Edgar Allan Poe: Poetry and Tales - Numbered Edition Limited to 310 DUAL-SIGNED- BRAND NEW

Condition

The Numbered edition of 310 copies is a full Japanese cloth binding with letterpress printed Hahnemühle Bugra labels on the front cover and spine. The cover label is a reproduction of a wood engraving by Thomas Bewick from 1797. Endsheets are illustrated featuring art by Gustave Doré. The edition is printed offset on archival Cougar Natural Smooth, a style of paper typical of the time period, and is housed in a black cloth covered slipcase with red cloth ends and a paper liner. The text paper is 60 lb. resulting in a reasonable bulk for the high page count. This edition is signed by Michael J. Deas and Kelley Hensing.

Synopsis

Best known for his poems and short fiction, Poe perfected the psychological thriller, invented the detective story, and transported readers to his own supernatural realm. Edgar Allan Poe: Poetry and Tales features the complete works of the author, including all of Poe’s most macabre short stories such as “The Fall of the House of Usher,” “The Pit and the Pendulum,” “The Tell-Tale Heart” and “The Masque of the Red Death,” as well as every poem of haunting genius like “The Raven,” “Annabel Lee” and “The Haunted Palace.” Together, these poems and tales reveal the extraordinary spectrum of Poe’s idealism, his visionary qualities, his responsiveness to beauty and love, and his fascination with the eerie and morbid.

Also included in these complete works are Politian, Poe’s only play; The Narrative of Arthur Gordon Pym of Nantucket, Poe’s only complete novel; The Journal of Julius Rodman, Poe’s second unfinished novel; “The Light-House,” Poe’s last incomplete work; and several dozen articles and essays written by the author.

The edition includes over eighty pages of bonus content, including reproductions of 28 engravings by Gustave Doré for “The Raven” originally published in 1883, a Poe chronology, and four essays by Poe; “Letter to B———,” “The Philosophy of Composition,” “The Rationale of Verse,” and “The Poetic Principle.”