Description Summary
CARAVAN IF I COULD DO IT ALL OVER DUTCH LP VINTAGE VINYL RECORD RARE EX+/EX+ TOP
Main Description
TOP COPY PRESSING RARE MATRIX
Caravan – If I Could Do It All Over Again, I'd Do It All Over You
Tracklist
A1 If I Could Do It All Over Again, I'd Do It All Over You A2 And I Wish I Were Stoned - Don't Worry A3 As I Feel I Die A4 With An Ear To The Ground You Can Make It - Martinian - Only Cox - Reprise B1 Hello Hello B2 Asforteri 25 B3 Can't Be Long Now - Françoise - For Richard - Warlock B4 Limits
| A1 | If I Could Do It All Over Again, I'd Do It All Over You | |
| A2 | And I Wish I Were Stoned - Don't Worry | |
| A3 | As I Feel I Die | |
| A4 | With An Ear To The Ground You Can Make It - Martinian - Only Cox - Reprise | |
| B1 | Hello Hello | |
| B2 | Asforteri 25 | |
| B3 | Can't Be Long Now - Françoise - For Richard - Warlock | |
| B4 | Limits |
Companies, etc.
Credits
- Bass Guitar, Tambourine, Percussion [Hedge-Clippers] – Richard Sinclair
- Drums, Congas, Bongos, Maracas, Finger Cymbals – Richard Coughlan
- Electric Guitar [6 And 12 String], Acoustic Guitar [6 String], Claves, Percussion [Worn Leather Strap, Assorted Ashtrays], Voice [Impersonation Of A Friendly Gorilla] – Pye Hastings
- Engineer – Robin Sylvester
- Engineer [Remix Eng.] – David Grinstead*, John Punter
- Management [Manager] – Terry King (6)
- Management [Road Manager] – Maurice Haylett
- Organ, Piano, Harpsichord – David Sinclair
- Photography By [Front Cover] – Richard Zeff*
- Photography By, Graphics – David Jupe
- Producer – David Hitchkock*
- Saxophone [Sax.], Flute – Jimmy Hastings
- Written-By – D. Sinclair*, Hastings*, Coughlan*, R. Sinclair*
- Bass Guitar, Tambourine, Percussion [Hedge-Clippers] – Richard Sinclair
- Drums, Congas, Bongos, Maracas, Finger Cymbals – Richard Coughlan
- Electric Guitar [6 And 12 String], Acoustic Guitar [6 String], Claves, Percussion [Worn Leather Strap, Assorted Ashtrays], Voice [Impersonation Of A Friendly Gorilla] – Pye Hastings
- Engineer – Robin Sylvester
- Engineer [Remix Eng.] – David Grinstead*, John Punter
- Management [Manager] – Terry King (6)
- Management [Road Manager] – Maurice Haylett
- Organ, Piano, Harpsichord – David Sinclair
- Photography By [Front Cover] – Richard Zeff*
- Photography By, Graphics – David Jupe
- Producer – David Hitchkock*
- Saxophone [Sax.], Flute – Jimmy Hastings
- Written-By – D. Sinclair*, Hastings*, Coughlan*, R. Sinclair*
Notes
Dutch issue with pink center labels. Elephant logo on right-hand side.
Misspelled tracks on label;
A3. As I Fiel I Die
B2. A Forteri
Ⓟ 1973
Pink Elephant Records, distributed by the Dutch Record Company, wholesale organisation for recordings.
Dureco[logo]® Weesp / Fonior Brussels
Dutch issue with pink center labels. Elephant logo on right-hand side.
Misspelled tracks on label;
A3. As I Fiel I Die
B2. A Forteri
Ⓟ 1973
Pink Elephant Records, distributed by the Dutch Record Company, wholesale organisation for recordings.
Dureco[logo]® Weesp / Fonior Brussels
Misspelled tracks on label;
A3. As I Fiel I Die
B2. A Forteri
Ⓟ 1973
Pink Elephant Records, distributed by the Dutch Record Company, wholesale organisation for recordings.
Dureco[logo]® Weesp / Fonior Brussels
Rare 12" LP Vintage Vinyl Pressing Graded to Record Collector Book Format
- THIS WILL HAVE A FREE CLEAN BEFORE DISPATCH USING THE PRO-JECT VCS CLEANING MACHINE WORTH £2.00
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RECORD COLLECTORS GRADING SYSTEM
Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.
Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable
Good (G) The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc
Fair (F) The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor (P) The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing
Bad (B) The record is unplayable or might even be broken, and is only of use as a collection-filler
CD’s and CASSETTES As a general rule CD’s and Cassettes either play perfectly – in which case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaces if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.
