“Co-Creation Code Deck” by
Rowena Pattee Kryder – Cards and Book: Self-help, art, oracles sacred geometry,
metaphysics
64 COLOR CARDS and 232 page
BOOK OF READINGS
Published by Golden Point
Productions, Crestone, Colorado
Box measures 5.75” width x
8.25” length x 1” depth
Brand New / Sealed / Mint condition
Rowena Pattee Kryder, M.F.A., Ph.D. has been teaching since 1971
and was formerly chair of Art and Ceativity at the California Institute of
Integral Studies in San Francisco. She is founder of the Creative Harmonics
Institute in Mount Shasta where she held ten-day intensive for twelve years.
She is currently in Reno, Nevada where she holds workshops and intensives.
Rowena is author of thirteen published books and hundreds of
articles. Her life is one of the most creative on the planet today. Nicky
Skully, author of Alchemical Healing says, "Rowena Pattee Kryder is one of
the most brilliant and creative minds of our times."
Everything is Sacred: A Portrait of Rowena Pattee Kryder
By Maxine Freed
As a second-grader, young Rowena’s schoolwork was always
returned to her, red-marked for spelling errors, because she insisted on
capitalizing Art and Nature. Now, almost seventy years old, Rowena Pattee
Kryder still regards Art and Nature as sacred. In fact, for her everything is
sacred, as her life and work clearly shows.
Rowena rarely uses the word God; she tends to refer to
ultimate sacred reality as Prime Source. She says “I basically feel I work for
Prime Source.” In the 2002 edition of the Creative Harmonics Institute
Newsletter she wrote, “Living inside Eternity, one is impelled to express the
essence of things…. Art as a Sacred Path allows the Eternal Now to speak
through one, from the source.” In a career spanning more than 50 years, Kryder
has produced thousands of paintings and prints, numerous three-dimensional
artworks, over a dozen books, several films and videos, four published and a
few unpublished oracle decks, two temples, and she is currently working on an
interactive DVD. All these products exemplify Art as a Sacred Path. Rowena
considers her work to be an expression of her deep appreciation for the gifts
of creation; it is her reciprocation back to the Divine.
Her childhood was not
particularly religious. As a teenager and in her early twenties she was drawn
to what she calls the “oriental influx”: the I Ching, Taoism, and sumi-e
painting. Later, in the mid-eighties, she created Moving with Change, Tiger and
Dragon—a book, posters, and cards based on the I Ching and Taoist Yoga. In the
‘60s and ‘70s she studied and practiced both Zen and Vipassana Buddhism. While
she no longer has a regular Buddhist practice, Buddhism has become fully
integrated in her life. She exudes non-attachment, equanimity, compassion,
wisdom, and joy.
An eight-year
self-study of world myths and symbols generated numerous artworks, her 1986
doctoral dissertation, and in 2000, the book Source: Visionary Interpretations
of Global Creation Myths. In the mid-eighties Rowena received a vision that led
her to create a number of exquisite and powerful shamanic robes. Subsequently,
shamanistic ritual work has played a large part in her teaching and workshop
facilitation.
“My church has been
Nature and the Tao, more than anything,” she says, adding that her basic prayer
is to chant the names of the twelve angelic orders—Elohim, Seraphim, Cherubim,
and so forth—and then hear their response. “I want their vibrations to be one
with my cells so that I can serve people and situations here to whatever degree
I can. So that I receive that which is on high, and so that I can give to that
which is all around me.”
Much of Rowena’s work
follows from the profound visions she receives from time to time. For example,
in the mid-seventies three Taoist immortals appeared to her, revealing a vision
of a future culture, a future earth. Her painstakingly animated film Tree of
Life, the book Sacred Ground to Sacred Space, the Gaia Matrix Oracle deck and
book (considered to be her “magnum opus”), and indeed almost all her recent and
current work are extensions and versions of this one vision.
Her work appears at
once dazzlingly complex and surprisingly simple. Complex, because each work is
essentially a cosmology, and the cosmos is complex; simple, because the underlying
structure is an “alphabet” of 12 basic functions, 12 forms, 12 harmonic
intervals, 12 realms, and so forth. Kryder’s book Sophia’s Body describes in
beautiful detail the basic forms and patterns in all of nature. Her Co-Creation
Code Deck consists of an explanatory book and 64 stunningly illustrated oracle
cards, organized in 12 columns corresponding to these twelvefold archetypal
patterns, and 8 rows (some containing less than 12 elements) representing the
vibratory octaves of a hierarchy of realms.
