Roger Daltrey
Roger Daltrey at the Hyde Park Live 8 concert (2005)
Background information
Birth name	Roger Harry Daltrey
Born	1 March 1944 (1944-03-01) (age 66) Hammersmith, London, England
Genres	Rock, hard rock, pop rock, art rock
Occupations	Singer–songwriter, musician, actor, film producer
Instruments	Vocals, guitar, harmonica, percussion, trombone
Years active	1959–present
Labels	Various
Associated acts	The Who The RD Crusaders

Roger Harry Daltrey CBE (born 1 March 1944) is an English singer-songwriter and actor, best known as the founder and lead singer of English rock band The Who. He has maintained a musical career as a solo artist and has also worked in the film industry, acting in a large number of films, theatre and television roles and also producing films. Daltrey is ranked by Hit Parader as the seventeenth greatest heavy metal singer of all time [1].

Contents [hide] 1 Early years 2 The Who years 3 Rock persona 4 Musical equipment 5 Honours 6 Charities 7 Personal life 8 Views and advocacy 9 Literary work 10 Who songs written by Daltrey 11 Solo music career 11.1 No Plan B band 12 Discography 12.1 Collaborations 13 Film and stage career 13.1 Film roles 13.1.1 Filmography 13.2 Television roles 13.3 Stage roles 13.4 Producer 14 References 15 Additional references 16 External links

[edit] Early years

Roger Harry Daltrey was born in the Hammersmith area of London, but was raised in Acton, the same working class suburban neighbourhood that produced fellow Who members Pete Townshend and John Entwistle. He was one of three children born to parents Irene and Harry Daltrey, and grew up with two sisters, Gillian and Carol. Harry Daltrey worked for a water closet manufacturer, and Irene Daltrey was told she would be unable to have children because of losing a kidney in 1937. Nevertheless, she went into labour during a World War II air raid and gave birth to her son at the nearby Hammersmith Hospital, West London. At the age of three, the young Roger swallowed a rusty nail which had to be surgically removed, leaving a visible scar. At the age of five, the rust from the nail caused an ulcer in his stomach which required him to be hospitalised.

Daltrey attended Victoria Primary School and then Acton County Grammar School for boys along with Pete Townshend and John Entwistle. He showed academic promise in the English state school system, ranking at the top of his class on the eleven plus examination that led to his enrolment at the Acton County Grammar School. His parents hoped he would eventually continue on to study at the university, but Daltrey turned out to be a self-described "school rebel" and developed a dedicated interest in the emerging rock and roll music scene instead.

He made his first guitar from a block of wood and formed a skiffle band called The Detours. When his father bought him an Epiphone guitar in 1959, he became the lead guitarist for the band and soon afterwards was expelled from school for smoking. Describing the post-war times, Pete Townshend wrote in his autobiography, "Until he was expelled, Roger had been a good pupil. Then he heard Elvis and transmogrified into a Teddy Boy with an electric guitar and a dress-sneer. Was it simply rock ‘n’ roll? It was obvious to a young man as intelligent as Roger that there was no future in conforming any more."

Daltrey became a sheet metal worker during the day, while practicing and performing nights with the band at weddings, pubs and men's clubs. He invited schoolmate John Entwistle to play bass in the band, and on the advice of Entwistle, invited Pete Townshend to play guitar. At that time, the band consisted of Daltrey on lead guitar, Pete Townshend on rhythm guitar, John Entwistle on bass, Doug Sandom on drums and Colin Dawson on lead vocals. After Colin Dawson left the band, Daltrey switched to vocals and played harmonica as well, while Townshend became the lead guitarist. In 1964 drummer Doug Sandom left the band, eventually being replaced by Keith Moon.

Early on, Daltrey was the band's leader, earning a reputation for using his fists to exercise control when needed, despite his small stature (his height is reportedly 5 feet 7 inches (1.70 m)). According to Townshend, Roger "ran things the way he wanted. If you argued with him, you usually got a bunch of fives."^[1] He generally selected the music they performed, including songs by The Beatles, various Motown artists, James Brown, and other rock standards.

In 1964 the group discovered another band working as The Detours and discussed changing their name. Pete Townshend suggested "The Hair" and Townshend's roommate Richard Barnes suggested "The Who." The next morning, Daltrey made the decision for the band, saying "It's The Who, innit?"

During 1964, band manager Peter Meaden renamed the band The High Numbers as part of a move to establish the band as Mod favourites. The name was a reference to the T-shirts with "numbers" that the Mods used at the time. Pete Meaden composed Mod songs for them (in fact, the songs were almost copies of Mod hits at the time, with changed lyrics) and they released one single, "I'm The Face/Zoot Suit", on Fontana Records. The single was unsuccessful.

After Kit Lambert and Chris Stamp discovered The High Numbers at the Railway Hotel, the band quickly changed their name back to The Who, since neither Lambert nor Stamp liked the name "The High Numbers".

[edit] The Who years

With the band's first hit single and record deal in early 1965, Townshend began writing original material and Daltrey's dominance of the band began to decline.

The other members of The Who expelled Daltrey from the band in late 1965 after he beat up drummer Keith Moon for supplying drugs to Townshend and Entwistle, causing him to re-examine his methods of dealing with people. A week later, Daltrey was admitted back to the band, but was told he'd be on probation. He promised there would be no more violent outbursts or assaults. Daltrey recalled, "I thought if I lost the band I was dead. If I didn't stick with The Who, I would be a sheet metal worker for the rest of my life."

