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A series of great  JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records

Click this link for more great Jazz and Vocal Records in my other listings!

 

Percy Wenrich
Percy Wenrich.jpg



Swinging pianists Frank E. Banta and Hugo Frey backed by Billy Murray and Victor vocal talent in early Fox Trots

Chong-Medley Fox Trot / Introducing: "By the Camp Fire") / (Harold Weeks- Percy Wenrich)

Joseph C. Smith's Orchestra (Musical group) 
Billy Murray (vocalist : tenor vocal) Takes 4-8.
Hugo Frey (instrumentalist : piano) 
Frank E. Banta (instrumentalist : piano) Takes 4-8.
Joseph C. Smith (leader) 
Description: Jazz/dance band, with male vocal solo
Instrumentation: 2 violins, cello, 2 pianos, trombone, bass clarinet, traps, and cornet
  
3/4/1919 New York, New York Victor 35684


Sometime Medley fox trot 
The tune you can't forget ; Any kind of man ; Keep on smiling (

Rudolf Friml (composer) 


Joseph C. Smith's Orchestra (Musical group) 
Joseph C. Smith (leader) 
Description: Jazz/dance band

  
2/27/1919 New York, New York Victor 35684



Orig Issue Victor Batwing 12" 78 rpm record 
Condition: EXCELLENT PRISTINE, plays E+ EXCEPTIONALLY QUIET 
GREAT SOUND
 A CHOICE  COPY



Frank E. Banta (1897–1969) was the son of pioneer recording pianist Frank P. Banta. He carried his father’s name and legacy into the 1910s and 1920s as house piano accompanist for the Victor Talking Machine Company. Among the many ensembles he participated in were Joseph C. Smith’s Orchestra, the Van Eps Trio and Quartet, the Club Royal Orchestra, and the Great White Way Orchestra. He also recorded as accompanist for Rudy Wiedoeft, Frank Crumit, and Henry Burr in addition to several piano solos. Banta was also part of The Eight Famous Victor Artists, the touring ensemble Victor created to promote its recordings.

Note: Son of composer Frank P. Banta.


Hugo Frey (26 August 1873 – 13 February 1952) was an American pianist, violinist, composer, songwriter, conductor, and arranger. He was a prolific editor for piano sheet music, the primary audience being the "living room" pianist, providing simplified arrangements of some of the more difficult pieces.

In the 1920s he was pianist with The Troubadours and led and arranged for the Manhattan Merrymakers, and was "a prolific piano roll editor".[1]

In 1921 Swiss classical pianist Rudolph Ganz described Frey as "the best of the composers of so-called bad music, and therefore preferable to the bad composers of so-called good music".


Percy Wenrich (January 23, 1880 – March 17, 1952) was an American composer of ragtime and popular music.


Contents

Born in Joplin, Missouri to Daniel Wenrich and Mary Ray,[1] he left for Chicago in 1901 where he attended classes at the Chicago Musical College.[2] Wenrich moved on to New York City around 1907 to work as a Tin Pan Alley composer, but his music retains a Missouri folk flavor. He composed at least eighteen rags, including "Ashy Africa," "Noodles," "Peaches and Cream" (1905), "Crab Apples," and "The Smiler" (1907). His songs include "Wabash Avenue After Dark" and the hits "Put on Your Old Grey Bonnet"[3] (1909, lyrics by Stanley Murphy), "When You Wore a Tulip and I Wore a Big Red Rose" (1914, lyrics by Jack Mahoney)[2] and "Minnetonka" (1921, lyrics by Gus Kahn).

"If It's Good Enough for Washington, It's Good Enough for Me" (1908, lyrics by Ren Shields) was a song about a homeless man sleeping on a bench in a public square with statues of Washington, Jefferson, McKinley, Grant and Lee.

"If it's good enough for Washington, It's good enough for me,

I'm proud that I am here tonight to keep him company,

I'm proud to sleep out with the man that set our country free,

If it's good enough for Washington, it's good enough for me."

Wenrich married vaudeville performer Dolly Connolly and in 1911 wrote the hit "Red Rose Rag" for her with lyrics by Edward Madden. In 1912, Wenrich and Madden had another hit with "Moonlight Bay." Wenrich and Connolly toured together for many years.[4] In 1918, Wenrich joined The Lambs Club.[5]


Dolly Connolly
In the late 1930s, Wenrich and several of his fellow hitmakers formed a sensational review called "Songwriters on Parade", performing all across the Eastern seaboard on the Loew's and Keith circuits.

Wenrich's last memorable song "Sail Along, Silv'ry Moon" was published in 1937.[2] He died in New York City in 1952 at the age of 72.[4]



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