollop of midrange punch, but the Alnico 2 magnet structure
tempers the sharp nasal tendencies that make hot bridge pickups
sonically tiresome. Voiced nicely for classic rock and medium crunch, it
responds well to a variety of gain settings and maintains good
articulation even when pushed.
The 5-way pickup switch provides
the traditional neck, combined, and bridge settings plus split tones at
the 2 and 4 switch positions. The split position at the neck yields a
well balanced sound that is ideal for strumming and rhythm work. The
split position at the bridge is a noticeably brighter, slightly quacky
tone, that initially makes you wonder if it's out of phase (it's not, we
checked). It's got a little bit of that "Strat" style out of
phase-ness, and will come in handy if you want to channel a little
Robert Cray, or are overcome with the need to play some surf music.
There
is no "kill" switch on the LGX-SA so switching over to the acoustic
mode requires either turning down the electric guitar volume or having
some type of mute switch on your pedalboard. Once you've made it over to
the acoustic side, you'll be highly impressed by the natural acoustic
sound out of what is essentially a solid body guitar. The 3-band EQ has
plenty of boost/cut range, and it's also possible to simultaneously
blend in the electric pickups. A little "electric" blended into the
acoustic sound is a good way to add more complexity and richness, while
still sounding largely like an acoustic guitar. We've used an LGX-SA at
several gigs and found that for "situational acoustic" guitar it's super
handy and much easier to dial in than a conventional acoustic guitar.
And of course there is never any feedback.
But wait, there's more:
The Roland compatible 13-pin synth output unlocks a veritable orchestra
of sounds (literally) and can be used by themselves or blended with the
guitar tones. One could write a book on the possibilities; but whether
you need a little sitar, or want to double your guitar part with horns,
it's all possible. For solo performers with a looper or cover bands,
it's a genie in a bottle.
The Godin LGX-SA has a lot going on, and
it's a compelling option for the gigging musician that needs a little
bit of everything but wants to travel light. It also does not force the
player into a series of compromises: It's a fully competent electric
guitar with pickup voicings that can range from jazz to hard rock, and
it's got convincing acoustic sounds that are eerily similar to Godin's
Multiac line. And the synth cracks open a whole new box of tricks.
Factor in Godin's build quality and that nice flame top, and there's not
much out there that comes close.
We are an authorized Godin dealer and this is a new guitar
with all tags, tools, paperwork and certificates. We have over 25 Godin-family
guitars stock at all times, and please feel free to browse our other listings,
or contact us for delivery time and availability on other Godin models.