The band's second single, "Anyway, Anyhow, Anywhere" was the only song on which Daltrey and Townshend collaborated, and Daltrey only wrote two other songs for the band during these years. As Townshend developed into one of rock's most accomplished composers, Daltrey's vocals became the vehicle through which Townshend's visions were expressed, and he gained an equally vaunted reputation as a powerful vocalist and riveting frontman. The Who's stage act was highly energetic, and Daltrey's habit of swinging the microphone around by its cord on stage became his signature move.

Daltrey's stuttering expression of youthful anger, frustration and arrogance in the band's breakthrough single, "My Generation", captured the revolutionary feeling of the 1960s for many young people around the world and became the band's trademark. Later, his scream near the end of "Won't Get Fooled Again" became a defining moment in rock and roll. (Note: The stuttering was initially introduced by Pete Townshend on the demo for "My Generation" as a way of expressing the rapid-fire speech of the Mods at the time. Daltrey followed the demo faithfully in this regard.)

In October 1973, Townshend was at a low point after struggling through the rock opera Lifehouse and Quadrophenia projects, and Daltrey was experiencing success with his solo projects and acting roles. Daltrey had quite a bit of free time while others of the band worked on recording the music for Quadrophenia, and he used some of this time to check The Who's books. He found they had fallen into disarray under the management of Kit Lambert and Chris Stamp. Kit Lambert was also Pete Townshend's artistic mentor and challenging him led to renewed tension within the band. During a filming session (in an incident that Daltrey claimed was overblown) Townshend and Daltrey argued over the schedule. Townshend whacked the singer over the head with his guitar and Daltrey responded by knocking Townshend unconscious, again with a single blow.^[2]

With each of The Who's milestone achievements, Tommy, Who's Next, and Quadrophenia, Daltrey was the face and voice of the band as they defined themselves as the ultimate rebels in a generation of change. When Ken Russell's adaptation of Tommy appeared as a feature film in 1975, Daltrey played the lead role, was nominated for a Golden Globe Award for "Best Acting Debut in a Motion Picture" and appeared on the cover of Rolling Stone magazine on 10 April 1975. Afterward, Daltrey worked with Russell again, starring as Franz Liszt in Lisztomania. He worked with Rick Wakeman on the soundtrack to this film, writing the lyrics to three songs and also performing these, as well as others.

The Who went on after the death of Keith Moon in 1978, but tension continued as Daltrey felt new drummer Kenney Jones was the wrong choice for The Who. In 1980 Daltrey completed a major project for The Who Films, Ltd., a dramatic film called McVicar about U.K. bank robber John McVicar. Daltrey produced and starred in the film, and completed a striking soundtrack with other members of the band. This success, along with other stresses, contributed to a deterioration of relations with Townshend, and The Who retired from active touring in 1982 when Townshend felt he was no longer able to write for the band. The band continued to work together sporadically, reuniting for the Live Aid concert and recording songs for Daltrey's solo album Under a Raging Moon and Townshend's solo album Iron Man.

Daltrey turned to working as an actor, completing such high profile projects as The Beggar's Opera and The Comedy of Errors for the BBC. He also appeared in several film, television and stage productions during this period, including Mike Batt's The Hunting of the Snark (1987), The Little Match Girl (1987), Buddy's Song (1990), which he also produced, and Mack the Knife (1990). In 1991 he received a Grammy Award with The Chieftains for An Irish Evening: Live at the Grand Opera House, Belfast.

The Who returned in 1989 with their 25th Anniversary Tour, which was also the 20th anniversary of the rock opera Tommy. The tour featured a large backing band and guest appearances by Steve Winwood, Patti LaBelle, Phil Collins and Elton John. Although Daltrey experienced severe health problems due to an abdominal hemangioma, he managed to complete the tour. He continued to work on stage and screen during this period, completing projects such as The Wizard of Oz in Concert: Dreams Come True (1995) appearing as the Tin Woodman alongside Nathan Lane, Joel Grey, Natalie Cole, and Jewel Kilcher as Dorothy. During this time, he also began to appear in U.S. television shows.

In 1994 Daltrey celebrated his 50th birthday by performing a two-night spectacular at Carnegie Hall titled A Celebration: The Music of Pete Townshend and The Who, and popularly called Daltrey Sings Townshend. The show was produced by Daltrey's manager at the time, Richard Flanzer. The Who's music was arranged for orchestra by Michael Kamen, who conducted The Juilliard Orchestra for the event. Bob Ezrin, who produced Pink Floyd's The Wall CD, among other famous albums, produced the live CD. Pete Townshend, John Entwistle, Eddie Vedder (who performed a special acoustic tribute), Sinéad O'Connor, Lou Reed, David Sanborn, Alice Cooper, Linda Perry, The Chieftains and others performed as special guests. Michael Lindsay-Hogg directed the telecast, which was aired on satellite TV. The concert, at the time, was the fastest sell out in the famed venue's history. The event was followed by a major tour financed by Daltrey and including John Entwistle on bass, Zak Starkey on drums and Simon Townshend on guitar. Although the tour was considered an artistic success, it failed to make a profit due to the expense of providing extraordinary musicians and orchestras in every city to replicate the Carnegie Hall event. Significantly, the tour attracted attention to songs from The Who's rock opera Quadrophenia and gathered support for a staging and major tour of the rock opera in 1996-1997.

