This is the first classical String Quatet to record on Edison

in a rare performance of  two unusual pieces

Paper Label Edison Diamond Disc Vertical 10" 78 rpm Record
Condition:EXCELLENT MINUS unworn scuffs, BUT WAR DANCE has a 7mm wide deeply scratched area, causes harsh clicks but plays through
Plays EXCEPTIONALLY quiet 
Great Volume


Charles Sanford Skilton (August 16, 1868 – March 12, 1941) was an American composer, teacher and musicologist. Along with Charles Wakefield Cadman, Blair Fairchild, Arthur Nevin, and Arthur Farwell, among others, he was one of the leading Indianist composers of the early twentieth century.

Skilton first became interested in the music of American Indians in 1915, when George La Mere, an Indian pupil of his offered a trade; the pupil would sing him traditional tribal songs in exchange for lessons in harmony. Skilton expressed interest, and soon found himself visiting the nearby Haskell Institute. The first works he completed on Indian themes were Two Indian Dances for string quartet, Deer Dance and War Dance,[3] originally intended for a student opera.[4] These he later orchestrated as the first part of his Suite Primeval; the second part, published four years later, consisted of four movements based on traditional songs of three tribes.

Joseph Zollner was born in 1862 in Brooklyn, N.Y.; studied in Germany and N.Y., and established a reputation as a pianist and violinist; formed the Zoellner Quartet in 1903 in Brooklyn with his three children: Antoinette, Amandus, and Joseph, Jr.; they lived in Stockton, Calif. from 1903-6, where Joseph had a music store, and from 1906-12 toured and studied in Europe; returned to the U.S. in 1919, and settled in Los Angeles, where the four founded the Zoellner Conservatory of Music in 1922; Joseph, Sr. died in 1950, but the school continued, while Joseph, Jr. formed another quartet which toured the U.S. throughout the 1950s.

Alexander Alexandrovich Ilyinsky (Russian: ??????´??? ??????´??????? ????´?????; 24 January [O.S. 12 January] 1859 – 23 February 1920) was a Russian music teacher and composer, best known for the Lullaby (Berceuse), Op. 13, No. 7, from his orchestral suite "Noure and Anitra", and for the opera The Fountain of Bakhchisaray set to Pushkin's poem of the same name.

Alexander Ilyinsky was born in Tsarskoye Selo in 1859. His father was a physician in the Alexander Cadet Corps. His general education was in the First Cadet Corps at St Petersburg, and he served in the Artillery from 1877 to 1879.[1] His music studies were in Berlin, under Theodor Kullak and Natanael Betcher[1] at the Berlin Conservatory, and under Woldemar Bargiel at the Neue Akademie der Tonkunst.[2] He returned to Russia in 1885, graduated from the St Petersburg Conservatory[2] and taught at the Moscow Philharmonic Society School of Music and Drama.[1] He resigned in 1899 and started giving private lessons.[1] In 1905 he joined the staff of the Moscow Conservatory.[1][2] His students included Vasily Kalinnikov, Anatoly Nikolayevich Alexandrov, Nikolai Roslavets, Elena Stanekaite-Laumyanskene, and the Finnish composer Väinö Raitio.[3]

His major work, the 4-act opera The Fountain of Bakhchisaray, to a libretto based on Alexander Pushkin's poem, was produced in Moscow in 1911.[4] He also wrote a symphony, a Concert Overture,[1] a string quartet, three orchestral suites, a set of orchestral Croatian Dances, a symphonic movement called Psyche,[1] two cantatas for female chorus and orchestra (Strekoza (The Dragonfly) and Rusalka), incidental music to Sophocles' Oedipus Rex and Philoctetes, and to Aleksey Konstantinovich Tolstoy's Tsar Fiodor Ioannovich, piano pieces, church music, songs, etc. His name is perhaps most familiar to music students for his Lullaby from the third orchestral suite (sometimes described as a ballet),[1] "Noure and Anitra", Op. 13, which excerpt has appeared in many different arrangements.

Alexander Ilyinsky also wrote "A Short Guide to the Practical Teaching of Orchestration" (1917), which remained in use long after his death.[2] In 1904 there appeared under his editorship "Biographies of all Composers from the Fourth to the Twentieth Century".[1] He edited the complete piano works of Beethoven for a commercial publication.[5]

He died in 1920 in Moscow.

Orgy of the Spirits, an excerpt from The Fountain of Bakhchisaray, was used in the scores of the film East of Java (1935)[6] and the adventure serials Tim Tyler's Luck (1937) and Flash Gordon's Trip to Mars (1938).[2] It was also used as the theme music for the radio serial The Witch’s Tale.[7]