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DecorArts The Night Cafe in the Place Lamartine in Arles Giclee Print 16x20
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DecorArts The Night Cafe in the Place Lamartine in Arles Giclee Print 16x20

TYPE:Giclee Print
SIZE:16x20x0.68inch
FRAME:No
OUTSIDE:inch
INCLUDE:Each painting comes with the kits

The work has been called one of Van Gogh's masterpieces and one of his most famous. Unlike typical Impressionist works, the painter does not project a neutral stance towards the world or an attitude of enjoyment of the beauty of nature or of the moment.

The painting is an instance of Van Gogh's "suggestive colour" or "arbitrary colour" in which the artist infused his work with his emotions. What was later called Expressionism.

Vincent Willem van Gogh (30 March 1853 - 29 July 1890) was a Dutch and post-Impressionist painter whose work had a far-reaching influence on 20th-century art.

His output includes portraits, self portraits, landscapes and still lifes of cypresses, wheat fields and sunflowers. He drew as a child but did not paint until his late twenties; most of his best-known works were completed during the last two years of his life.

In just over a decade, he produced more than 2,100 artworks, including 860 oil paintings and more than 1,300 watercolors, drawings, sketches and prints.

The Starry Night is an oil on canvas by the Dutch post-impressionist painter Vincent van Gogh. Painted in June, 1889, it depicts the view from the east-facing window of his asylum room at Saint-Remy-de-Provence, just before sunrise, with the addition of an idealized village. It has been in the permanent collection of the Museum of Modern Art in New York City since 1941, acquired through the Lillie P. Bliss Bequest. It is regarded as among Van Gogh's finest works, and is one of the most recognized paintings in the history of Western culture.
Cafe Terrace at Night, also known as The Cafe Terrace on the Place du Forum, is a coloured oil painting executed by the Dutch artist Vincent van Gogh on an industrially primed canvas of size 25 (Toile de 25 figure) in Arles, France, mid-September 1888. The painting is not signed, but described and mentioned by the artist in three letters. There is also a large pen drawing of the composition which originates from the artist's estate.

Visitors of the site can still stand at the northeastern corner of the Place du Forum, where the artist set up his easel.He looked south towards the artificially lit terrace of the popular coffee house, as well as into the enforced darkness of the rue du Palais leading up to the building structure (to the left, not pictured) and, beyond this structure, the tower of a former church (now Musee Lapidaire). Towards the right, Van Gogh indicated a lighted shop as well, and some branches of the trees surrounding the place-but he omitted the remainders of the Roman monuments just beside this little shop.

In August .1888 Vincent vanGogh began pinting a series of works which as Dr.Jan Hulsker Suggests "perhaps more than any other of his paintings.have made him known throughout the world.They are often the only works with which he is identified."This serise is.of course. the sunflowers.
Almond Blossoms is from a group of several paintings made in 1888 and 1890 by Vincent van Gogh in Arles and Saint-Remy, southern France of blossoming almond trees. Flowering trees were special to Van Gogh. They represented awakening and hope. He enjoyed them aesthetically and found joy in painting flowering trees. The works reflect Impressionist, Divisionist and Japanese woodcut influences. Almond Blossoms was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo.
You cannot do an in-depth study of Vincent van Gogh Without discussing this painting or the recurring theme of the sower in his pieces
Vase with Daisies and Poppies-This particular artwork was one of the last painted by Van Gogh. The painting was created at the French home of his doctor Paul.just a month before his death.
Flowers picked from the very field where he eventually committed suicide. said co-head of impressionist and modern for Satheby's Simon Shaw. This floral still life sold for $61.765.000at the sotheby's auction in 2015 by an asian bider The reproduction painting is the masterpiece of Van Gogh than fully express passion and emotion.
Starry Night Over the Rhone (September 1888) is one of Vincent van Gogh's paintings of Arles at night time. It was painted at a spot on the bank of the Rhone River that was only a one or two-minute walk from the Yellow House on the Place Lamartine which Van Gogh was renting at the time. The night sky and the effects of light at night provided the subject for some of his more famous paintings, including Cafe Terrace at Night (painted earlier the same month) and the later canvas from Saint-Remy, The Starry Night.
A sketch of the painting is included in a letter van Gogh sent to his friend Eugene Boch on October 2, 1888. The painting was first exhibited in 1889 at the annual exhibition of the Societe des Artistes Independants in Paris, together with the Irises. The latter was added by Theo, while Vincent had proposed one of his paintings from the public gardens in Arles, most probably the version now in the Phillips Collection.
Van Gogh looked forward with impatience to the arrival of his friend Gauguin at the 'Yellow House' and decided to paint a series of decorative still lifes of sunflowers for his fellow artist. He hoped that the 'simplicity' he achieved in them would impress Gauguin. Van Gogh ultimately completed four still lifes before the end of the sunflower season, two of which were large in size. He made the bouquets steadily larger and eventually changed the dominant blue and yellow colours for 'the three chrome yellows, yellow ochre and Veronese green and nothing else', he wrote on 22 January 1889. He demonstrated in this way that it was possible to create an image with numerous variations of a single colour, without any sacrifice of eloquence or form Gauguin thought the final painting was extremely successful, 'a perfect example of a style that is completely Vincent'. Van Gogh had already painted a new version during his friend's stay and Gauguin later asked for one as a gift, which Vincent was reluctant to provide. He later produced two loose copies, however, one of which is now in the Van Gogh Museum.
Saintes-Maries is the subject of a series of paintings that Vincent van Gogh made in 1888. When Van Gogh lived in Arles, he took a trip to Saintes-Maries-de-la-Mer on the Mediterranean sea, where he made several paintings of the seascape and town.
Irises is one of many paintings and prints of irises by the Dutch artist Vincent van Gogh. Irises was painted while Vincent van Gogh was living at the asylum at Saint Paul-de-Mausole in Saint-Remy-de-Provence, France, in the last year before his death in 1890. It was painted before his first attack at the asylum. There is a lack of the high tension which is seen in his later works. He called the painting "the lightning conductor for my illness" because he felt that he could keep himself from going insane by continuing to paint.
The painting was influenced by Japanese ukiyo-e woodblock prints like many of his works and those by other artists of the time. The similarities occur with strong outlines, unusual angles, including close-up views, and also flattish local colour (not modelled according to the fall of light). He considered this painting a study which is probably why there are no known drawings for it, although Theo, Van Gogh's brother, thought better of it and quickly submitted it to the annual exhibition of the Societe des Artistes Independants in September 1889, together with Starry Night Over the Rhone. He wrote to Vincent of the exhibition: "strikes the eye from afar. The Irises are a beautiful study full of air and life."
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