In 1996 Pete Townshend was approached to produce Quadrophenia for The Prince's Trust concert at Hyde Park, London. He at first planned to perform the opera as a solo acoustic piece using parts of the film on the screens, but after receiving offers of financing decided on a full-out production. When he first contacted Daltrey to request a collaboration, Daltrey refused, but after some discussion, he agreed to help produce a one-off performance. The opera was performed with a large backing band, including John Entwistle on bass, Pete Townshend on acoustic guitar and vocals, Zak Starkey on drums, Rabbit Bundrick and Jon Carin on keyboards, Simon Townshend on guitar and special guests including David Gilmour, Adrian Edmondson, Trevor McDonald and Gary Glitter. A horn section and backing vocalists were added, along with other actors. On the night before the show, Daltrey was struck in the face by a microphone stand swung by Gary Glitter. The accident fractured his eye socket and caused considerable concern that he might not be able to perform safely, but Daltrey donned an eye-patch to cover the bruises and completed the show as scheduled. Afterward, Townshend decided to take the production on tour in 1996-1997 as The Who.

After their Quadrophenia tour was successful, the band returned as The Who in a stripped-down, five-piece lineup for tours in 1999-2000. The band continued to work together, making a major impact at The Concert for New York City. After Entwistle's death in June 2002, both Daltrey and Townshend decided to continue with an already planned tour as The Who. Bassist Pino Palladino was chosen to fill Entwistle's place. The band also completed a brief tour in 2004. In 2006, they released their first studio album of new material in twenty-four years, Endless Wire, leading some fans and critics to say that the highly acclaimed artistic tension within The Who lay between the two principals Daltrey and Townshend. The band completed a world tour in 2006-2007 to support this album.

In February 2010, Townshend and Daltrey, headlining as The Who, performed the halftime show at Super Bowl XLIV in front of 105.97 million viewers across the globe. In March 2010, Townshend and Daltrey, along with an extensive backing band, performed Quadrophenia at the Royal Albert Hall in London as a tenth anniversary charity benefit for the Teenage Cancer Trust. Eddie Vedder of Pearl Jam sang the part of the Godfather, and Tom Meighan of Kasabian sang the part of Aceface.^[3] Tom Norris, London Symphony Orchestra Co-Principal Second Violin, played violin for the production. On 3 July He performed the Opening act for Eric Clapton at DTE Energy music theatre.

[edit] Rock persona

When Colin Dawson left The Detours, Roger Daltrey took over as lead vocalist, giving up his guitar. The band as a whole acknowledged Moon's and Entwistle's innovation and talent on their instruments, and Pete Townshend had begun writing hit songs, but Daltrey struggled to find a voice to present their new music. His expression carried Townshend’s material well enough in recordings, and at the time his live persona suited the small club scene where The Who made their beginnings. However, this presentation lacked the confidence of later years, and he was arguably still a singer seeking a voice.

The Who first toured North America in 1967, appearing at the Monterey Pop Festival, and Daltrey brought back new experiences in dealing with larger venues and stages. 1968 proved a pivotal year with Townshend's movement beyond the quick three minute single towards his goal of writing a rock opera. Beginning with "A Quick One While He's Away", a nine minute mini-opera, Daltrey’s performance in The Rolling Stones Rock and Roll Circus showed him with a new confidence in dealing with Townshend’s material. In 1969 The Who’s first major rock opera Tommy was released, and Daltrey found a voice for the lead character that carried The Who to world stardom at such music venues as Woodstock and the Isle of Wight Festival, and in opera houses around the world during the next two years. Townshend later remarked in the film Amazing Journey, that with Tommy, and with Daltrey's adaptation to portraying the character on-stage, the singer evolved from what was essentially a tight, tough guy to one who outstretched his arms, bared his body to the audiences, and began to truly engage them. "With this change, the band was at last complete," he summed up. "It was a marriage," Townshend emphasised, "but it was a good marriage. Those were glorious years". Daltrey confirmed this, saying, he felt at last accepted, displaying a newly energetic role and sound during live performances.

Daltrey has long been known as one of the most charismatic of rock’s frontmen. His stage persona embraces the audience and projects The Who’s repertoire as heroic anthems and touching ballads that have gripped the emotions and imagination of audiences for over forty years. According to Pete Townshend, "He almost invented the pseudo-messianic role taken up later by Jim Morrison and Robert Plant."^[4] Daltrey projected a naturally masculine and yet refined power that proved to be one of the most potent in rock and roll history. This persona has earned him a position as one of the “gods of rock and roll”^[5] His appearance in the early 1970s included striking, long blond curly hair with a sexual magnetism built for teenage appeal. This look would became markedly more masculine as the seventies and eighties progressed. Daltrey developed a trademark move of swinging and throwing his microphone through a complex sequence, matching these sequences with the tempo of the song that was being played at the moment. Although Daltrey reduced the athleticism of his performance during later years, his presentation remained dynamic and gripping.

