The Street Seller
Original Oil Painting on Canvas
by Jacob Toorenvliet (1640–1719)
- Similar listed to £67,500 GBP ($105,205 USD) at auction.
- Fully recorded autograph work.
- There are 5 paintings by this artist in the British National Art Collection.
- Painting - 40cm (15 3/4") x 33cm (13")
- Frame - 53.5cm (21") x 47cm (18 1/2")
Lot Notes
A very fine fully recorded autograph oil painting by important Dutch old master Jacob Toorenvliet. The painting is a wonderful example of the artist's work the broad treatment typical of Toorenvliet later years with the present example probably dating to c.1710. The painting possibly indistinctly signed with initials lower left. A very fine old master oil painting.
Condition
The painting is in fine condition; the canvas laid onto an oak panel though fully examined under ultra violet and without significant restoration. The painting may benefit from a ligth clean but remains perfectly acceptable, most attractive and ready to hang. Presented in a good antique wood and gilt composite frame.
Artist Information
Jacob Toorenvliet was a Dutch Golden Age painter of genre works. Toorenvliet was born in Leiden, to Abraham Toorenvliet, a glass painter and drawing instructor. The younger Toorenvliet first studied art with Frans van Mieris the Elder and Matthijs Naiveu, who were also studying with his father, a respected drawing teacher. Later, like his fellow students, he studied with Gerrit Dou, his father's brother-in-law, until 1659, when he started on his Grand Tour. Torenvliet was active in a number of different cities throughout his career, mainly in Italy and the Netherlands. He was in Vienna in 1663, and in Rome for a portrait commission in 1669. His companion on this trip was a painter from Enkhuizen called Nicolas Roosendaal (1636–1686). From 1670 to 1673 they lived in Venice, making another trip to Rome in 1671, where Torenvliet became a member of the Bentvueghels with the bent name of Jazon. He went to Vienna again in 1673, staying until 1674, and mainly painted figures on copper. He was in Leiden again in 1679, Amsterdam in 1680, and back in Leiden in 1686, where he remained. He joined the Guild of Saint Luke in Leiden, and held a number of senior offices in it from 1695 to 1712, in addition to cofounding the Leiden Drawing Academy in 1694 with Willem van Mieris and Carel de Moor. He died in Oegstgeest in 1719.
General Information
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About Us
Priory Fine Art specialises in high quality 17th - 20th Century British and European Fine Art. Our team have a combined experience of over 80 years in the field of fine art and have together handled the sale of many millions of pounds worth of art. As well as our own team of specialists we have close contacts from the leading auction houses who often assist us with particular pieces.
Postage and Packing
All of our paintings are professionally packaged in rigid hardboard boxes to ensure they reach you in pristine condition. Orders to the UK mainland are sent using a fully insured overnight courier service, orders to the rest of the World are sent on prompt and insured signed for services and are usually delivered within three working days.
Certificate of Authenticity
Every item we sell is fully guaranteed to be as described and a signed photo certificate is issued with every painting. We use the same cataloguing terms as most major auction houses, the terms that appear in the listing are also used on the certificates of authenticity. The cataloguing terms that we use have the following meanings;
- where the bold coloured text which forms the listing's heading reads 'by' and is followed by the artist's full name (or the artist's initials, if his full name is unrecorded), the work is in our opinion by the artist;
- where the expression "attributed to" is used, the work is in our opinion possibly a work by the artist, in whole or in part;
- where the expression 'circle of' is used, the work is in our opinion a work of the period of the artist and showing his influence;
- where the expression 'follower of' is used, the work is in our opinion a work executed in the artist's style but not necessarily by a pupil;
- where the expression 'manner of' is used, the work is in our opinion a work executed in the artist's style but of a later date;
- where the term "after" is used, the work is in our opinion a copy or pastiche (of any date) of a work by the artist. Where the term 'signed...' is used in our opinion the work has been signed by the artist, where the term 'with signature...' or 'bears signature...' is used in our opinion the signature is by a hand other than that of the artist.
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