by TRUMAN CAPOTE

BREAKFAST AT TIFFANY'S



Read by: Michael Hall
Running Time: 2 hrs 50 mins
Categories: Anthologies, Short Stories, Literature
Released: February 2014
Media: mp3 on CD, Unabridged Audio Book
ISBN: 9781486222247

The Author

Truman Garcia Capote born Truman Streckfus Persons, September 30, 1924 – August 25, 1984) was an American novelist, screenwriter, playwright and actor. Several of his short stories, novels, and plays have been praised as literary classics, including the novella Breakfast at Tiffany's (1958) and the true crime novel In Cold Blood (1966), which he labeled a "non-fiction novel." His works have been adapted into more than 20 films and television dramas.

Capote rose above a childhood troubled by divorce, a long absence from his mother, and multiple migrations. He had discovered his calling as a writer by the time he was eight years old, and he honed his writing ability throughout his childhood. He began his professional career writing short stories. The critical success of "Miriam" (1945) attracted the attention of Random House publisher Bennett Cerf and resulted in a contract to write the novel Other Voices, Other Rooms (1948). Capote earned the most fame with In Cold Blood (1966), a journalistic work about the murder of a Kansas farm family in their home. Capote spent six years writing the book, aided by his lifelong friend Harper Lee, who wrote To Kill a Mockingbird .

As a lonely child, Capote taught himself to read and write before he entered his first year of school. Capote was often seen at age five carrying his dictionary and notepad, and began writing fiction at age 11. He was given the nickname "Bulldog" around this age
In 1932, he moved to New York City to live with his mother and her second husband, José García Capote, a bookkeeper from Union de Reyes, Cuba, who adopted him as his son and renamed him Truman García Capote. However, José was convicted of embezzlement and shortly afterwards, when his income crashed, the family was forced to leave Park Avenue.

Capote based the character of Idabel in Other Voices, Other Rooms on his Monroeville, Alabama neighbor and best friend, Harper Lee. Capote once acknowledged this: "Mr. and Mrs. Lee, Harper Lee's mother and father, lived very near. She was my best friend. Did you ever read her book, To Kill a Mockingbird? I'm a character in that book, which takes place in the same small town in Alabama where we lived. After Lee was awarded the Pulitzer Prize in 1961 and Capote published In Cold Blood in 1966, the authors became increasingly distant from each other.

Breakfast at Tiffany's: A Short Novel and Three Stories (1958) brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".

The novella itself was originally supposed to be published in Harper's Bazaar's July 1958 issue, several months before its publication in book form by Random House. The publisher of Harper's Bazaar, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included.

The "new book", In Cold Blood: A True Account of a Multiple Murder and Its Consequences (1965), was inspired by a 300 word article that ran in the November 16, 1959 The New York Times. The story described the unexplained murder of the Clutter family in rural Holcomb, Kansas, and quoted the local sheriff as saying, "This is apparently the case of a psychopathic killer." Fascinated by this brief news item, Capote traveled with Harper Lee to Holcomb and visited the scene of the massacre. Over the course of the next few years, he became acquainted with everyone involved in the investigation and most of the residents of the small town and the area. Rather than taking notes during interviews, Capote committed conversations to memory and immediately wrote quotes as soon as an interview ended. He claimed his memory retention for verbatim conversations had been tested at "over 90%". Lee made inroads into the community by befriending the wives of those Capote wanted to interview.

In Cold Blood was published in 1966 by Random House after having been serialized in The New Yorker. The "nonfiction novel", as Capote labeled it, brought him literary acclaim and became an international bestseller, but Capote would never complete another novel after it.

Capote was well known for his distinctive, high-pitched voice and odd vocal mannerisms, his offbeat manner of dress, and his fabrications. He often claimed to know intimately people whom he had in fact never met, such as Greta Garbo. He professed to have had numerous liaisons with men thought to be heterosexual, including, he claimed, Errol Flynn. He traveled in an eclectic array of social circles, hobnobbing with authors, critics, business tycoons, philanthropists, Hollywood and theatrical celebrities, royalty, and members of high society, both in the U.S. and abroad. Part of his public persona was a longstanding rivalry with writer Gore Vidal. Their rivalry prompted Tennessee Williams to complain: "You would think they were running neck-and-neck for some fabulous gold prize."