[edit] Musical equipment

Roger Daltrey hand-built his first guitar from a piece of plywood and also built guitars for the band in the early days when they had little money to buy equipment.^[6] As lead guitarist for the Detours, Daltrey played an 1961 Epiphone Wilshire solidbody electric guitar which he later sold to Pete Townshend on an easy payment plan.^[7][8] After he took over vocals for the band in the sixties and during the seventies, Daltrey rarely played guitar on stage; however, he played a Martin acoustic guitar for appearances to promote his solo album Daltrey.^[9] He began playing guitar with The Who again during the band's tours in the eighties, and used a Fender Esquire to play a second guitar part for the song "Eminence Front" on The Who's 1982, 1989 and later tours.^[10] During the 1989 tour, he played a Gibson Chet Atkins SST guitar for the song "Hey Joe." During The Who's 1996-97 Quadrophenia tour, Daltrey played a Gibson J-200 acoustic guitar.^[11]

After 1999, it became more common for Daltrey to play guitar during both The Who and solo shows. He ordered a Versoul Buxom 6 handmade acoustic guitar that he played on The Who's 2002 tour.^[12] Daltrey owns a Gibson Everly Brothers Flattop acoustic guitar which he played on The Who and solo tours in the late 2000s.^[13] On his 2009 tour with No Plan B, Daltrey played Pete Townshend's "Blue, Red and Grey" on an Ashbury cutaway tenor EQ ukulele.^[14]

Roger Daltrey is known as one of the harmonica players who brought the instrument out of blues and into popular music.^[15] Although the mouth harps that Daltrey uses have varied over the years, brands he has used include Hohner and Lee Oskar harmonicas.^[16] Daltrey plays using the blues harp (2nd position) or cross harp technique which originated in blues music.

Daltrey uses Shure microphones with cords which he tapes to reinforce the connection and avoid cutting his hands when he swings and catches the microphone. He commonly uses a standard Shure SM58,^[17] but has also used Shure SM78 (in 1981), Shure model 565D Unisphere 1, and Shure model 548 Unidyne IV.^[18] Daltrey also uses a hybrid monitoring system with one in-ear monitor supplemented by floor wedges.^[19]

[edit] Honours

In 1976 Roger Daltrey was nominated for a Golden Globe Award for "Best Acting Debut in a Motion Picture" for his starring role in the film version of The Who's rock opera Tommy. He also performed as a guest on the Chieftains' recording of Irish Evening: Live at the Grand Opera House which won a Grammy Award for Best Traditional Folk Album in 1993. With The Who, Daltrey received a Grammy Lifetime Achievement Award in 2001 for outstanding artistic significance in music.

In 1990 Daltrey was inducted into the Rock and Roll Hall of Fame in Cleveland, Ohio as a member of The Who.^[20] The Rock and Roll Hall of Fame also included three songs that Daltrey recorded with The Who on the list of 500 Songs that Shaped Rock and Roll, including: "My Generation", "Go to the Mirror Boy", and "Baba O'Riley".^[21] In 2005 Daltrey received a British Academy of Songwriters, Composers and Authors Gold Badge Award for special and lasting contributions to the British entertainment industry.^[22][23]

In 2003, Daltrey was honoured by Time magazine as a European Hero for his work with the Teenage Cancer Trust and other charities.^[24] In the New Year's Honours List published on 31 December 2004, he was appointed a Commander of the Order of the British Empire for services to Music, the Entertainment Industry, and Charity.^[25]

As a member of The Who, Daltrey was inducted in 2005 into the UK Music Hall of Fame.^[26] In December 2008, he and Pete Townshend were honoured with America's most prestigious cultural awards as recipients of the 31st annual Kennedy Center Honors in Washington, D.C. by then-President of the United States, George W. Bush.^[27] On 4 March 2009, three days after his 65th birthday, Daltrey accepted the James Joyce Award from the Literary and Historical Society of University College Dublin for outstanding success in the music field.^[28]

[edit] Charities

Roger Daltrey supports many charities both as a solo artist and jointly with other members of The Who. All The Who's Encore Series profits go to young peoples' charities. Roger Daltrey was instrumental in starting the Teenage Cancer Trust concert series in 2000, with The Who actually playing in 2000, 2002, 2004, 2007 and 2010. Daltrey played benefits with The RD Crusaders in 2003, 2004, 2006, 2008; performed with The Who at Live 8 in 2005, for the Nordoff-Robbins Silver Clef benefit in 2005, and for the Los Angeles area City of Hope benefit in 2001 and 2004. The Who played with special guest Michael J. Fox at the 2008 "A Funny Thing Happened on the Way to Cure Parkinson's" benefit.

With The Who, he performed for the Robin Hood Foundation at The Concert for New York City and other benefits in 2001; at Neil Young's Bridge School Benefit in 1999; and in the Quadrophenia Concert for The Prince's Trust in Hyde Park, 1996. In addition, Daltrey performed at benefits in Vail, Colorado, in 1999, and attended a PETA benefit with Sarah McLachlan and Chrissie Hynde in the same year.

Daltrey appeared in The Wizard of Oz in Concert: Dreams Come True in 1995 for The Children's Defense Fund, and at the Freddie Mercury Tribute Concert to benefit AIDS research in 1992. Roger Daltrey's 1994 Celebration raised funds to support Babies and Children Hospital in New York City, as well.

He sang "Rock and Roll" on a charity single released as McEnroe & Cash with The Full Metal Rackets for Rock Aid Armenia in 1986, and performed with The Who at Live Aid in 1985 and Concert for Kampuchea in 1979. In 1976, he performed at the Celtic Football Ground in Glasgow, Scotland. An audience of 35,000 attended and a sum of over £100,000 was donated to charity.

