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THE SAINT GOES WEST

By Leslie Charteris

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New York: Avon, 1952. Avon 420.

Paperback / 154 pp / Light page browning as usual / Cello peeling on cover, top of spine /

Classic vintage paperback featuring Simon Templar, aka The Saint.

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Simon Templar is a British fictional character known as The Saint. He featured in a long-running series of books by Leslie Charterispublished between 1928 and 1963. After that date, other authors collaborated with Charteris on books until 1983; two additional works produced without Charteris's participation were published in 1997. The character has also been portrayed in motion pictures,radio dramas, comic strips, comic books and three television series.

Overview[edit]

Simon Templar is a Robin Hood-like criminal known as The Saint — plausibly from his initials; but the exact reason for his nickname is not known (although we're told that he was given it at the age of nineteen). Templar has aliases, often using the initials S.T. such as "Sebastian Tombs" or "Sugarman Treacle". Blessed with boyish humour, he makes humorous and off-putting remarks and leaves a "calling card" at his "crimes", a stick figure of a man with a halo. This is used as the logo of the books, the movies, and the 1960s TV series. He is described as "buccaneer in the suits of Savile Row, amused, cool, debonair, with hell-for-leather blue eyes and a saintly smile..."^[1]

His origin remains a mystery; he is explicitly British, but in early books (e.g. Meet the Tiger) there are references that suggest he had spent some time in the U.S. battling prohibition bad guys. Presumably his acquaintance with his sometime Bronx sidekick Hoppy Uniatz dates from this backstory period. In the books his income derives from the pockets of the "ungodly" (as he terms those who live by a lesser moral code than his own), whom he is given to "socking on the boko". There are references to a "ten percent collection fee" to cover expenses when he extracts large sums from victims, the remainder being returned to the owners, given to charity, shared among Templar's colleagues, or some combination of those possibilities.

Templar's targets include corrupt politicians, warmongers, and other low life. "He claims he's a Robin Hood", bleats one victim, "but to me he's just a robber and a hood".^[2] Robin Hood appears one inspiration for the character; Templar stories were often promoted as featuring "The Robin Hood of modern crime", and this phrase to describe Templar appears in several stories. A term used by Templar to describe his acquisitions is "boodle" (a term also applied to the short story collection).

The Saint has a dark side, as he is willing to ruin the lives of the "ungodly", and even kill them, if he feels more innocent lives can be saved. In the early books, Templar refers to this as murder, although he considers his actions justified and righteous, a view usually shared by partners and colleagues. Several adventures centre on his intention to kill (for example, "Arizona" in The Saint Goes West has Templar planning to kill a Nazi scientist).

During the 1920s and early 1930s, The Saint is fighting European arms dealers, drug runners, and white slavers while based in his London home. His battles with Rayt Marius mirror the 'four rounds with Carl Petersen' of Bulldog Drummond. During the first half of the 1940s, Charteris cast Templar as a willing operative of the American government, fighting Nazi interests in the U.S. during World War II.

Beginning with the "Arizona" novella Templar is fighting his own war against Germany. The Saint Steps In reveals that Templar is operating on behalf of a mysterious American government official known as Hamilton who appears again in the next WWII-era Saint book, The Saint on Guard, and Templar is shown continuing to act as a secret agent for Hamilton in the first post-war novel, The Saint Sees it Through. The later books move from confidence games, murder mysteries, and wartime espionage and place Templar as a global adventurer.

According to Saint historian Burl Barer, Charteris made the decision to remove Templar from his usual confidence-game trappings, not to mention his usual co-stars Holm, Uniatz, Orace and Teal, as they weren't appropriate for the post-war stories he was writing.^[3]

Although The Saint functions as an ordinary detective in some stories, others depict ingenious plots to get even with vanity publishers and other rip-off artists, greedy bosses who exploit their workers, con men, etc.

The Saint has many partners, though none last throughout the series. For the first half until the late 1940s, the most recurrent is Patricia Holm, his girlfriend, who was introduced in the first story, the 1928 novel Meet the Tiger in which she shows herself a capable adventurer. Holm appeared erratically throughout the series, sometimes disappearing for books at a time. Templar and Holm lived together in a time when common-law relationships were uncommon and, in some areas, illegal.

