For sale is a Klipsch ProMedia 5.1 audio system with upgraded components and cooling for durability. I have upgraded hundreds of ProMedia 5.1 systems since 2005. This system is in very good cosmetic condition, and ships in the original box. This ProMedia 5.1 has THX certification, performs as when new, and has a couple dozen key components that are of better quality than the originals (see explanations of the upgrades below). It ships next business day from the Midwest.
Includes: subwoofer, center channel speaker, four surround speakers with stands, control box with cable, power cord, 18-gauge wire for speakers, one new heavy-duty 22 AWG 10 ft input cable, three (original) 3.5 mm analog input cables, a copy of the instruction manual, my "Tip Sheet" with simple ways to prolong your ProMedia's life, the internal, installed upgrades, and 90-day warranty. An extended 1 year warranty is available for $27 upon request.
Additional Information:
Why do Klipsch's ProMedia 5.1s spark such strong emotions? Why are these rare? Klipsch’s ProMedia 5.1 THX is one of, if not the best computer speaker system. Professional musicians and serious gamers have sought these out. Buyers have gone to considerable lengths and cost to have cooling-upgraded Klipsch 5.1 systems shipped to Asia and Australia. Why, then, are these no longer in stores, hard to find, and why are so many sold “as-is” or with no warranty? Two problems are A) the computer sound market became focused on low price and lower quality, and B) many Klipsch 5.1s overheat. The ProMedia's exceptional quality and high failure rate produce strong emotions. People love their Klipsch 5.1s, but lament the sound dying. I've done cooling upgrades for over 11 years, and my goal is for people to enjoy the finest computer movie, music and game sound experience for the longest time.
Klipsch ProMedia 5.1 THX and Ultra vs. other speakers: The
Klipsch 5.1 THX (front sub port) and Ultra (wider sub, rear port) remains
one of, if not the
best sound systems available for your computer. Klipsch designed a
high-powered, efficient 470 watt power supply and matching amplifiers to
immerse you into your games, movies and music. Klipsch built its name in
speaker design, specifically quality and efficiency: the
satellites' tweeter, woofer and crossover reproduce music with crisp detail.
Other computer speaker makers cut corners by stretching a single driver to
reproduce music and voice information from 120 or 200 Hz up to 20,000 Hz.
Klipsch uses a more expensive tweeter and woofer design. Their tweeters use an
efficient horn design, getting more sound per watt from amplifier power.
THX
or Ultra? While
the Ultra is a little newer, it does not have the THX certification for the
satellite speakers as this earlier model has.
The speaker enclosures on the THX are more rigid, for less distortion at
high volume, and more accurate sound reproduction. The THX also consumes a bit
less power when not producing sound, saving a bit on electricity and running a
bit cooler.
System Requirements: An upgraded sound card is not essential, but is highly recommended for clarity. Good speakers will expose the weaknesses of your sound card that you might not have noticed before.
The internal amplifier has improvements
compared to when new: If you have researched systems, you
know the Klipsch Promedia Ultra and THX 5.1 models are among the most powerful,
and have won many awards. You may have also noticed quite a few systems being
resold as not working. The typical problem is heat. The nearly 500
watt six-channel amplifier is enclosed in the sub, where internal
components get too HOT to touch in a matter of
minutes, even if the amplifiers are not working to produce sound. Over time sections of the circuit
boards also become brittle, and can even turn to carbon and arc (short).
I learned about this problem and how to defeat it while fixing an Ultra system
for myself in October 2005. Since then I've repaired and upgraded or sold
cooling kits for over 1000 systems.
1)
I upgraded the power handling and heat-dissipating rating of two components
that rise to 140 and 180 degrees within minutes and could burn out. I also
relocated them a few millimeters further away from other components that get
cooked by the first components' heat, and sometimes fail as well. The upgraded
components do not change how the amplifiers work; it's the same as originally
designed.
2)
I also installed a quiet fan out of
sight with the amplifiers inside the subwoofer box. Components' temperatures
are kept from getting hot, and circuit boards no longer become brittle and char
or short.
Using an infrared thermometer, I've measured temperatures before a fan was installed while playing only 2 speakers and the sub at moderate volume. The table below shows how after cooling was installed, temperatures remained far cooler, around 90 and 100 degrees, respectively:
Power Supply
Component Temperature Comparison for Klipsch Ultra 5.1
Degrees Fahrenheit BEFORE COOLING AFTER COOLING
|
After 10 Minutes |
After 20 minutes |
After 10 Minutes |
After 20 Minutes |
R7 |
150 degrees |
176 |
90 |
90 |
R527 |
160 |
197 |
100 |
100 |
I am confident this system will work great for you for a long time. Klipsch's powerful Promedia would be more reliable if the engineers had properly calculated heat inside a closed sub box. The addition of one fan makes a great difference. You might check feedback left for me by previous buyers over the past 12 years.
Use
a good surge protector, ideally a series
surge protector. Your Klipsch has
internal (parallel, MOV) protection against lightning and other voltage spikes
coming through its power cable, but damaging voltage can enter from your sound
card. Check out series
surge protection (e.g., Zero Surge or SurgeX). Surge strips and uninterruptible
power supplies (UPSs) designed for computers either try to absorb surge energy
through sacrificial components (which wear out), or try to eliminate surge
energy through the ground. That parallel protection works for computers, but can fry audio
preamplifiers via your computer's sound card! Series surge protection is
different. In severe storms, the best
step still is to unplug electronics. I have a series mode protector available, if interested.