Daltrey performed at the first ChildLine Rocks concert at London's IndigO2 on 13 March 2008.^[29] In 2009 Daltrey was a judge for the 8th annual Independent Music Awards to support independent artists.^{[30] [31]} In the same year, he appeared again on stage with Michael J. Fox for the "A Funny Thing Happened on the Way to Cure Parkinson's" benefit. In April 2010, he headlined the Imagine A Cure II show honouring the legacy of John Lennon, which raised money for the Puget Sound Affiliate of Susan G. Komen for the Cure breast cancer charity.

[edit] Personal life

Daltrey has been married twice. In 1964, he married the former Jacqueline "Jackie" Rickman, and had one child, born in 1965, Simon. The couple divorced in 1968. In 1967, Daltrey's son Mathias was born, the result of an affair with Swedish model Elisabeth Aronsson^[32]. In 1971, he met the American Heather Taylor, his current wife. Together, they have three children, Rosie Lea (born in 1972), Willow Amber (born in 1975)^[33] and Jamie (born in 1981). He also has four granddaughters, Lily, Lola, Ramona and Scarlet; and one grandson, Jonjo. He also has three other children from relationships during the sixties.^[34]

Daltrey owns a country estate near Burwash, East Sussex, as well as his parents' old home in London. In the 2000s, he bought a home in the Los Angeles area of Southern California.

[edit] Views and advocacy

Daltrey is a supporter of the Countryside Alliance and has played concerts to raise funds for the organisation.^[35]

[edit] Literary work

Roger Daltrey contributed to a collection of childhood fishing stories published in 1996 entitled I Remember: Reflections on Fishing in Childhood.^[36]

[edit] Who songs written by Daltrey

Although never a writing force in The Who and overshadowed by the song writing talents of Townshend and Entwistle, Daltrey did contribute a small handful of songs to the band's catalogue during their early career:

• "Anyway, Anyhow, Anywhere" (1965)-The Who's second single, co-written by Townshend.
• "See My Way" (1966)-Daltrey's contribution to A Quick One.
• "Here for More" (1970)-B-side to "The Seeker".

Daltrey also wrote a song called "Crossroads Now" for The Who which grew out of an onstage jam in 1999 after the song "My Generation."^[37] Another Daltrey song, entitled "Certified Rose," was rehearsed by The Who shortly before the death of John Entwistle. The band had planned on playing it (as well as Townshend's "Real Good Looking Boy") during their 2002 tour, but plans were halted after Entwistle's death.^[38] Although it was rumoured that a studio version was recorded during the Endless Wire sessions (and might feature Entwistle's basslines from 2002), Townshend later stated that no such recording was made.^[39]

"Early Morning Cold Taxi", a song recorded during The Who Sell Out sessions in 1967 and released in 1994 on the Thirty Years of Maximum R&B boxset, is credited to Roger Daltrey and Who roadie Dave "Cy" Langston. Some sources report that the song was solely written by Langston.^[40] At the time Daltrey and Langston were planning to form a writing-partnership, where all songs written by either of them would be credited as Daltrey/Langston. The partnership did not produce any other songs (besides an unreleased demo titled "Blue Caravan.") Langston went on to play guitar on John Entwistle's first solo album, Smash Your Head Against the Wall, in 1970.

[edit] Solo music career

Daltrey has released eight solo albums. The first was the self-titled Daltrey in 1973, recorded during a hiatus in The Who's touring schedule. The top single off the album, "Giving It All Away", reached number five in the UK and the album, which introduced Leo Sayer as a songwriter, made the Top 50 in the United States. The inner sleeve photography shows a trompe-l'œil in reference to the Narcissus myth, as Daltrey's reflection in the water differs from his real appearance. He also released a single in 1973, "Thinking" with "There is Love" on the B-side.

Daltrey's second album, Ride a Rock Horse, was released in 1975 and is his second most commercially successful solo album. Its cover, photographed by Daltrey's cousin Graham Hughes, is remarkable for depicting the singer as a rampant centaur.

When Sayer launched his own career as an artist, Daltrey called on a widening group of friends to write for and perform on his albums. Paul McCartney contributed the new song "Giddy" to One of the Boys, where the band included Hank Marvin, Eric Clapton, Alvin Lee and Mick Ronson. On this cover, another visual trick is played with Daltrey's mirror image, with reference to Magritte's famous painting Reproduction Interdite.

McVicar was billed as a soundtrack album for the film of the same name, in which Daltrey starred and also co-produced. It featured all the other members of The Who (Townshend, Entwistle and Kenney Jones). McVicar included two hit singles, "Free Me" and "Without Your Love", and is Daltrey's best-selling solo recording.

The title track to Under a Raging Moon was a tribute to Who drummer Keith Moon, who died in 1978. Each of the album's tracks, including "Let Me Down Easy" by Bryan Adams, expresses the frustration of growing older as only a man who sang "Hope I die before I get old" can. Daltrey is credited as co-writer on "Don't Talk to Strangers," "The Pride You Hide," "Move Better in the Night" and "It Don't Satisfy Me."