They have an easy, non-binding relationship, as Templar is shown flirting with other women from time to time. However, his heart remains true to Holm in the early books, culminating in his considering marriage in the novella The Melancholy Journey of Mr. Teal, only to have Holm say she had no interest in marrying. Holm disappeared in the late 1940s, and according to Barer's history of The Saint, Charteris refused to allow Templar a steady girlfriend, or Holm to return (although according to the Saintly Bible website, Charteris did write a film story that would have seen Templar encountering a son he had with Holm). Holm's final appearance as a character was in the short stories "Iris", "Lida," and "Luella," contained within the 1948 collection Saint Errant; the next direct reference to her does not appear in print until the 1983 novel Salvage for the Saint.

Another recurring character, Scotland Yard Inspector Claud Eustace Teal, could be found attempting to put The Saint behind bars, although in some books they work in partnership. In The Saint in New York, Teal's American counterpart, NYPD Inspector John Henry Fernack, was introduced, and he would become, like Teal, an Inspector Lestrade-like foil and pseudo-nemesis in a number of books, notably the American-based World War II novels of the 1940s.

Many Saint novels were reprinted in new editions in the 1960s to capitalise on the populartelevision series, starring Roger Moore.

The Saint had a band of compatriots, including Roger Conway, Norman Kent, Archie Sheridan, Richard "Dicky" Tremayne (a name that appeared in the 1990s TV series, Twin Peaks), Peter Quentin, Monty Hayward, and his ex-military valet, Orace.

In later stories, the dim-witted and constantly soused but reliable American thug Hoppy Uniatz was at Templar's side. Of The Saint's companions, only Norman Kent was killed during an adventure (he sacrifices himself to save Templar in the novel The Last Hero); the other males are presumed to have settled down and married (two to former female criminals: Dicky Tremayne to "Straight Audrey" Perowne and Peter Quentin to Kathleen "The Mug" Allfield; Archie Sheridan is mentioned to have married in "The Lawless Lady" in Enter the Saint, presumably to Lilla McAndrew after the events of the story "The Wonderful War" in Featuring the Saint).

Charteris gave Templar interests and quirks as the series went on. Early talents as an amateur poet and songwriter were displayed, often to taunt villains, though the novella The Inland Revenue established that poetry was also a hobby. That story revealed that Templar wrote an adventure novel featuring a South American hero not far removed from The Saint himself.

Templar also on occasion would break the fourth wall in an almost metafictional sense, making references to being part of a story and mentioning in one early story how he cannot be killed so early on; the 1960s television series would also have Templar address viewers. Charteris in his narrative also frequently breaks the fourth wall by making references to the "chronicler" of The Saint's adventures and directly addressing the reader and in one instance (the story "The Sizzling Saboteur" in The Saint on Guard) inserts his own name.

Publishing history[edit]

The origins of The Saint can be found in early works by Charteris, some of which predated the first Saint novel, 1928's Meet the Tiger, or were written after it but before Charteris committed to writing a Saint series. Burl Barer reveals that an obscure early work, Daredevil, not only featured a heroic lead who shared "Saintly" traits (down to driving the same brand of automobile) but also shared his adventures with Inspector Claud Eustace Teal—a character later a regular in Saint books. Barer writes that several early Saint stories were rewritten from non-Saint stories, including the novel She Was a Lady, which appeared in magazine form featuring a different lead character.

Charteris utilized three formats for delivering his stories. Besides full-length novels, he wrote novellas for the most part published in magazines and later in volumes of two or three stories. He also wrote short stories featuring the character, again mostly for magazines and later compiled into omnibus editions. In later years these short stories carried a common theme, such as the women Templar meets or exotic places he visits. With the exception of Meet the Tiger, chapter titles of Templar novels usually contain a descriptive phrase describing the events of the chapter; for example, Chapter Four of Knight Templar is entitled "How Simon Templar dozed in the Green Park and discovered a new use for toothpaste".