Her current project,
which will take years to complete, is an interactive DVD targeted primarily
towards young people. This emerging, nonlinear medium is perfectly suited to
Kryder’s multidimensional work with its interrelated twelvefold patterns, structures,
and orders of complexity. A person could begin anywhere in the system and
immediately observe similarities and correlations among and across all
functions, forms, and levels.
This work could
literally change the world: “My current project has to do with mapping a
harmonic order of the universe for the purpose of creating a harmonic and
sacred geometry structure for the basis of a new culture. I feel my whole life
has been dedicated to that purpose.” To that end, one of her projects has been
to work with a gifted architect-designer on ways to incorporate sacred geometry
and harmonics into an ideal city.
I met Rowena Pattee
Kryder last year at the 21st annual conference on Shamanism and Alternative
Modes of Healing. Her presentation and product display took my breath away:
here stood a Wise One, a visionary, a magician, a 21st-Century Blake or Goethe.
Yet she walks the mystical path with practical feet: there’s no difference
between communing with the angels and learning a new computer-animation program
when everything is sacred.
Maxine Freed is a college instructor and is pursuing a Ph.D. in
Consciousness, Spirituality, and Creativity at Saybrook Graduate School. Maxine Freed
An Introduction
to the Work of Rowena
Pattee Kryder
by Roberta Schumaker-Beal,
art therapist and teacher, in a letter to a
friend
Rowena, started, basically, as an artist, who has now
written a dozen books and created 5 card sets, with books to go with them...
She follows in the tradition of those who are whole-brain creators, a creatrix
of extraordinary range...
Her book, The Golden Echo is well worth the
investment. It is the only book that I have seen that is a life review,
self-created by an artist, which documents her expanding consciousness, as she
also becomes a writer and creator of symbol based card decks, with accompanying
texts.
I find Rowena's life work to be unusual for
several reasons:
First, Rowena is a woman, who has made a
living for 37 years, as, essentially an artist and creative person, with a wide
range of creative productivity, a role model for many creative women.
Rowena’s work has an over view of a study which she calls
"morphology" that is astounding, and may reach beyond the human
limitations of archetypal image designations. Her imagery does have a
certain coherence, within an extensive imagery that is entirely inventive and
on an innovative pathway, that seems to build over a lifetime of work by a
dedicated introvert, who is motivated by sharing her perceptions to help us
travel through the millennial paradigm shift which is currently with us.
Second, as an artist she has not stayed
tied to a stream of creativity "that sells" only. She has
continued to change styles and venture into each next growth stage. Those
stages are documented in a small book she produced, a small form of a life
review, about ten years ago (Rowena Pattee Kryder: Works, 1956 to 1996).
The remarkable evolutions of her art work from decade to decade is documented,
in a small booklet she produced as a "primer" for her life journey
and for connectedness among her many stages of growth. This little book
presages her later life review, in image and words, including family
photographs, in The Golden Echo, an entirely unique auto-biography
not ever seen my me, as a student of creativity studies.
Rowena has a kind of culminating overview of her
studies, which is a courageous vision, with corresponding text, which she has
developed relatively recently in her creative life paths. She calls this
set of imaginal symbols, morphology. From my imagery studies, this is to me, an
innovative vision, process and organizational system, that is astounding and
may reach beyond former human limitations designated as more subjective
archetypal imagery, into a more objective, though, still identified by a unique
individual’s human perception. Rowena’s imagematic symbologies do contain
certain coherence, within an extensive imagematic system from her innovative
pathways of study. She does re-perceive the perennial wisdoms, and build
on them for some newly reordered and comprehensive systems. Reading The
Golden Echo, one can see how a creative process builds over a lifetime of
work by a dedicated introvert, who is motivated by sharing her perceptions to
help us travel through the millennia we are all currently passing
through. Rowena began looking at the passage from an Old Earth to a
New Earth over 20 years ago, with all the commensurate symbols that guide our
creative and collective unconscious.
Third, Rowena, as an artist and writer,
ventures beyond traditional Western culture, studying Eastern Zen perspective,
while still being a part of it, anchored in her Western American roots.
