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ITEM: This is a 1927 vintage and original large format silver gelatin studio portrait photograph that has been hand developed by photographer Rayhuff-Richter. A popular and talented photographer among the theatre and Hollywood crowd, Rayhuff-Richter has exquisitely captured the ‘new woman’ flapper style of silent film actress Virginia Valli. The early screen star is fashionable in androgynous style with a derby hat positioned over her cropped, bobbed hairstyle and her arms crossed, almost defiantly, over her white collared button down shirt and cardigan. This is a wonderfully stylish and beautiful portrait of Valli with great roaring 20s attitude and appeal!
Measures 10 ½” x 13 ¾” on a glossy double weight paper stock.
Photographer’s name handwritten in black ink in the bottom margin. Handwritten notations and Photoplay Magazine ink stamp on verso.
CONDITION: Fine condition with visible creasing and softening at the corners as well as edge wear and general storage/handling wear. Please use the included images as a conditional guide.
Guaranteed to be 100% vintage and original from Grapefruit Moon Gallery.
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Virginia Valli (June 10, 1898 – September 24, 1968) was an American stage and film actress whose motion picture career started in the silent film era and lasted until the beginning of the sound film era of the 1930s.
Born Virginia McSweeney in Chicago, Illinois, she got her acting start in Milwaukee with a stock company. She also did some film work with Essanay Studios in her hometown of Chicago, starting in 1916.
Valli continued to appear in films throughout the 1920s. She was an established star at the Universal studio by the mid-1920s. In 1924 she was the female lead in King Vidor's southern gothic Wild Oranges, a film now being seen after several decades of film vault obscurity. She also appeared in the romantic comedy, Every Woman's Life, about "the man she could have married, the man she should have married and the man she DID marry." She made the bulk of her films between 1924 and 1927 including Alfred Hitchcock's debut feature, The Pleasure Garden, Paid To Love (1927), with William Powell, and Evening Clothes (1927), which featured Adolphe Menjou. In 1925 Valli performed in The Man Who Found Himself with Thomas Meighan. The production was made at a Long Island, New York studio.
Her first sound picture was The Isle of Lost Ships in 1929, but her film career would not last much longer due to declining fame. Unable to find a suitable studio, she quit films after making the quickie Night Life in Reno, in 1931.
Valli was first married to George Lamson and the two shared a small bungalow in Hollywood, in close proximity to the Hollywood Hotel.
In 1931, she married her second husband, actor Charles Farrell, to whom she remained married until her death. They moved to Palm Springs, where she was a social fixture for many years.
She suffered a stroke in 1966, and died two years later, aged 70, in Palm Springs, California. She was buried in the Welwood Murray Cemetery of that city. She had no children.
–– Wikipedia
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