Although Charteris's novels and novellas had more conventional thriller plots than his confidence game short stories, both novels and stories are admired. As in the past, the appeal lies in the vitality of the character, a hero who can go into a brawl and come out with his hair combed and who, faced with death, lights a cigarette and taunts his enemy with the signature phrase "As the actress said to the bishop...."

The period of the books begins in the 1920s and moves to the 1970s as the 50 books progress (the character being seemingly ageless). In early books most activities are illegal, although directed at villains. In later books, this becomes less so. In books written during World War II, The Saint was recruited by the government to help track spies and similar undercover work.^[4] Later he became a cold warrior fighting Communism. The quality of writing also changes; early books have a freshness which becomes replaced by cynicism in later works. A few Saint stories crossed into science fiction and fantasy, "The Man Who Liked Ants" and the early novel The Last Hero being examples. When early Saint books were republished in the 1960s to the 1980s, it was not uncommon to see freshly written introductions by Charteris apologizing for the out-of-date tone; according to a Charteris "apology" in a 1969 paperback of Featuring the Saint, he attempted to update some earlier stories when they were reprinted but gave up and let them sit as period pieces. The 1963 edition of the short story collection The Happy Highwayman contains examples of abandoned revisions; in one story published in the 1930s ("The Star Producers"), references to actors of the 1930s were replaced for 1963 with names of current movie stars; another 1930s-era story, "The Man Who Was Lucky", added references to atomic power.

Charteris started retiring from writing books following 1963's The Saint in the Sun. The next book to carry Charteris's name, 1964's Vendetta for the Saint, was written by science fiction author Harry Harrison, who had worked on the Saint comic strip, after which Charteris edited and revised the manuscript. Between 1964 and 1983, another 14 Saint books would be published, credited to Charteris but written by others. In his introduction to the first, The Saint on TV, Charteris called these volumes a team effort in which he oversaw selection of stories, initially adaptations of scripts written the 1962–69 TV series The Saint, and with Fleming Lee writing the adaptations (other authors took over from Lee). Charteris and Lee collaborated on two Saint novels in the 1970s, The Saint in Pursuit (based on a story by Charteris for the Saint comic strip) and The Saint and the People Importers. The "team" writers were usually credited on the title page, if not the cover. One later volume, Catch the Saint, was an experiment in returning The Saint to his period, prior to the Second World War (as opposed to recent Saint books set in the present day).

The last Saint volume in the line of books starting with Meet the Tiger in 1928 was Salvage for the Saint, published in 1983. According to the Saintly Bible website, every Saint book published between 1928 and 1983 saw the first edition issued by Hodder and Stoughton in the UK (a company that originally published only religious books) and The Crime Club (an imprint of Doubleday that specialized in mystery and detective fiction) in the United States. For the first 20 years, the books were first published in Britain, with the U.S. edition following up to a year later. By the late 1940s to early 1950s, this situation had been reversed. In one case—The Saint to the Rescue—a British edition did not appear until nearly two years after the American one.

French language books published over 30 years included translated volumes of Charteris originals as well as novelisations of radio scripts from the English-language radio series and comic strip adaptations. Many of these books credited to Charteris were written by others, including Madeleine Michel-Tyl.^[5]

Charteris died in 1993. Two additional Saint novels appeared around the time of the 1997 film starring Val Kilmer: a novelisation of the film (which had little connection to the Charteris stories) and Capture the Saint, a more faithful work published by The Saint Club and originated by Charteris in 1936. Both books were written by Burl Barer, who in the early 1990s published a history of the character in books, radio, and television.

Charteris wrote 14 novels between 1928 and 1971 (the last two co-written), 34 novellas, and 95 short stories featuring Simon Templar. Between 1963 and 1997, an additional seven novels and fourteen novellas were written by others.

In 2014, all the Saint books from Enter the Saint to Salvage for the Saint (but not Meet the Tiger nor Burl Barer's Capture the Saint) were republished in both the UK and US.

The Saint on radio[edit]

Several radio drama series were produced in North America, Ireland, and Britain. The earliest was for Radio Eireann's Radio Athlone in 1940 and starred Terence De Marney. Both NBC and CBS produced Saint series during 1945, starring Edgar Barrier and Brian Aherne. Many early shows were adaptations of published stories, although Charteris wrote several storylines for the series which were novelised as short stories and novellas.

