The River Trent at Hoveringham
Original Oil Painting on Panel 1884
by James Orrock R.I., R.O.I. (British, 1829–1913)
- Signed and dated lower right. Inscribed 'Hoveringham on the Trent - from Nature' verso.
- There are 7 paintings by this artist in the British National Art Collection. For a similar example painted near the present painting see Kneeton Ford, Nottingham, on the Trent in the collection of Leicester Arts and Museums Service.
- Painting - 30.5cm x 46cm
- Frame - 37cm x 52cm
Lot Notes
A superb example of the work of important Scottish landscape painter depicting a scene on the River Trent at Hoveringham. The painting is a fine and rare example of the artist's work in this medium with the vast majority of the artist's oeuvre produced in watercolours. Signed and dated lower right, inscribed verso.
Condition
In very fine condition. Clean, most attractive, well framed and ready to hang.
Artist Information
James Orrock was a prominent Scottish collector of art and oriental ceramics, illustrator and landscape watercolourist. The scale of his involvement with the art trade and with top collectors such as John Ruskin is highlighted in the large two volume set of books published about him by Byron Webber: published in London, Chatto and Windus 1903: James Orrock R.I., Painter, Connoisseur, Collector. Rather than being a forger as some modern scholars like to believe Orrock was a dedicated enthusiast of contemporary British art and emulated some of those artists in his own work. He illustrated three books in the style of Turner: Mary Queen-of-Scots, 1906; Old England : her story mirrored in her scenes, 1908; and, In the Border country, 1906 James was the son of James Orrock, an Edinburgh dentist and druggist, living at 17 Elm Row at the top of Leith Walk. He was educated in medicine, surgery, and dentistry at Edinburgh University, after which he practised as a dentist in Nottingham. Orrock studied painting under James Ferguson, William L. Leitch, and John Burgess, later enrolling at the Nottingham School of Design where he was taught by Thomas Stuart Smith. He settled in London by 1866, becoming an associate of the Royal Institute of Painters in Water Colours in 1871, exhibiting at the Royal Scottish Academy and Royal Academy. His later style was highly influenced by David Cox, his paintings today are on show in various museums and galleries, including the Victoria and Albert Museum. A strong advocate of J. M. W. Turner and British art in general (owning several of J.M.W Turner's most important works), he was also an impassioned collector of Adam-style furniture decorated by Angelica Kauffman. A landscape painter and watercolourist, he is now believed to have restored, altered and improved works by other painters within his collection. Orrock created art-period rooms in his house, which he opened to the general public. Having on two previous occasions bought furniture and paintings from Orrock's personal collection, on Orrock's death Lord Leverhulme bought most of his art collection, and some one thousand of his own paintings. Part of that collection was used to create the Lady Lever Art Gallery at Port Sunlight. It was later confirmed that two watercolours by Cox bought by Leverhulme from Orrock were forgeries. Today, Orrock is also notable as having commissioned, but not himself forged, many of the forgeries associated with the works of John Constable. His association with one copy of A Sea Beach Brighton painting by Constable was featured on the BBC One's Fake or Fortune? in January 2014. General Information
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Art has long been regarded as a strong and safe investment. Ellen Kelleher a personal finance reporter for The Financial Times recently wrote an article recommending art, particularly in the $500 - $50,000 range as a sound long term investment with an impressive current average annual increase of 9.7 percent. See Hang your investments on the wall by Ellen Kelleher Published October 22 2010 by the Financial Times.
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