Diana Armfield Standing Nude Before a Mirror
An Original Oil Painting on Canvas
by Bernard Dunstan R.A. (1920-)
- We are grateful to Bernard Dunstan and Diana Armfield for confirming the authenticity of this lot on the basis of photographs and supplying us with details of the scene and date of execution of the painting .
- Auction Record - £11,000 GBP
- Signed with initials lower right
- 'Gallery' condition
- Painting - 66cm (26") x 51cm (20")
- Frame - 81.5cm (32") x 65cm (25 1/2")
Lot Notes
A very fine early oil painting on canvas by one of England's greatest living artists - Bernard Dunstan. The painting was made in the 1970's and depicts Diana Armfield (the artist's wife) standing nude before a mirror at the couple's cottage in Bala, North Wales. We are grateful to Bernard Dunstan and Diana Armfield for authenticating this lot and supplying us with details of the scene and date of execution of the painting. The painting is signed with initials lower right.
Condition
The painting is in very 'gallery' condition; the canvas laid onto board, clean, most attractive and entirely original. The frame in good condition though with minor imperfections.
Artist Information
Bernard Dunstan is a British artist, teacher, and author, best known for his studies of figures in interiors and landscapes. He is currently the longest serving Royal Academician. Bernard Dunstan was born in Teddington, Middlesex, in 1920. He studied at Byam Shaw School of Art in 1939, then at the Slade School of Fine Art in London from 1939 to 1941. In 1947 he was elected a member of the New English Art Club, and was president of the Royal West of England Academy from 1979 to 1984. In 1968 he was made a full member of the Royal Academy. Dunstan taught at the Royal West of England Academy in Bristol from 1946 to 1949, the Camberwell School of Art from 1950 to 1964, the Byam Shaw School from 1953 to 1974, the Ravensbourne Art College (now the Ravensbourne College of Design and Communication) from 1959 to 1964, and City and Guilds of London Art School from 1964 to 1969. Artists whose influence inform his painting include Renoir, Bonnard, Vuillard, Walter Sickert, and Philip Wilson Steer. His works are represented in the National Portrait Gallery, the Royal Collection, Windsor, and the Museum of London. He has written a number of books on painting, including Painting Methods of the Impressionists (1976). Dunstan is married to fellow painter and Royal Academician Diana Armfield. He is the father of the physicist Professor David Dunstan.
General Information
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Art has long been regarded as a strong and safe investment. Ellen Kelleher a personal finance reporter for The Financial Times recently wrote an article recommending art, particularly in the $500 - $50,000 range as a sound long term investment with an impressive current average annual increase of 9.7 percent. See Hang your investments on the wall by Ellen Kelleher Published October 22 2010 by the Financial Times.
About Us
Priory Fine Art specialises in high quality 17th - 20th Century British and European Fine Art. Our team have a combined experience of over 80 years in the field of fine art and have together handled the sale of many millions of pounds worth of art. As well as our own team of specialists we have close contacts from the leading auction houses who often assist us with particular pieces.
Postage and Packing
All of our paintings are professionally packaged in rigid hardboard boxes to ensure they reach you in pristine condition. Orders to the UK mainland are sent using a fully insured overnight courier service, orders to the rest of the World are sent on prompt and insured signed for services and are usually delivered within three working days.
Certificate of Authenticity
Every item we sell is fully guaranteed to be as described and a signed photo certificate is issued with every painting. We use the same cataloguing terms as most major auction houses, the terms that appear in the listing are also used on the certificates of authenticity. The cataloguing terms that we use have the following meanings;
- where the bold coloured text which forms the listing's heading reads 'by' and is followed by the artist's full name (or the artist's initials, if his full name is unrecorded), the work is in our opinion by the artist;
- where the expression "attributed to" is used, the work is in our opinion possibly a work by the artist, in whole or in part;
- where the expression 'circle of' is used, the work is in our opinion a work of the period of the artist and showing his influence;
- where the expression 'follower of' is used, the work is in our opinion a work executed in the artist's style but not necessarily by a pupil;
- where the expression 'manner of' is used, the work is in our opinion a work executed in the artist's style but of a later date;
- where the term "after" is used, the work is in our opinion a copy or pastiche (of any date) of a work by the artist. Where the term 'signed...' is used in our opinion the work has been signed by the artist, where the term 'with signature...' or 'bears signature...' is used in our opinion the signature is by a hand other than that of the artist.
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