The longest-running radio incarnation was Vincent Price, who played the character in a series between 1947 and 1951 on three networks: CBS, Mutual and NBC. Like The Whistler, the program had an opening whistle theme with footsteps. Some sources say the whistling theme for The Saint was created by Leslie Charteris while others credit RKO composer Roy Webb.

Price left in May 1951, replaced by Tom Conway, who played the role for several more months. His brother, George Sanders, had played Templar on film. The next English-language radio series aired on Springbok Radio in South Africa between 1953 and 1957. These were fresh adaptations of the original stories and starred Tom Meehan. Around 1965–66 the South African version of Lux Radio Theatre produced a single dramatization of The Saint. The English service of South Africa produced another series radio adventures for six months in 1970–1971. The next English-language incarnation was a series of three radio plays on BBC Radio 4 in 1995 starring Paul Rhys.

For more about The Saint on American radio, see The Saint (radio program).

The Saint in film and on TV[edit]

Not long after creating The Saint, Charteris began a long association with Hollywood as a screenwriter. He was successful in getting a major studio, RKO Radio Pictures, interested in a film based on one of his works. The first, The Saint in New York in 1938, based on the 1935 novel of the same name, starred Louis Hayward as Templar and Jonathan Hale as Inspector Henry Farnack, the American counterpart of Mr Teal.

The film was a success and seven more films followed in quick succession. George Sanders took over the lead role from Hayward and did it for five of those films, while Hugh Sinclair portrayed Templar in the two last. Several of the films were original stories, sometimes based upon outlines by Charteris while others were based loosely on original novels or novellas.

In 1953, British Hammer Film Productions produced The Saint's Return (known as "The Saint's Girl Friday" in the US), for which Hayward returned to the role. This was followed by an unsuccessful French production in 1960.

Roger Moore as The Saint

In the 1960s Roger Moore, who strongly resembled Louis Hayward in the 1930s, revived the role in a long-running television series The Saint. According to the book Spy Television by Wesley Britton, the first actor offered the role was Patrick McGoohan of Danger Man andThe Prisoner. The series ran from 1962 to 1969, and Moore remains the actor most closely identified with the character.

Since Moore, other actors played him in later series, notably Return of the Saint (1978–1979) starring Ian Ogilvy; the series ran for one season, although it was picked up by the CBS Network. In the mid-1980s, the National Enquirer and other newspapers reported that Moore was planning to produce a movie based on The Saint with Pierce Brosnan as Templar, but it was never made. (Ironically Brosnan almost became Moore's immediate successor as James Bond.) A pilot for a The Saint in Manhattan series starring Australian actor Andrew Clarkewas shown on CBS in 1987 as part of the CBS Summer Playhouse; the pilot was produced by Don Taffner, but it never progressed beyond the pilot stage. Inspector John Fernack of the NYPD, played by Kevin Tighe, made his first film appearance since the 1940s in that production, while Templar (sporting a moustache) got about in a black Lamborghini bearing the ST1 licence plate. In 1989, six movies were made by Taffner starring Simon Dutton. These were syndicated in the United States as part of a series of films entitled Mystery Wheel of Adventure, while in the UK they were shown as a series on ITV.

In 1991, as detailed by Burl Barer in his 1992 history of The Saint, plans were announced for a series of motion pictures. Ultimately, however, no such franchise appeared.

The Saint starring Val Kilmer was made in 1997 but diverged far from the Charteris books, although it did revive Templar's use of aliases. Kilmer's Saint is unable to defeat aRussian gangster in hand-to-hand combat and is forced to flee; this would have been unthinkable in a Charteris tale. Whereas the original Saint resorted to aliases that had the initials S.T., Kilmer's character used Christian saints, regardless of initials. This Saint refrained from killing, and even the main villains live to stand trial, whereas Charteris's version had no qualms about taking another life. Kilmer's Saint is presented as a master of disguise, but Charteris's version hardly used the sophisticated ones shown in this film. The film mirrored aspects of Charteris's own life, notably his origins in the Far East, though not in an orphanage as the film portrayed. Sir Roger Moore features throughout in cameo as the BBC Newsreader heard in Simon Templar's Volvo.

