Original film title (on the poster):
ОНИ СРАЖАЛИСЬ ЗА РОДИНУ
 Released title for English speaking countries:
THEY FOUGHT FOR THEIR COUNTRY

POSTER ARTIST:        FOLOMKIN BORIS ALEKSEEVICH

DIRECTED BY:           SERGEY BONDARCHUK

GENRE:                          DRAMA, WAR

POSTER LANGUAGE:     RUSSIAN

PRINT YEAR:              1975

PRINT RUN:                127.000

POSTER COUNTRY:        USSR

FILM COUNTRY:             USSR

PUBLISHED BY:         "REKLAMFILM", MOSCOW

SIZE:                              IN: 17 x 26 = CM: 43 x 64

PRODUCED BY:          MOSFILM STUDIO

CONDITION:                   FOLDED, GOOD

FILM
PLOT
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Original Soviet official poster for the film “THEY FOUGHT FOR THEIR COUNTRY” -  Soviet film by Sergei Bondarchuk based on the novel of the same name by Mikhail Sholokhov. The best film according to the poll of the magazine "Soviet Screen" in 1976. Filming took place from May to October 1974 in the Volgograd region. In 1977 he was awarded the State Prize of the RSFSR named after the Vasilyev brothers.

July 1942. Having lost a large number of soldiers in battles, the Soviet rifle regiment retreats to Stalingrad. During the halt, the soldiers talk on different topics, bathe and sleep. One of the soldiers of the regiment, Pyotr Lopakhin (Vasily Shukshin), who gives the impression of a merry fellow and a joker, leaves for a nearby village for salt and a bucket for freshly caught crayfish. Counting on his talkativeness and charm, Lopakhin asks an old Cossack woman (Angelina Stepanova), but stumbles upon a contemptuous attitude, as the soldiers retreat, in fact leaving the locals to fend for themselves. After a difficult conversation, in which it turns out that behind the mask of a merry fellow, Lopakhin is hiding a serious person who is deeply worried about the fate of his country, the old woman fulfills Lopakhin's request.

The command gives the task to occupy and hold the height in the middle of the steppe. With difficulty digging out trenches in the stony ground, the regiment's soldiers equip positions and repel the first tank attack with grenades and anti-tank rifles. Before the second wave, German aircraft bombed the positions of the regiment, as a result of which many fighters were killed, and Private Nikolai Streltsov (Vyacheslav Tikhonov), a friend of Lopakhin, received a severe concussion. The second German tank attack becomes almost successful, but the arriving Soviet reinforcements push the enemy back.

The regiment walks at night through a burning wheat field. Private Ivan Zvyagintsev (Sergei Bondarchuk), a former combine operator, is horrified at the amount of damage caused by the war.

Having reached the next farm, the fighters are preparing for battle, and Lopakhin, flirting with local women, gets milk. In the next battle, he also knocks down a German attack aircraft Junkers Ju 87 from an ATGM, which explodes, sticking into a hill.

After a while, in another place, the regiment again engages in battle with enemy tanks. Tanks crush the positions of the defenders: a young corporal Kochetygov dies with the death of the brave, having managed to set fire to the tank with his last breath with a bottle of combustible mixture. Soviet soldiers rush into a counterattack, during which Private Zvyagintsev is seriously wounded by shrapnel from an artillery mine. The Germans are in retreat, and a young, fragile nurse (Tatiana Bozhok) pulls out a large ("before the war - 93 kilograms") Zvyagintsev from the battlefield. Having buried the last officer in the regiment (lieutenant; Nikolai Gubenko), the regiment moves on again. During a halt, Private Nekrasov (Yuri Nikulin), the father of four children, amuses the soldiers with a funny story about how he accidentally frightened a decrepit old woman who decided that he would bother her at night. In the medical battalion of Zvyagintsev, they operate without anesthesia, removing numerous fragments from the legs and back.

The regiment is located in another village, but there is no food in the pantry, and the locals refuse to feed the retreating soldiers. Lopakhin makes an attempt to charm the inaccessible-looking villager - Natalya (Nonna Mordyukova) - and helps her with the housework. At night, Lopakhin wants to seduce a woman, but she hits him in the eye in the dark. The next morning, Lopakhin sees a table teeming with food and concludes that his plan was still a success. Natalya bitterly replies to him that she has a husband, who is now in the hospital, and the local women cooked the food only because the foreman of the regiment told the local chairman that his soldiers had recently fought the enemy in a difficult battle. Natalya adds that the locals are ready to give up everything, if only the soldiers would protect them.

Lopakhin notices Nikolai Streltsov in the crowd. It turns out that he escaped from the medical battalion. Despite complete deafness and concussion, Streltsov joins his comrades in arms. The arriving colonel (Evgeny Samoilov) sincerely thanks the soldiers and kisses the regiment's banner, which was carefully guarded throughout the film. Large forces of Soviet troops are moving towards Stalingrad.