Shopping and Listening Comparisons:
Two specifications worth comparing: True (rms) power
at the ears (efficiency) and distortion (THD). It is easy for
manufacturers to inflate power numbers to look impressive using momentary
short-circuit "peak" power claims. What truly matters are the RMS
power ratings, if a manufacturer will publish them. THD (Total Harmonic
Distortion) becomes noticeable around 10% and higher. Klipsch's satellites are
listed at 1% or less and the sub at 3% or less. Klipsch's
strength is in speaker design: the satellites' tweeter, woofer and crossover
reproduce music with crisp detail. They are also efficient, getting more sound
per watt from amplifier power. If a speaker design is just 3dB more efficient,
the result is the same as if the amplifier power were doubled!
Accurate bass vs.
thump: Klipsch
no longer produces the THX or Ultra, and no computer speaker system
matches it today. Its dual 8-inch subwoofer drivers have 22% more surface
area than a single 10" sub. The sub was not designed to impress with
peaky, boomy bass, rather to accurately reproduce lower octaves
of music (in addition to rumbling games and movies) as low as 25
Hz.
There is
some confusion about cooling and the use of fans.
Here is what I have found:
1.
Why are fans needed?
Upgrading parts alone is incomplete. You can replace parts that fail,
but the heat generated is still there. I
have seen sections of the Klipsch’s power supply board turn from bright green
to dark green and finally to black after a couple of years’ exposure to that
heat. That black became carbon, which started to arc and led to failure. I’m
glad there are options beyond mine for fixing Klipsch Promedias, but without
fans moving cooler air past the circuit boards, the upgraded parts alone are
only delaying a failure. There IS a
need for removing heat.
2. Do fans inside a sealed
enclosure do any good?
The ideal is to have fresh, cool air, but if the acoustics of the sub
make it impractical to bring in fresh air, all is not lost. Closed cooling systems are more commonly used
with liquids (think of refrigerants circulating in air conditioners or coolant
circulating in an auto’s cooling system), but a circulation of air inside an
enclosure also effectively removes heat.
The fans are designed to set up a circular airflow within the sub,
bringing air past two small, hot heat sinks plus a neighboring daughterboard and
components which often overheat. The heat without the fans is enough to burn
your fingers after just 15 minutes, even if the system is not producing sound
(handling only a fraction of its rated power).
The airflow draws that now-heated air past a much larger, cooler heat
sink that runs the full width of the panel and is thermally linked to the back
panel. This larger, cooler piece of metal absorbs the heat from the circulating
air, and shares it with the back panel. That back panel is designed by Klipsch
and Indigo (the BASH maker) to radiate the internal heat of the system. It is normal for the panel to get warm during
use, since it must radiate 25 watts of thermal energy at idle, and 60 watts or
more while playing at volume.
The fans do not reduce how much heat the system produces,
but they more quickly and efficiently
get the heat off the hot spots and onto the back panel for removal into the
room.
Fans do not need fresh air for cooling. It would help, but fans even out the
internal air inside the sub. Instead of vast areas staying cool, while small
spots get very hot, now the entire internal air
will be an evenly balanced warm.
3. Does this cooling upgrade
involve drilling holes in the sub? No. The electronics are inside a tuned
speaker enclosure, and new holes would adversely affect the tuning (bass
response).
4.
Does the sub already provide enough air circulation by the movement of
the subwoofer cones? In a word, no.
The movement of the subs is synchronized so that both pull and push
together. They do not pull air from one
side of the sub to another, but pulse air in and out of the sub’s port. That oscillation at audible frequencies when
channeled down into a narrow port is impressive and can be felt by holding your
hand over the opening, but inside the entire sub and on the spread out surface
of the components, the motion would be hard to detect. If the hot circuit spots could both somehow
be relocated in the narrow path of the air as it is funneled through the tuned
port, then there could be some cooling effect.
There would still be no cooling, though, at idle (when subs are not
thumping and displacing air).
frequency response |
25Hz-20kHz (range) |
sensitivity |
Closed loop system |
max acoustic output |
113dB maximum at listening position |
maximum acoustic output |
113dB maximum at listening position |
coverage angle |
Near field design |
tweeter |
0.75" |
dispersion angle |
90° x 40° MicroTractrix™ Horn |
low pass crossover |
To satellites @ 120Hz |
high frequency horn |
MicroTractrix™ Horn |
woofer |
3" |
subwoofer |
Dual 8" side-firing drivers |
amplifier |
BASH®, dual supply |
enclosure material |
MDF |
enclosure type |
Satellites and center—sealed; Subwoofer—6th order bass
reflex |
overload protection |
Limiter circuit |
wire gauge accommodated |
18 gauge supplied; will accept 14 gauge |
input connections |
DIN cable to control tower |
inputs |
Six analog discrete channels (three stereo miniplugs) |
outputs |
Five speaker level outputs (spring clips) |
| |
weight |
43.5 lbs. (19.75kg) |
accessories |
Rubber Feet attached to satellites and center |
features |
Center channel has rear post angle adjustment for optimum
positioning on top of various computer monitors |
finishes |
Gunmetal grey on satellites, matte black on subwoofer |
voltage |
120 Volt |
export voltage |
230 volt |
built from |
2001 |
built until |
2003 |