On Can't Wait to See the Movie, Daltrey is credited as co-writer on the tracks "Balance on Wires" and "Take Me Home." On Rocks in the Head, Daltrey is credited (along with Gerard McMahon) for co-writing seven of the eleven tracks, including: "Times Changed," "You Can't Call It Love," "Love Is," "Blues Man's Road," "Days of Light," "Everything A Heart Could Ever Want" and "Unforgettable Opera." On this album, Daltrey's voice ranges from a powerful bluesy growl à la Howlin' Wolf to the tender vocals shared with his daughter Willow on the ballad 'Everything A Heart Could Ever Want". This was his first major effort as a song-writer for his own solo albums.

For his compilation album Moonlighting, Daltrey co-wrote the song "A Second Out" with Steve McEwan of the band UnAmerican. The recording features Daltrey's vocals backed by McEwan on acoustic guitar.

In 1992, Daltrey appeared in The Freddie Mercury Tribute Concert, singing the hard rock song "I Want It All", to pay homage to Freddie Mercury, his longlife friend, who died one day after a public announcement that he suffered from AIDS a year before.

Daltrey celebrated his fiftieth birthday in 1994 by performing at Carnegie Hall in two shows (23 and 24 February ) later issued on CD and video called A Celebration: The Music of Pete Townshend and The Who, sometimes called Daltrey Sings Townshend, accompanied by The Juilliard Orchestra, Pete Townshend, John Entwistle, Irish dancers and other special guests. The success of these two shows led to a U.S. tour by the same name, featuring Pete Townshend's brother Simon on lead guitar with Phil Spalding taking bass duties for the first half of each show and John Entwistle playing for the second half. An Australian leg was considered but eventually scrapped.

Daltrey took on a number of other solo projects, including a tour with the British Rock Symphony in 1998, and the Night of the Proms in 2005. Daltrey also worked with the Rock 'n Roll Fantasy Camp, raising money for charities during the final concert.

Besides the songs Daltrey co-wrote for his solo albums, he is credited for co-writing others, including: "Child O Mine" with Gerard McMahon, used on the soundtrack for The Banger Sisters and on the TV show Witchblade. On the soundtrack for Lisztomania, Daltrey is credited with "Love's Dream", "Orpheus Song" and "Peace at Last."

In 2005, Daltrey had a short weekly series on BBC Radio 2, presenting a personal choice of rock'n'roll favourites. In 2006, he wrote and performed a specially commissioned song, "Highbury Highs", for Highbury Farewell ceremony following the final football match on 7 May at Arsenal Stadium between Arsenal and Wigan, in which Arsenal celebrated the previous 93 years at Highbury, preparing for their move to the Emirates Stadium, Ashburton Grove, the following season.^[41]

[edit] No Plan B band

Roger Daltrey embarked on a solo tour of the U.S. and Canada on 10 October 2009, officially called the "Use It or Lose It" tour with his band No Plan B.^[42] The band included Simon Townshend on rhythm guitar and vocals, Frank Simes on lead guitar, Jon Button on bass, Loren Gold on keyboards, and Scott Devours on drums.^[43] Eddie Vedder made a guest appearance at the Seattle, WA show on 12 October.^[44] In 2010 Daltrey and No Plan B appeared for several dates with Eric Clapton,^[45] including Summerfest at Milwaukee, Wisconsin.^[46] The band also scheduled additional dates without Clapton.

[edit] Discography

[edit] Collaborations

In 1984, Daltrey appeared on "Bad Attitude", the title track of an album by Meat Loaf, sharing the lead vocal. The following year, he appeared in Barbra Streisand's music video for her single "Emotion", playing Streisand's emotionally uninterested husband.

In 1992, he appeared on The Chieftains' Grammy Award-winning album, An Irish Evening: Live at the Grand Opera House. He also released an album with the Boys Choir of Harlem in 1998 with selections from A Christmas Carol. Also in 1998, Daltrey performed two songs with the Jim Byrnes Blues Band at the Los Angeles Highlander Convention.^[47] He borrowed a guitar to play for the songs, after reassuring the owner that he would not break it. Daltrey taught thirteen-year-old Drake Bell how to play the guitar in 1999. Drake later starred in Drake and Josh and released two albums.

In 2001, Daltrey provided backing vocals for the title track of the Joe Strummer and The Mescaleros album Global a Go-Go. In 2003, he provided backing vocals for thrash-metal band Anthrax on the song "Taking the Music Back" from their album We've Come for You All. The collaboration came about through Anthrax guitarist Scott Ian's girlfriend, Pearl Aday, daughter of Meat Loaf, whose mother was a friend of Daltrey and his wife. In 2005, Daltrey collaborated with the British pop band, McFly to sing his hit song "My Generation".

On 12 January 2009, Daltrey headlined a one-off concert along with Babyshambles at the O2 Academy Bristol for Teenage Cancer Trust. On Sunday 5 July 2009, Daltrey joined Paul Weller onstage at Hop Farm Festival in Kent for an encore of "Magic Bus".^[48]

[edit] Film and stage career

[edit] Film roles

After The Who retired from active work in 1982, Daltrey developed his career in film and on the theatre stage. Daltrey's appearances in over 30 feature films include early starring roles in Tommy, as "deaf, dumb and blind boy" Tommy Walker in 1975; Lisztomania, as Hungarian composer Franz Liszt in 1975, and McVicar, as British armed-robber-turned-journalist John McVicar in 1980.