Since the Kilmer film, there have been several failed attempts at producing pilots for potential new Saint television series:

On March 13, 2007, TNT said it was developing a one-hour series. The series (for which no broadcast date was announced) was to be executive produced by William J. MacDonald and produced by Jorge Zamacona.^[6]^[7] James Purefoy was announced as the new Simon Templar.^[8]^[9] Production of the pilot, which was to have been directed byBarry Levinson, did not go ahead.^[10] Another attempt production was planned for 2009 with Scottish actor Dougray Scott starring as Simon Templar. Former Saint Roger Mooreannounced on his website that he would be appearing in the new production, which is being produced by his son, Geoffrey Moore, in a small role.^[11] This production also did not proceed.

It was announced in December 2012 that a third attempt would be made to produce a pilot for a potential TV series. This time, English actor Adam Rayner was cast as Simon Templar and American actress Eliza Dushku as Patricia Holm (a character from the novels never before portrayed on television and only once in the films), with Roger Moore producing.^[12] Unlike the prior attempts, production of the Rayner pilot did commence in December 2012 and continued into early 2013, with Moore and Ogilvy making cameo appearances, according to a cast list posted on the official Leslie Charteris website.^[13] The pilot did not sell; Chris Lunt, creator of the ITV miniseries Prey, announced on BBC Radio Five Live in late April 2014 that he is writing a new pilot for the character.^[14]

Films[edit]

Since 1938, numerous films have been produced in the United States, France and Australia based to varying degrees upon The Saint. A few were based, usually loosely, upon Charteris's stories, but most were original.

This is a list of the films featuring Simon Templar and of the actors who played The Saint:

The Saint in New York (1938 – Louis Hayward)
The Saint Strikes Back (1939 – George Sanders)
The Saint in London (1939 – Sanders)
The Saint's Double Trouble (1940 – Sanders)
The Saint Takes Over (1940 – Sanders)
The Saint in Palm Springs (1941 – Sanders)
The Saint's Vacation (1941 – Hugh Sinclair)
The Saint Meets the Tiger (produced in 1941, released in 1943 – Sinclair)
The Saint's Return (1953 – Hayward) - aka The Saint's Girl Friday
Le Saint mène la danse (1960 – Félix Marten)
Le Saint prend l'affut (1966 – Jean Marais)
The Fiction Makers (1968 – Roger Moore) – edited from episodes of The Saint
Vendetta for the Saint (1969 – Moore) – edited from episodes of The Saint
The Saint and the Brave Goose (1979 made for TV – Ian Ogilvy) – edited from episodes of Return of the Saint
The Saint in Manhattan (1987 made for TV – Andrew Clarke)
The Saint (1997 – Val Kilmer)

In the 1930s, RKO purchased the rights to produce a film adaptation of Saint Overboard, but no such movie was ever produced.

Television series[edit]

This list only includes productions that became TV series, and does not include pilots.

The Saint (1962–1969 – Roger Moore)
Return of the Saint (1978–1979 – Ian Ogilvy)
The made-for-TV film series that formed part of Mystery Wheel of Adventure (1989) – all starring Simon Dutton
- Fear in Fun Park (aka The Saint in Australia)
- The Big Bang
- The Blue Dulac
- The Brazilian Connection
- The Software Murders
- Wrong Number

Three of the surviving actors who have played Templar—Roger Moore, Ian Ogilvy, and Simon Dutton—have been appointed vice presidents of "The Saint Club" that was founded by Leslie Charteris himself in 1936.

The Saint on the stage[edit]

In the late 1940s Charteris and sometime Sherlock Holmes scriptwriter Denis Green wrote a stage play entitled The Saint Misbehaves.^[15]

Bob Lubbers' The Saint (4 October 1959)

It was never publicly performed, as soon after writing it Charteris decided to focus on non-Saint work. For many years it was thought to be lost; however, two copies are known to exist in private hands, and correspondence relating to the play can be found in the Leslie Charteris Collection at Boston University.