Capote never finished another novel after In Cold Blood. The dearth of new prose and other failures, including a rejected screenplay for Paramount Pictures's 1974 adaptation of The Great Gatsby, were counteracted by Capote's frequenting of the talk show circuit. In 1972, Capote accompanied The Rolling Stones on their first American tour since 1969 as a correspondent for Rolling Stone. He ultimately refused to write the article, so the magazine recouped its interests by publishing, in April 1973, an interview of the author conducted by Andy Warhol. A collection of previously published essays and reportage.

In the late 1970s, Capote was in and out of drug rehabilitation clinics, and news of his various breakdowns frequently reached the public. In 1978, talk show host Stanley Siegel did an on-air interview with Capote, who, in an extraordinarily intoxicated state, confessed that he had been awake for 48 hours and when questioned by Siegel, "What's going to happen unless you lick this problem of drugs and alcohol?", Capote responded: "The obvious answer is that eventually, I mean, I'll kill myself ... without meaning to."
Capote died in Bel Air, Los Angeles, on August 25, 1984. According to the coroner's report, the cause of death was "liver disease complicated by phlebitis and multiple drug intoxication". He died at the home of his old friend Joanne Carson, ex-wife of late-night TV host Johnny Carson, on whose program Capote had been a frequent guest. Gore Vidal responded to news of Capote's death by calling it "a wise career move".

Synopsis

Golden Globe-winning actor Michael C. Hall (Six Feet Under) performs Truman Capote's provocative, naturalistic masterstroke about a young writer's charmed fascination with his unorthodox neighbor, the "American geisha" Holly Golightly.

Holly - a World War II-era society girl in her late teens - survives via socialization, attending parties and restaurants with men from the wealthy upper class who also provide her with money and expensive gifts. Over the course of the novella, the seemingly shallow Holly slowly opens up to the curious protagonist, who eventually gets tossed away as her deepening character emerges.

Breakfast at Tiffany's, Truman Capote's most beloved work of fiction, introduced an independent and complex character who challenged audiences, revived Audrey Hepburn's flagging career in the 1961 film version, and whose name and style has remained in the national idiom since publication.

Hall uses his diligent attention to character to bring our unnamed narrator’s emotional vulnerability to the forefront of this American classic.

Reviews

Capote's classic is simultaneously darker and more wistful than the film, and the famed Holly Golightly a little more calculating than charming. Michael C. Hall delivers a mesmerizing performance, giving each character their own unique voice. Hall's cadence perfectly matches Capote's words, and he forced me into my own whirlwind friendship with Holly. I'd never before experienced a narrator who seemed to so completely understand an author's intentions – the effect was magical."—Katie, Audible Editor

"[Michael C. Hall] uses his diligent attention to character to bring our unnamed narrator's emotional vulnerability to the forefront of this American classic.... I felt content and comfortable in Hall's hands as the tale unfolded. He did a wonderful job giving each character voice, especially that of Holly." - (Caffeinated Book Reviewer)

"I could listen to this audiobook many times over. The narration is perfect for the text. I love how modern the story is even though it was written in the late 1950s. It is a fully immersive simple, yet beautiful story." - Audible review

"The setting of New York and the parties which remind me of a sort of toned down and more amusing Great Gatsby feel like a fabulous escape from covid life. The autonomy of women displayed in the novel is a breath of fresh air compared to other novels of the time. The acceptance and actual note and conversation about gays is quite uplifting for an older text. As well, the story about the Chinese guy from upstairs is actually less racist in the novella than the movie." - Audiible Review

"I used to say that either All Quiet on the Western Front or Anne Frank’s Diary were my favourite books, now I’ll say Breakfast at Tiffany’s is, followed up closely by the diary of Anne Frank." I highly recommend this book!" - Audible Review

"I have always been a big fan of the film but I realise after listening to the original text I have only been looking at a watered down simulacra of the story as it was first penned. The book is head and above a much more engrossing tale than that which was presented on celluloid. It is certainly a sadder and more realistic story and throughout we do as readers/listeners feel the narrator's pining to understand his muse all the while realising she's someone who will never find a place to rest on her journey of constant social mobility." - Canaan Perry

On Media

Audiobook on CD-ROM, complete with art on CD. Supplied in windowed CD sleeve, no case provided.

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