Salome. Drama in einem Aufzuge nach Oscar Wilde's gleichnamiger Dichtung in deutscher Übersetzung von Hedwig Lachmann ... Op. 54. Klavier-Auszug mit Text von Otto Singer. Preis M. 16. - netto. [Piano-vocal score]

Author: STRAUSS, Richard 1864-1949
Title: Salome. Drama in einem Aufzuge nach Oscar Wilde's gleichnamiger Dichtung in deutscher Übersetzung von Hedwig Lachmann ... Op. 54. Klavier-Auszug mit Text von Otto Singer. Preis M. 16. - netto. [Piano-vocal score]
Publication: Berlin: Adolph Fürstner [PN A. 5503 F.], 1905

Description:

Folio. Full dark red textured cloth with titling gilt to upper and spine, endpapers with floral motif printed in olive green. [1] (title in red and black), [2] (blank), [3] ("Personen"), [4] (blank), 5-203 (music) pp. Text in German.

With performance markings in multicolored pencil and red ink.

"Hugh H. Pillsbury" gilt to lower outer corner of upper board; brief manuscript annotations in ink to free front endpaper.

Binding very slightly worn, rubbed, and bumped; small binder's holes to inner margins of some leaves. Slightly worn and soiled; red ink waterstains to outer margin of first and last leaves, significantly affecting mostly blank area of title; two leaves detached.

First Edition, early issue, with "Drama" (as opposed to "Musik-Drama") to title and text in German only (not German and English); single plate number throughout, without the numbers 3015.05. at lower right corner of title after "Leipzig" (found in the first issue); plate number A. 5503.5507 F. to pp. 137-148 ("Salomes Tanz" - plate number 5507 was used for the solo piano edition). Trenner 215. Mueller von Asow I, p. 358. Pipers Enzyklopadie des Musik Theaters 6, p. 89.

Considered the work that would establish Strauss as the leading German opera composer of his time, Salome, in one act to Hedwig Lachmann's German translation of Oscar Wilde's play, was first performed in Dresden at the Hofoper on 9 December 1905.

"With the colourful, chromatic Salome he found a new, modernist voice for the stage, one that resonated throughout a Europe preoccupied with the image of the sensual femme fatale. Within a year of its 1905 Dresden première, this succès de scandale had been performed in six German cities as well as Graz, Prague and Milan, and its fame quickly spread throughout Europe and the USA." Bryan Gilliam and Charles Youmans in Grove Music Online.

Seller ID: 38494

Subject: Printed Music



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