The Saint in the comics[edit]

The Saint appeared in a long-running comic strip series starting as a daily strip 27 September 1948 with a Sunday added on 20 March the following year. The early strips were written by Leslie Charteris, who had previous experience writing comic strips, having replaced Dashiell Hammett as the writer of the Secret Agent X-9 strip. The original artist was Mike Roy. In 1951, when John Spranger replaced Roy as the artist, he altered The Saint's appearance by depicting him with a beard. Bob Lubbers illustrated The Saint in 1959 and 1960. The final two years of the strip were drawn by Doug Wildey before it came to an end on 16 September 1961.

Concurrent with the comic strip, Avon Comics published 12 issues of a The Saint comic book between 1947 and 1952 (some of these stories were reprinted in the 1980s). The 1960s TV series is unusual in that it is one of the few major programs of its genre that was not adapted as a comic book in the United States.

In Sweden, The Saint had a long-running comic book published from 1966 to 1985 under the title Helgonet.^[16] It originally reprinted the newspaper strip, but soon original stories were commissioned for Helgonet. These stories were also later reprinted in other European countries. Two of the main writers were Norman Worker and Donne Avenell; the latter also co-wrote the novels The Saint and the Templar Treasure and the novella collection Count on the Saint, while Worker contributed to the novella collection Catch the Saint.

A new American comic book series was launched by Moonstone Comics in the summer of 2012.

One of the final issues of The Saint Magazine from 1967 featured reprints of the Saint stories "The Export Trade" and "The Five Thousand Pound Kiss".

The Saint in magazines[edit]

Charteris also edited or oversaw several magazines that tied in with The Saint. The first of these were anthologies entitled The Saint's Choicethat ran for seven issues in 1945–46. A few years later Charteris launched The Saint Detective Magazine (later titled The Saint Mystery Magazine and The Saint Magazine), which ran for 141 issues between 1953 and 1967, with a separate British edition that ran just as long but published different material. In most issues of Saint's Choice and the later magazines Charteris included at least one Saint story, usually previously published in one of his books but occasionally original. In several mid-1960s issues, however, he substituted Instead of the Saint, a series of essays on topics of interest to him. The rest of the material in the magazines consisted of novellas and short stories by other mystery writers of the day. An Australian edition was also published for a few years in the 1950s. In 1984 Charteris attempted to revive the Saintmagazine, but it ran for only three issues.^[17]

Leslie Charteris himself portrayed The Saint in a photo play in Life Magazine: The Saint Goes West.

The Saint book series[edit]

Most Saint books were collections of novellas or short stories, some of which were published individually either in magazines or in smaller paperback form. Many of the books have also been published under different titles over the years; the titles used here are the more common ones for each book.

From 1964 to 1983, the Saint books were collaborative works; Charteris acted in an editorial capacity and received front cover author credit, while other authors wrote these stories and were credited inside the book. These collaborative authors are noted.(Sources: Barer and the editions themselves.)

Omnibus editions[edit]

Year	First publication title	Stories	From
1939	The First Saint Omnibus	The Man Who was Clever The Wonderful War The Story of a Dead Man The Unblemished Bootlegger The Appalling Politician The Million Pound Day The Death Penalty The Simon Templar Foundation The Unfortunate Financier The Sleepless Knight The High Fence The Unlicensed Victuallers The Affair of Hogsbotham	Enter the Saint Featuring the Saint Alias the Saint The Brighter Buccaneer The Brighter Buccaneer The Holy Terror Once More the Saint The Misfortunes of Mr Teal Boodle Boodle The Saint Goes On The Ace of Knaves Follow the Saint
1952	The Second Saint Omnibus	The Star Producers The Wicked Cousin The Man Who Liked Ants Palm Springs The Sizzling Saboteur The Masked Angel Judith Jeannine Teresa Dawn	The Happy Highwayman The Happy Highwayman The Happy Highwayman The Saint Goes West The Saint On Guard Call For The Saint Saint Errant Saint Errant Saint Errant Saint Errant

French adventures[edit]

