Antique Ebonised & Red Boulle Jewellery Casket c.1860
This is a beautiful antique French ebonised cut brass red “Boulle” jewellery casket, circa 1860 in date.
The casket has canted corners and a beautiful hinged cover with delicate cut bras Boulle inlays, the interior features the original burgundy satin lined fabric.
The lock is signed with the name of the retailer: Smal Palais Royal 7, and it is complete with the original key.
There is no mistaking its unique quality and design, which is sure to make it a treasured piece for any discerning collector.
Condition:
In excellent condition, please see photos for confirmation of condition.
Dimensions in cm:
Height 10 x Width 28 x Depth 19
Dimensions in inches:
Height 3.9 x Width 11.0 x Depth 7.5
Palais Royale
In the mid 1800s the best souvenirs from Paris were found in the boutiques of the famed Palais Royal of Paris, which is the old palace of Cardinal Richelieu. The boutiques lined the promenade of the central gardens, and the area was host to Royals, dignitaries, the posh societies of times past. The treasures from the Palais Royal remain today some of the most sought after antiques to be found.
André-Charles Boulle
(1642 – 1732) was the French cabinetmaker who is generally considered to be the preeminent artist in the field of marquetry. His fame in marquetry led to his name being given to a fashion of inlaying known as Boulle (or in 19th-century Britain, Buhl work).
Boulle appears to have been originally a painter, since the first payment to him by the crown of which there is any record (1669) specifies ouvrages de peinture. He was employed for many years at Versailles, where the mirrored walls, the floors of wood mosaic, the inlaid panelling and the marquetry furniture in the Cabinet du Dauphin were regarded as his most remarkable work. These rooms were long since dismantled and their contents dispersed, but Boulle's drawings for the work are in the Musée des Arts Décoratifs, Paris.
His royal commissions were numerous, as we learn both from the Comptes des B timents du Roi and from the correspondence of Louvois. Not only the most magnificent of French monarchs, but foreign princes and the great nobles and financiers of his own country crowded to him with commissions, and the mot of the abbé de Marolles, Boulle y lourne en ovale, has become a stock quotation in the literature of French cabinetmaking.
Our reference: 07926E
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