In 2006, Roger Daltrey starred as the voice of Argon the Dragon Bus Driver in the children's home DVD called The Wheels on the Bus: Mango and Papaya's Animal Adventure from Armstrong Moving Pictures. The DVD featured Daltrey as a costumed children's dragon, who drove a bus for two lost puppets trying to return to their home at the zoo. Daltrey provided vocals for children's classics, such as "The Wheels on the Bus Go Round and Round," in addition to songs written specifically for the home video. He later appeared in two other videos for this series.

[edit] Filmography

Roger Daltrey has acted in ads, television and films, and maintains an extensive filmography. A sampling of his films is as follows:^[49]

• Tommy (Tommy Walker), 1975
• Lisztomania (Franz Liszt), 1975
• The Legacy (Clive), 1978
• McVicar (John McVicar), also Producer, 1980
• The Beggar's Opera (Macheath), 1983
• Murder: Ultimate Grounds for Divorce, 1985
• The Little Match Girl (Jeb Macklin), 1987
• Mack the Knife (Street Singer), 1990
• Cold Justice (Keith Gibson), 1989
• Buddy's Song (Terry Clark); also Music Score Composer, Producer, 1991
• If Looks Could Kill - Teen Agent (Blade), 1991
• The Freddie Mercury Tribute Concert ,1992
• Lightning Jack (John T. Coles), 1994
• A Celebration: The Music of Pete Townshend and The Who, 1994
• The Wizard of Oz in Concert: Dreams Come True (Tin Man), 1995
• Vampirella (Vlad), 1996
• Like It Is (Kelvin), 1998
• The Magical Legend of the Leprechauns (King Boric), 1999
• Dark Prince: The True Story of Dracula (King Janos), 2000
• Best (Rodney Marsh), 2000
• The Young Messiah - Messiah XXI [2] (2000) (DVD)
• Strange Frequency 2 (Host/Devil), 2001
• Chasing Destiny (Nehemiah Peoples), 2001
• .com for Murder (Ben), 2002
• Johnny Was (Jimmy Nolan), 2006
• The Wheels on the bus video (Argon the dragon)

[edit] Television roles

Daltrey has played a number of television roles, including BBC Television Shakespeare as both Dromios in The Comedy of Errors, the police drama series The Bill, the science fiction series Sliders as Col. Angus Rickman, the VH1 series Strange Frequency 2, Witchblade as the devil, and was a recurring guest star in Highlander: The Series as Immortal Hugh Fitzcairn, one of the closest friends of lead character Duncan MacLeod. In 1983, he played Macheath, the outlaw hero of BBC TV's production of John Gay's 1728 ballad opera, 'The Beggar's Opera'.

In 1986 he acted in the TV series Buddy. In 1993, He guest-starred (along with Steve Buscemi) in an episode of Tales From The Crypt entitled "Forever Ambergris". Daltrey appeared as a villain in a 1996 episode of Lois and Clark: The New Adventures of Superman. He also played Nobby Clegg, a character named after the band Nobby Clegg and the Civilians, in the Showtime series Rude Awakening.

Daltrey appeared in an episode of The Simpsons, "A Tale of Two Springfields", as himself along with John Entwistle (Pete Townshend was replaced by his brother Paul for the episode). The Who helped Homer break down a wall he had built through the town of Springfield.

A self-described history buff, Daltrey often involves himself in history research related media including television documentaries. Pirate Tales from 1997, is a documentary/action show about the age of piracy in the 1700s, in which Daltrey impersonated English buccaneer William Dampier in a main role as the narrator throughout the series. In 2003 he hosted the History Channel's Extreme History with Roger Daltrey talking about historical events and explaining the survival techniques the civilisations treated had available. He also appeared in "That '70s Musical", the 100th episode of That '70s Show as Fez's musical director.

Daltrey guest starred in a 7 November 2006 episode of CSI: Crime Scene Investigation ("Living Legend") as Mickey Dunn, a prominent Las Vegas 1970s mob boss who returns to Las Vegas to avenge his attempted murder. The Who's music, and Daltrey's singing, provide the themes for all three of the series in the CSI franchise every week ("Who Are You" for the original show, "Won't Get Fooled Again" for CSI: Miami and "Baba O'Riley" for CSI: New York).

In 2005, Daltrey had a cameo appearance as himself in the episode "The Priest and the Beast" in Series 2 of The Mighty Boosh. He is found by the main characters vacuuming a desert, presumably as a "karmic" consequence of leaving Woodstock early and not helping to clean up.

Daltrey has also performed on the soundtrack of a number of films and television shows, most notably CSI. He also appeared in the music video for "Emotion" by Barbra Streisand, although neither he nor The Who were the featured act.

[edit] Stage roles

Daltrey has appeared in stage in productions including Mike Batt's The Hunting of the Snark in 1987 as The Barrister, and also in Batt's Philharmania with the Royal Philharmonic Orchestra in 1998. He appeared in The Wizard of Oz in Concert: Dreams Come True in 1995 as the Tin Man. Also in 1995 he starred in a three part Bert Coules BBC radio dramatisation of the Mutiny on the Bounty novels of Charles Nordhoff and James Norman Hall, and in 1996 he starred in a BBC Radio 2 production of Jesus Christ Superstar as Judas. In 1998, Daltrey played the part of Scrooge in the Radio City Music Hall production of A Christmas Carol in New York City. In 2003, he starred as Alfred P. Doolittle in a production of My Fair Lady at the Hollywood Bowl alongside John Lithgow and Melissa Errico.