A number of Saint adventures were published in French over a 30-year period, many of which have yet to be published in English. Many of these stories were ghostwritten byMadeleine Michel-Tyl and credited to Charteris (who exercised some editorial control). The French books were generally novelisations of scripts from the radio series, or novels adapted from stories in the American Saint comic strip. One of the writers who worked on the French series, Fleming Lee, later wrote for the English-language books.^[5]

Unpublished works[edit]

Burl Barer's history of The Saint identifies two manuscripts that to date have never been published. The first is a collaboration between Charteris and Fleming Lee called Bet on the Saint that was rejected by Doubleday, the American publishers of the Saint series. Charteris, Barer writes, chose not to submit it to his UK publishers, Hodder & Stoughton. The rejection of the manuscript by Doubleday meant that The Crime Club's long-standing right of first refusal on any new Saint works was now ended and the manuscript was then submitted to other U.S. publishers, without success. Barer also tells of a 1979 novel entitled The Saint's Lady by a Scottish fan, Joy Martin, which had been written as a present for and as a tribute to Charteris. Charteris was impressed by the manuscript and attempted to get it published, but it too was ultimately rejected. The manuscript, which according to Barer is in the archives of Boston University, features the return of Patricia Holm.

According to the Saintly Bible website, at one point Leslie Charteris biographer (Ian Dickerson) was working on a manuscript (based upon a film story idea by Charteris) for a new novel entitled Son of the Saint in which Templar shares an adventure with his son by Patricia Holm. The book has, to date, not been published.^[18]

Leslie Charteris (12 May 1907 – 15 April 1993), born Leslie Charles Bowyer-Yin, was a British-American author of adventure fiction, as well as a screenwriter.^[1] He was best known for his many books chronicling the adventures of Simon Templar, alias "The Saint."

Parents and early life[edit]

Charteris was born in Singapore to a Chinese father, Dr S. C. Yin (Yin Suat Chwan, 1877-1958),^[2] and his wife Lydia Florence Bowyer, who was English. His father was a physician who claimed to be able to trace his lineage back to the emperors of the Shang Dynasty.^[1]

Charteris became interested in writing at an early age. At one point he created his own magazine with articles, short stories, poems, editorials, serials and even a comic strip. He attended Rossall School in Fleetwood, Lancashire, England.

Career[edit]

Once his first book, written during his first year at King's College, Cambridge, was accepted, he left the university and embarked on a new career. Charteris was motivated by a desire to be unconventional and to become financially well off by doing what he liked to do. He continued to write English thriller stories, while he worked at various jobs from shipping out on a freighter to working as a barman in a country inn. He prospected for gold, dived for pearls, worked in a tin mine and on a rubber plantation, toured England with a carnival, and drove a bus. In 1926, he legally changed his last name to Charteris, after Colonel Francis Charteris^{[citation needed]}, although, in the BBC Radio 4 documentary Leslie Charteris – A Saintly Centennial, his daughter stated that he selected his surname from the telephone directory.

Origin of Simon Templar[edit]

His third novel, Meet the Tiger (1928), introduced his most famous creation, Simon Templar.^[3] However, in his 1980 introduction to a reprint by Charter Books, Charteris indicated he was dissatisfied with the work, suggesting its only value was as the start of the long-running Saint series. Occasionally he chose to ignore the existence of Meet the Tigeraltogether and claimed that the Saint series actually began with the second volume, Enter the Saint (1930); an example of this can be found in the introduction Charteris wrote to an early 1960s edition of Enter the Saint published by Fiction Publishing Company (an imprint of Doubleday).

Although he would write a few other books (including a novelisation of his screenplay for the Deanna Durbin mystery-comedy Lady on a Train, and the English translation of Juan Belmonte: Killer of Bulls by Manuel Chaves Nogales) his lifework — at least in the literary world — would consist primarily of Simon Templar Saint adventures, which would be relayed in novel, novella, and short story format over the next 35 years (with other authors ghost writing the stories on Charteris' behalf from 1963 onward; Charteris acted as an editor for these books, approving stories and making revisions when needed).