Therefore, she is a comprehensive visionary, who has had a continuing message
about re-sacralizing the Earth. As her wise "vision and voice"
spoke many decades before the eco-Earth-message was being heard, she painted
and published even while a message about becoming "Earth-aware and
attuned" was still seen as "subversive and pagan," by many,
except all those north-westerners who loved the wild open spaces of our
land. Anticipating the paradigm shift that would speed-up with the
millennium, she published Gaia Matrix Oracle: Readings for Worlds,
Major Arcana & Symbols. It is an amazingly comprehensive book, a
remarkable array, for someone like me, who studies from a Jungian archetypal
perspective on the creative and collective unconscious. Her Earth-centered
sensibilities, like her writings on creating sacred space, have instructed this
reader, with creeping eco-angst, that a time of transition was not only
possible, before the end of the old world would be upon us, but also could be
envisioned as only creative souls can help us pass through the dark night of
the soul transition, into a new beginning, of our own design.
Fourth, Rowena is not an artist, only for
or with artists, especially those who create out of a societal woundedness as a
result of being tangentialized by many public school systems. As the arts
were pushed out of the schoolroom door, since the shift toward the sciences
after the Russian Sputnik challenge to our limited American collective
identity, we have seen the rise of independent art schools, like the one where
I got my Masters, the Maryland Institute College of Art. There is now a network
of independent art schools, separate from the knowledge resources of university
campuses. Despite Ben Shaun's warning to university campuses about the variance
between arts education and reading,’ writing and 'rithematic, in his
philosophic and wise lectures to the Harvard faculty, compiled in The Shape of
Content, too few in our educational systems listened, apparently. In a
kind of self-defense against the loss of emphasis and support on the humanities
and the arts, even arts educators separated the education of the American
student brain into the "supposed left and right hemispheres" and into
separate science and arts campuses.Despite this pervasive trend over the
last 40 years, Rowena has remained a whole brain visionary and educator with a
remarkable grasp both with image and word of a wholistic vision for education
that can sort out and preserve the best of the perennial wisdoms from both art
and science from a global perspective, from the past and move into the
perspective of the future of our global village on our home
planet.
Fifth, Rowena has also remained a
wholistic, whole brain perceiver, processor and producer, despite the turn in
many of our societal knowledge centers toward specificity, specialization and
reductionism.... I have been drawn to her work because she asks the "big
question," as philosophy calls them, while she inclusively addresses
pan-societal views that so few can even comprehend, let along document in
word-smith theory AND skillful visual template. The resulting products of
her intellectual reveries, her unique forays into the comprehension of
knowledge, are not only about what something means, but what "stands
under" that meaning, while, still engaging the artist's eye for essence of
the aesthetic principles of beauty, symmetry, harmonics, fairness with balance
and truth, with justice. For example, one of her “posters” has especially
intrigued me, among many. In high school I noticed the odd shape of the
chart of the elements in chemistry class, and played with a better image could
be envisioned for our studies. Rowena went ahead and designed and
produced a circular chart of the elements which makes much more sense, given
the structure of atoms, and their circling electrons, given her mathematical
specificity for atomic structure, which is incorporated into her visions.
I know no one else like this post-modern Renaissance woman
that Rowena is. Rowena has now reached 7 decades of highly unique,
valuable and productive results of a creative lifetime of work. Roberta-Schumaker-Beal
This past weekend, Rowena passed on after a long and valiant struggle with illness. She was in Reno, Nevada, her recent home. She worked tirelessly as an artist, teacher, thinker, visionary, feminist, mother, sister and daughter. Her work and her spirit will continue to provoke creativity in all those who come into contact with it. There was a retrospective exhibition of her art in Pennsylvania, organized by her close student and friend Gayle Dulcey and other friends. Rowena was extremely pleased to see pieces from her earliest years to her most recent creations on display in one place.
Rowena remained determined until the end to ensure that her vision and work-expressed through countless works of art, books, articles, and cards-will continue to inspire.
She is survived by her sons Miles and Charlie, and their spouses Deepti and Vaughan, as well as her brothers Dick and Mark, their spouses Karen and Sandy, and the granddaughter Vishaala.
Lovingly,
Rowena's Family
We have received news from Rowena's sons that she passed away on Saturday, October 11, in Reno. NV. A memorial service will be planned. We will send out notification when we learn the details. Even as we grieve Rowena's absence, let's also celebrate the extraordinary gifts she has shared with us through her boundless genius and creativity. May her legacy live on.
Blessings,
Gayle Dulcey and the Friends of Rowena