Vasily Shukshin Vyacheslav Tikhonov Sergei Bondarchuk


www.imdb.com/title/tt0073488/

  

FOLOMKIN BORIS ALEKSEEVICH (1928-2002)

Soviet poster artist. Member of the Union of Artists of the USSR. Member of the first professional association of poster artists.


Born June 12, 1928. Lived in Moscow. He was engaged in political and social posters, worked in "Reklafilm". Author of many movie posters such as: "Adjutant of His Excellency" (1971), "Fearless Ataman" (1973), "Hello and Goodbye" (1973), "Mimino" (1977), "On the Day of the Holiday" (1978), "Postal Novel" ( 1981), The Golden Fleece (1982), Lenin and Siberia (1982). The posters created by Folomkin are kept in the State Central Museum of Cinema (GTsMK).


Original title on the poster:
FILM NAME
English released title:
FILM NAME

POSTER ARTIST:  1234

DIRECTED BY:  1234

GENRE: 1234

POSTER COUNTRY: 1234

PRINT YEAR:  1234

PRINT RUN:  1234

FILM COUNTRY: 1234

LANGUAGE:  1234

PUBLISHED BY: 1234

SIZE:  1234

PRODUCED BY:  1234

CONDITION: 1234

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   CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)

Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.

Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.

In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).

Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.

New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.

Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.

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Original title on the poster:
FILM NAME
English released title:
FILM NAME

POSTER ARTIST:  1234

DIRECTED BY:  1234

GENRE: 1234

POSTER COUNTRY: 1234

PRINT YEAR:  1234

PRINT RUN:  1234

FILM COUNTRY: 1234

LANGUAGE:  1234

PUBLISHED BY: 1234

SIZE:  1234

PRODUCED BY:  1234

CONDITION: 1234

FILM
PLOT
STARS
IMDB
ARTIST
FILMPLOTSTARSIMDBARTIST

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   CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)

Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.

Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.

In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).

Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.

New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.

Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.

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Original title on the poster:
FILM NAME
English released title:
FILM NAME

POSTER ARTIST:  1234

DIRECTED BY:  1234

GENRE: 1234

POSTER COUNTRY: 1234

PRINT YEAR:  1234

PRINT RUN:  1234

FILM COUNTRY: 1234

LANGUAGE:  1234

PUBLISHED BY: 1234

SIZE:  1234

PRODUCED BY:  1234

CONDITION: 1234

FILM
PLOT
STARS
IMDB
ARTIST
CONDITION
FILMPLOTSTARSIMDBARTISTCONDITION

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LINK

   CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)

Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.

Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.

In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).

Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.

New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.

Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.

I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.

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Original title on the poster:
FILM NAME
English released title:
FILM NAME

POSTER ARTIST:  1234

DIRECTED BY:  1234

GENRE: 1234

POSTER COUNTRY: 1234

PRINT YEAR:  1234

PRINT RUN:  1234

FILM COUNTRY: 1234

LANGUAGE:  1234

PUBLISHED BY: 1234

SIZE:  1234

PRODUCED BY:  1234

CONDITION: 1234

FILM
PLOT
STARS
IMDB
ARTIST
CONDITION
FILMPLOTSTARSIMDBARTISTCONDITION

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LINK

   CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)

Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.

Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.

In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).

Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.

New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.

Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.

I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.

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Film title:
FILM NAME

POSTER ARTIST:  1234

DIRECTED BY:  1234

GENRE: 1234

POSTER COUNTRY: 1234

PRINT YEAR:  1234

PRINT RUN:  1234

FILM COUNTRY: 1234

LANGUAGE:  1234

PUBLISHED BY: 1234

SIZE:  1234

PRODUCED BY:  1234

CONDITION: 1234

FILM
PLOT
STARS
IMDB
ARTIST
CONDITION
FILMPLOTSTARSIMDBARTISTCONDITION

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LINK

   CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)

Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.

Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.

In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).

Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.

New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.

Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.

I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.

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!!! COLLECTION SALE !!!


YALTA HOTEL

YALTA INTOURIST WELCOMES YOU!

Dear visitors and collectors up for auction is highly rare Soviet agitation poster issued in english by popular USSR tourism company "Intourist". Come to us in the USSR! - the meaning of the posters issued by the firm "Intourist" was advertising of tourist trips for foreign citizens beyond the "Iron Curtain". You would be surprised, but some same subject rare posters are putiing up from time to time for auctions in London at Christie's auction. Yalta Hotel - is still working nowadays under the same name.


........................................................

                                       ARTIST:

              unknown
 
                                       DATE:

              1983
              
                                       EDITION:

              5000
 
                                       PUBLISHER:

              "Intourist"
 
                                       LANGUAGE:

              English
 
                                       SIZE:

              in: 16x26 - cm: 40x60
 
                                       CONDITION:

              Rolled