Allgemein
One Cold Night
|
| Pop/Rock |
| CD |
Trackliste CD - 1
| 1. Seether - Gasoline |
|
| 2. Seether - Driven Under |
|
| 3. Seether - Diseased |
|
| 4. Seether - Truth |
|
| 5. Seether - Immortality |
|
| 6. Seether - Tied My Hands |
|
| 7. Seether - Sympathetic |
|
| 8. Seether - Fine Again |
|
| 9. Seether - Broken |
|
| 10. Seether - Gift |
|
| 11. Seether - Remedy |
|
| 12. Seether - Plastic Man |
|
| 13. Seether - Gift |
4:24 |
| |
Trackliste CD - 2
| 14. Seether - Gasoline |
|
| 15. Seether - Driven Under |
|
| 16. Seether - Diseased |
|
| 17. Seether - Truth |
|
| 18. Seether - Immortality |
|
| 19. Seether - Tied My Hands |
|
| 20. Seether - Sympathetic |
|
| 21. Seether - Fine Again |
|
| 22. Seether - Broken |
|
| 23. Seether - Gift |
|
| 24. Seether - Remedy |
|
| 25. Seether - Plastic Man |
|
| 26. Seether - [Untitled Track] |
|
| 27. Seether - Gift |
|
| 28. Seether - Bonus Material |
|
| |
Beschreibung
Beschreibung
Grape Street, the Philadelphia venue where One Cold Night was recorded on February 22, 2006, is also the location of the chance encounter between guitarist Pat Callahan, singer Shaun Morgan, and bassist Dale Stewart. Callahan was given a chance to audition for the band after Morgan saw him play at Grape Street. But the venue was chosen as the album site for a sense of homecoming and comfort for the entire band -- not just Callahan. Yet even this feeling of homecoming can't save One Cold Night from its generic glumness. Seether never stray much from the rules and confines of post-grunge and alternative metal, but their grittier attitude and less self-righteous lyrics make them seem more down to earth than Creed or Nickelback. In fact, about the only surprising aspect about the album is that it doesn't sound like a live album at all. What should have been an emotional return ends up sounding more like a chore than a celebration. Other than a few cheers before and after songs (someone yells the drummer's name), the album sounds like it was recorded in a studio. There is absolutely nothing raw or imperfect about it, which is usually the charm of live albums. If One Cold Night wasn't marketed as being a live album, listeners could very well have no clue that it is. Not only did the crowd not seem to be having a very good time, but the band didn't either, offering almost no interaction with audience members. Most of the songs chosen for the live performance are brooding, somber, and self-deprecating. Actually, it's kind of depressing. The album's perpetual gloomy state flows so generically from one song to the next that you're not sure if the album is, in fact, just one long song. One Cold Night doesn't offer Seether fans anything that the band's in-studio recordings don't. All but two of the songs are hits from the band's certified gold albums, Disclaimer, Disclaimer II, and Karma and Effect. Unlike most live albums, this one lacks a sense of catharsis, fun, or general attentiveness. If this release was geared toward developing a new fan base, it's unlikely to achieve its goal. It doesn't stand out, neither from the band's other albums, nor from those of Seether's peers. On the other hand, for die-hard Seether fans, One Cold Night could work as just a mellower version of the band's previous albums and will hold some appeal for that reason. ~ Megan Frye
Megan Frye
Beschreibung
Grape Street, the Philadelphia venue where One Cold Night was recorded on February 22, 2006, is also the location of the chance encounter between guitarist Pat Callahan, singer Shaun Morgan, and bassist Dale Stewart. Callahan was given a chance to audition for the band after Morgan saw him play at Grape Street. But the venue was chosen as the album site for a sense of homecoming and comfort for the entire band, not just Callahan. Yet even this feeling of homecoming can't save One Cold Night from its generic glumness. Seether never stray much from the rules and confines of post-grunge and alternative metal, but their grittier attitude and less self-righteous lyrics make them seem more down to earth than Creed or Nickelback. In fact, about the only surprising aspect about the album is that it doesn't sound like a live album at all. What should have been an emotional return ends up sounding more like a chore than a celebration. Other than a few cheers before and after songs (someone yells the drummer's name), the album sounds like it was recorded in a studio. There is absolutely nothing raw or imperfect about it, which is usually the charm of live albums. If One Cold Night wasn't marketed as being a live album, listeners could very well have no clue that it is. Not only did the crowd not seem to be having a very good time, but the band didn't either, offering almost no interaction with audience members. Most of the songs chosen for the live performance are brooding, somber, and self-deprecating. Actually, it's kind of depressing. The album's perpetual gloomy state flows so generically from one song to the next that you're not sure that the album isn't, in fact, just one long song. One Cold Night doesn't offer Seether fans anything that the band's in-studio recordings don't. All but two of the songs are hits from the band's certified gold albums, Disclaimer, Disclaimer II, and Karma and Effect. Unlike most live albums, this one lacks a sense of catharsis, fun, or general attentiveness. If this release was geared toward developing a new fan base, it's unlikely to achieve its goal. It doesn't stand out; either from the band's other albums, or from those of Seether's peers. On the other hand, for die-hard Seether fans, One Cold Night could work as just a mellower version of the band's previous albums and will hold some appeal for that reason. [This edition contains a bonus DVD featuring footage of the entire live performance, an interview, photos and a music video.] ~ Megan Frye
Megan Frye
Mitwirkende
- Director: Meiert Avis
- Record Label: Wind-Up
- A&R: Diana Meltzer
- Video Director: Meiert Avis
- Project Manager: Edwin U. Camacho
- Coordination: Darren Majewski
- Lighting Technician: Scott Alle
- Group Member: Pat Callahan
- Group Member: Shaun Morgan
- Management: Edwin U. Camacho
- Bass: Dale Stewart
- Group Member: John Humphrey
- Management: Rick Smith
- Crew: Bryce Brashears
- Design: Ed Sherman
- Executive Producer: Joe Cahill
- Video Editor: Pat Burke
- Production Supervisor: Gregg Wattenberg
- Photography: Scott Weiner
- Group Member: Dale Stewart
- Drum Technician: Curtis Clyde
- Executive Video Producer: Randi Wilens
- Guitar Technician: Scott Dachroden
- Engineer: Bennett Chandler
- A&R: Gregg Wattenberg
- Management: Scott Sokol
- A&R: Darren Majewski
- Package Art Direction: Ed Sherman
- Mixing: Randy Staub
- Illustrations: Gareth Botha
- Executive Producer: Steve Karas
- Authoring: Mike Nack
- Management: Mike Dewdney
- Technician: Bob Delia
- Interviewer: Pierre Robert
- Photography: Joe Cahill
- Mastering: Stephen Marcussen
- Executive Producer: Randi Wilens
- Production Assistant: Justin Amash
- Artist: Seether
- Guitar: Pat Callahan
- Member of Attributed Artist: Pat Callahan
- Vocals: Shaun Morgan
- Guitar: Shaun Morgan
- Member of Attributed Artist: Shaun Morgan
- Drums: John Humphrey
- Member of Attributed Artist: John Humphrey
- Guitar (Bass): Dale Stewart
- Member of Attributed Artist: Dale Stewart