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A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola Records
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here in a 1943 war time recording
1943-02-05Condition:
Better than EXCELLENT pristine, plays E very quiet
A SUPERB COPY
Heinrich Schlusnus (August 6, 1888 - June 18, 1952) was Germany's foremost lyric baritone of the period between World War One and World War Two.
A native of Braubach, Schlusnus studied with voice teachers in Berlin and Frankfurt before making his debut at the Hamburg opera in 1915. Schlusnus sang at Nuremberg from 1915 to 1917 and at the prestigious Berlin State Opera from 1917 until 1951. He was engaged by the Chicago Opera for its 1927-28 season and appeared at the Bayreuth Festival in 1933.
During his tenure at Berlin, Schlusnus established himself as his country's greatest performer of Verdi's baritone roles and, according to most critics, no subsequent German baritone has matched his supremacy in this field. Schlusnus excelled in German opera parts, too, and earned critical renown as a concert artist and lieder singer despite stiff competition from rival baritones such as Herbert Janssen, Willi Domgraf-Fassbaender, Gerhard Hnsch, Karl Hammes, Rudolf Bockelmann and Karl Schmidt-Walter.
By all accounts, Schlusnus was not a magnetic actor like his fellow Verdians Lawrence Tibbett or Tito Gobbi; but, by way of compensation, he was blessed with an exceedingly beautiful high baritone voice and an impeccable legato style of singing to go with it. Schlusnus's polished technique, coupled with the prudent management of his vocal resources, enabled him to enjoy an unusually long stage career. Schlusnus died in Frankfurt-am-Main not long after retiring from the stage.
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A Quick NOTE ON GRADING AND SHIPPING:
As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS.
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Quick note on grading:
The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately
When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing.
"VERY QUIET" is an above average quiet record for a given pressing.
"Quiet" is a record that is a great example with some noise.
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