[edit] Producer

In addition to his career as an actor, Daltrey has acted as producer on several films, including: Buddy's Song (1990), McVicar (1980), Quadrophenia (1979) and a project in development See Me Feel Me: Keith Moon Naked for Your Pleasure.^[49]

[edit] References

[edit] Additional references

• Geoffrey Giuliano (1996). Behind Blue Eyes: The Life of Pete Townshend. Penguin Books, Ltd. ISBN 0-8154-1070-0
• Steve Huey, Roger Daltrey - Biography, AllMusic.com
• David M. Barling, Biography of Roger Daltrey, [3]

[edit] External links

• Official website
• Roger Daltrey at the Internet Movie Database
• Roger Daltrey as a European Hero in Time magazine
• Daltrey plays solo at Cannes 2009
• Audio stream Roger Daltrey King Biscuit Recording, 1985 Concert Vault
• Roger Daltrey audio interview segments from 1982
• Babyshambles and Roger Daltrey concert photograph by SPIN
• Tom Norris plays with The Who
• 'ChildLine Rocks Diary' by Luke Morley
• WHOoPLA: The Greatest Rock Radio Stunt Ever

[show] v • d • e Roger Daltrey Jon Button • Scott Devours • Loren Gold • Frank Simes • Simon Townshend Studio albums Daltrey • Ride a Rock Horse • One of the Boys • McVicar • Parting Should Be Painless • Under a Raging Moon • Can't Wait to See the Movie • Rocks in the Head Live albums A Celebration: The Music of Pete Townshend and The Who Compilations Best Bits • Martyrs & Madmen: The Best of Roger Daltrey • Moonlighting: The Anthology Films produced McVicar • Quadrophenia • Buddy's Song Related articles The Who • The RD Crusaders

[show] v • d • e The Who Roger Daltrey • Pete Townshend • John "Rabbit" Bundrick • Pino Palladino • Zak Starkey • Simon Townshend John Entwistle • Keith Moon • Kenney Jones Studio albums My Generation • A Quick One • The Who Sell Out • Tommy • Who's Next • Quadrophenia • The Who by Numbers • Who Are You • Face Dances • It's Hard • Endless Wire Extended plays Ready Steady Who • Tommy • Won't Get Fooled Again • Wire & Glass Live albums Live at Leeds • Who's Last • Join Together • Live at the Isle of Wight Festival 1970 • BBC Sessions • Blues to the Bush • Live at the Royal Albert Hall • Live from Toronto • View from a Backstage Pass • Greatest Hits Live Encore Series Encore Series 2002 • Encore Series 2004 • Encore Series 2006 • Encore Series 2007 Compilations Magic Bus: The Who on Tour • Direct Hits • Meaty Beaty Big and Bouncy • Odds & Sods • The Story of The Who • Phases • Hooligans • Who's Greatest Hits • Rarities Volume I & Volume II • The Singles • The Who Collection • Who's Missing • Two's Missing • Who's Better, Who's Best • Thirty Years of Maximum R&B • My Generation: The Very Best of The Who • 20th Century Masters • The Ultimate Collection • Then and Now • The 1st Singles Box • Greatest Hits Soundtracks Tommy • The Kids Are Alright • Quadrophenia • Amazing Journey: The Story of The Who Filmography Tommy • The Kids Are Alright • Quadrophenia • Who's Better, Who's Best • Thirty Years of Maximum R&B Live • Live at the Isle of Wight Festival 1970 • Classic Albums: The Who – Who's Next • The Who & Special Guests: Live at the Royal Albert Hall • The Who Special Edition EP • Live in Boston • Tommy and Quadrophenia Live • The Vegas Job • Amazing Journey: The Story of The Who • The Who At Kilburn: 1977 Solo discography Roger Daltrey discography • Pete Townshend discography • John Entwistle discography • Two Sides of the Moon Related people Personnel Jon Astley • Chris Charlesworth • Bill Curbishley • Glyn Johns • Kit Lambert • Peter Meaden • Bob Pridden • Chris Stamp • Bill Szymczyk • Shel Talmy Musicians Doug Sandom • Mitch Mitchell • Dave Golding • Julian Covey • Chris Townson • Scot Halpin • Tim Gorman • Steve "Boltz" Bolton • Simon Phillips • Jon Carin • Damon Minchella • Steve White • Brian Kehew • J.J. Blair • Jon Button Related articles The Boy Who Heard Music • Musical equipment • Lifehouse • Personnel • Track Records • 2006–2007 tour • The Who's Tommy • The Who's Tommy Pinball Wizard • "A Tale of Two Springfields" • 1979 concert disaster • Ramport Studios • The Roots of Tommy The Who.com

[show] v • d • e 2008 Kennedy Center Honorees Morgan Freeman · George Jones · Barbra Streisand · Twyla Tharp · Pete Townshend & Roger Daltrey

Persondata
NAME	Daltrey, Roger
ALTERNATIVE NAMES	Daltrey, Roger Harry
SHORT DESCRIPTION	Singer–songwriter, musician, actor, film producer
DATE OF BIRTH	1944-03-01
PLACE OF BIRTH	Hammersmith, London, England
DATE OF DEATH
PLACE OF DEATH