Move to the United States[edit]

Charteris relocated to the United States in 1932, where he continued to publish short stories and also became a writer for Paramount Pictures, working on the George Raft film,Midnight Club. Around this time, Charteris also travelled on the Hindenburg on its successful maiden voyage to New Jersey (the disaster did not occur until the airship's second year of operation).

However, Charteris was excluded from permanent residency in the United States because of the Chinese Exclusion Act, a law which prohibited immigration for persons of "50% or greater" Oriental blood. As a result, Charteris was forced to continually renew his six-month temporary visitor's visa. Eventually, an act of Congress personally granted him and his daughter the right of permanent residence in the United States, with eligibility for naturalisation which he later completed.

Other activities[edit]

In the 1940s, Charteris, besides continuing to write The Saint stories, scripted the Sherlock Holmes radio series featuring Basil Rathbone and Nigel Bruce. In 1941, he appeared in a Life Magazine photographic adaptation of a short story of The Saint, with himself playing The Saint. He also contributed storylines to a long-running comic strip based on The Saint.

During the 1940s, a number of motion pictures were produced based upon The Saint, though only a couple of films were directly based upon Charteris' writings.^{[citation needed]}

The Saint on TV[edit]

Long-term success eluded Charteris' creation outside the literary arena until the 1962–1969 British-produced television series The Saint went into production with Roger Moore in the Simon Templar role.

Many episodes of the TV series were based upon Charteris' short stories. Later, as original scripts were commissioned, Charteris permitted some of these scripts to be novelised and published as further adventures of the Saint in printed form (these later books, with titles such as The Saint on TV and The Saint and the Fiction Makers, carried Charteris' name as author, but were in fact written by others). Charteris would live to see a second British TV series, Return of the Saint starring Ian Ogilvy as Simon Templar, enjoy a well-received, if brief, run, and in the 1980s a series of TV movies produced by an international co-production and starring Simon Dutton kept interest in The Saint alive. There was also an aborted attempt at a 1980s TV series in the United States, which resulted in only a pilot episode being produced and broadcast.

Later life[edit]

The adventures of The Saint were chronicled in nearly 100 books. Charteris himself stepped away from writing the books after The Saint in the Sun (1963). The next yearVendetta for the Saint was published and while it was credited to Charteris, it was actually written by science fiction writer Harry Harrison. Following Vendetta, as noted above, came a number of books adapting televised episodes; these books were credited to Charteris but were actually by others (although Charteris himself did collaborate on several Saint books in the 1970s). Several Return of the Saint scripts were also adapted, and there were also some original stories thrown into the mix. Charteris appears to have served in an editorial capacity for these later volumes. He also edited (and contributed to) The Saint Mystery Magazine, a digest-sized publication. The final book in the Saint series wasSalvage for the Saint, published in 1983. Two additional books were published in 1997, a novelization of the film loosely based on the character, and an original novel published by "The Saint Club" a fan club that Charteris himself founded in the 1930s. Both books were written by Burl Barer, who also wrote the definitive history on Charteris and The Saint.

Personal life and death[edit]

Besides being a fiction writer, Charteris also wrote a column on cuisine for an American magazine, as a sideline. He also invented a wordless, pictorial sign language calledPaleneo and wrote a book on it. In addition, Charteris was also one of the earliest members of Mensa.^[4]^[5]

In 1952 he married the Hollywood actress Audrey Long (1922-2014); the couple eventually returned to England where Leslie Charteris spent his last years living in Surrey. Leslie Charteris died at Windsor, Berkshire, survived by his wife and a daughter, Patricia.

Family[edit]

He was married four times:

(in 1931) to Pauline Schishkin (1911–1975), daughter of a Russian diplomat
(in 1938) to Barbara Meyer (1907–1950), editor at The American Magazine
(in 1943) to Elizabeth Bryant Borst (1909–2003), Boston society woman and night club singer
(in 1952) to Audrey Long (1922–2014), film actress

Charteris was the brother of Rev Roy Bowyer-Yin.^[6]

Bibliography[edit]

For a list of all Charteris's works, see List of works by Leslie Charteris; for a breakdown of Simon Templar novels, novellas and short story collections by Charteris, see the list atSimon Templar.

In addition, Charteris authored numerous uncollected short stories and essays.^[7]