A series of great  Solo instrumentals - Piano Violin Cello Harp, Winds and Brass on 78 rpm records

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Jan Ignace Paderewski, arguably the most famous interpreter of his compatriot Frederic Chopin's works, and famously handsome, swoon inducing pianist a special favorite with female audiences: 

Here in a particularly sensitive Debussy Preludes Book 1 No 1&2

Victor BVE-64325 1 10/13/1930 Dancing virgins of Delphi / Ignace Jan Paderewski 
Victor BVE-64326 3 12/23/1930 Veils / Ignace Jan Paderewski

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Ignacy Jan Paderewski GBE (November 6, 1860 - June 29, 1941) was a Polish pianist, composer, diplomat and politician, and the third Prime Minister of Poland. He is sometimes referred to by the German version of his name Ignaz Paderewski.

Biography
Ignacy Jan Paderewski was born in the village of Kurylovka (Kuryl=wka) in the province of Podolia, then in the Russian Empire (now Ukraine). His father was an administrator of large estates. His mother, Poliksena (nTe Nowicka), died several months after Paderewski was born, and he was brought up by his distant relatives.

From his early childhood, Paderewski was interested in music. Initially he took piano lessons with a private tutor. At the age of 12, in 1872, he went to Warsaw and was admitted to the Warsaw Conservatorium. After graduating in 1878, he was asked to become a tutor of piano classes at his alma mater, which he accepted. In 1880 Paderewski married Antonina Korsak=wna, and soon afterwards, their first child was born. The following year, they discovered that the son was handicapped; soon afterward, Antonina died. Paderewski decided to devote himself to music, and in 1881 he went to Berlin to study music composition with Friedrich Kiel[1] and Heinrich Urban. In 1884 he moved to Vienna, where he was a pupil of Teodor Leszetycki. It was in Vienna that he made his musical debut in 1887. He soon gained great popularity and his subsequent appearances (in Paris in 1889, and in London in 1890) were major successes. His brilliant playing created a furor which reached to almost extravagant lengths of admiration; and his triumphs were repeated in the United States in 1891. His name at once became synonymous with the highest level of piano virtuosity, and society was at his feet.

Monument to Paderewski in Warsaw's Ujazd=w Park.
Paderewski the pianist.In 1899 he married Baroness de Rosen.

He was also a substantial composer, including many pieces for piano. In 1901 his sole opera Manru received the world premiere at Dresden, then it had American premiere in 1902 at the Metropolitan Opera and to this day remains the only Polish opera by a Polish composer ever performed there.

Paderewski, his wife, entourage, parrot and Erard piano travelled to Auckland, New Zealand from Sydney aboard the steamer Zealandia on August 28, 1904.(NZ Herald, 29/08/1904, p.5). He travelled to Wellington by train and gave a concert there on September 12. (Otago Daily Times, 13/09/1904, p.2).

He was also active in pursuing various philantropic causes. In 1910 he funded the erection of the Battle of Grunwald Monument in Krak=w, in commemoration of the 500th anniversary of the event. In 1913, Paderewski settled in the United States.

During World War I, Paderewski became an active member of the Polish National Committee in Paris, which was soon accepted by the Entente as the representative of Poland. He became a spokesman of that organisation and soon also formed other social and political organisations, among them the Polish Relief Fund in London.

In April 1918, he met in New York City with leaders of the American Jewish Committee, including Louis Marshall, in an unsuccessful attempt to broker a deal whereby organized Jewish groups would support Polish territorial ambitions in exchange for support for equal rights. However, it soon became clear that no plan would satisfy both Jewish leaders and Roman Dmowski, head of the Polish National Committee.[2]

At the end of the war, with the fate of the city of Poznan and the whole region of Greater Poland (Wielkopolska) still undecided, Paderewski visited Poznan. With his public speech on 27 December 1918, the Polish inhabitants of Poznan began a military uprising against Germany, called the Greater Poland Uprising.

Portrait from LTon BonnatIn 1919, in the newly independent Poland, Paderewski became the Prime Minister and Minister of Foreign Affairs (January, 1919 - December, 1919), and he thus represented Poland at the Paris Peace Conference. In the summer of that year, he signed the Treaty of Versailles, which restored the territories of Greater Poland and Pomerania around the City of Gdansk to Poland. Although this fell short of what the Polish delegates had demanded, these territories provided the core of the restored Polish state.

