E. BEAUMONT (1819-1888), Karikatur. Sept Heures du Matin, Lithographie Moderne

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Edouard de Beaumont (um 1819 - 1888 ebd.), Karikatur. Sept Heures du Matin. Junge Damen beim Ausflug, 19. Jahrhundert, Lithographie

  • Technik: Lithographie auf Papier, montiert auf Papier

  • Datierung: 19. Jahrhundert

  • Beschreibung: CROQUIS DE CARNAVAL Zwei Karikaturen auf einem Blatt - Bildunterschrift. Aus dem Französischen übersetzt: SIEBEN UHR AM MORGEN: [1] Debardeur, die glaubte, nach Hause zu kommen, und sich aufgrund einer natürlichen und ganz französischen Emotion, die durch den Champagner hervorgerufen wurde, in der Tür irrte. [2] Popadours Schäfer und Schäferin, die vom gleichen Pfeil Amors durchbohrt sind.

  • Verso: Typographischer Druck, Werbeanzeigen

  • Quelle: Le Charivari | Zeitschrift, Genre, Politik

  • Schlagworte: CROQUIS DE CARNAVAL, Cartoons & Karikaturen, Genre, Frankreich, Paris, Moderne, 1850-1899

  • Größe: Papier: 35.5 cm x 25.0 cm

  • Zustand: Akzeptabler Zustand. Verfärbung durch alte Montierung, schlägt auf Vorderseite um. Insgesamt altersbedingt verfärbt.

 

 

English Version:

 

Edouard de Beaumont (around 1819 - 1888 ), Caricature Sept Heures du Matin Young ladies on an outing, 19th century, Lithography


  • Technique: Lithography on Paper, mounted on Paper

  • Date: 19th century

  • Description: CROQUIS DE CARNAVAL Two caricatures on one sheet - caption. Translated from the French: SEVEN O'CLOCK IN THE MORNING: [1] Debardeur, who thought she was coming home and was mistaken in the door due to a natural and entirely French emotion brought on by the champagne. [2] Popadour's shepherd and shepherdess pierced by the same arrow of Cupid.

  • Verso: Typographic printing, advertisements

  • Source: Le Charivari | Magazine, Genre, Politics

  • Keywords: CARNIVAL SKETCH, 19th century, Modern, Caricature, France,

  • Size: Paper: 35.5 cm x 25.0 cm (14 x 9.8 in)

  • Condition: Rather good condition. Discolouration due to old mounting, flips to front side. Overall discoloured due to age.


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