After being abandoned by many of his political supporters, Paderewski handed Pilsudski a letter of resignation on December 4, 1919, whereupon he took on the role of Polish Ambassador to the League of Nations.

In 1922 he retired from politics and returned to his musical life. His first concert after a long break, held at Carnegie Hall, was a significant success. He also filled Madison Square Garden (20,000 seats) and toured the United States in a private railway car.[3] His position as Prime Minister of Poland lionized his career.

Soon he moved to Morges in Switzerland. After Pilsudski's coup d'Ttat in 1926, Paderewski became an active member of the opposition to Sanacja rule. In 1936 in his mansion a coalition of members of the opposition was signed; it was nicknamed the Front Morges after the name of the village.

PaderewskiBy 1936, 2 years after the death of Mme. Paderewska, Paderewski consented to appear in a film presenting his talent and art on the screen. This proposal had come at a time when Paderewski did not wish to appear in public as described by Aniela Strakacz. However, the film project did proceed and the selected film script was rather an opportunity to feature Paderewski. The alternate choice had been more Polish in theme. Therefore Moonlight Sonata would be filmed throughout 1936.

In November 1937 Paderewski agreed to take on one last pupil for piano. This musician was Witold Malcuzynski, who had won second place at the Chopin Competition. First place had been awarded to the Russian, Uninski.

After the Polish Defensive War of 1939 Paderewski returned to public life. In 1940 he became the head of the Polish National Council, a Polish parliament in exile in London. The eighty-year-old artist also restarted his Polish Relief Fund and gave several concerts (most notably in the United States) to gather money for it. However, his mind was not what it had once been: scheduled again to play Madison Square Garden, he refused to appear, insisting that he had already played the concert, presumably remembering the concert he had played in the 1920s.[3]

In addition to his concert tours, Paderewski was a popular speaker who was renowned for his wit, and was often quoted. He was once introduced to a polo player with the words: "You are both leaders in your spheres, though the spheres are very different." "Not so very different," Paderewski replied. "You are a dear soul who plays polo, and I am a poor Pole who plays solo."

In another incident, Paderewski once recalled, "I established a certain standard of behavior, that, during my playing, there must be no talking. When they began to talk, I would stop. I would say, 'I am sorry to interrupt your conversation. I deeply regret that I am obliged to disturb you, so I am going to stop for a while to allow you to continue talking.' You can imagine the effect it had..."

During one such tour in 1941, Paderewski's was taken ill on June 27. Nothing was discussed with his personal secretary or entourage. But at the initiative of Sylwin Strakacz, physicians were called in for consultation and diagnosed pneumonia. Despite increasing health and signs of recovery Paderewski died suddenly in New York, at 11:00 p.m. on June 29. He was buried in Arlington National Cemetery, in Arlington Virginia, near Washington D.C.. In 1992, his body was brought to Warsaw and placed in St. John's Cathedral. His heart is encased in a bronze sculpture in the National Shrine of Our Lady of Czestochowa near Doylestown, Pennsylvania.[4]

Today, every major city in Poland has a street named after Paderewski. There are also streets named for him in Perth Amboy, New Jersey, and Buffalo, New York. In addition, the Academy of Music in Poznan is named after him.

The Polish Museum of America[5] in Chicago received a donation of the personal possessions of Ignacy Jan Paderewski following his death in June 1941. Both Ignacy Paderewski and his sister, Antonina Paderewska Wilkonska were enthusiastic supporters and generous sponsors of the Museum. Antonina, executor of IgnacyÆs will, decided to donate these personal possessions to the Museum. In addition, the management of the Buckingham Hotel in New York City, where Ignacy spent the last months of his life, allowed Antonina to obtain the furnishings from the suite of rooms he had occupied. These furnishings were also donated to the Museum. With the assistance of IgnacyÆs personal secretary, the furnishings and his personal mementos were arranged for public display in the room that had been the first display room of the Museum in 1937. This revised space was officially re-opened with a special dedication ceremony on November 3, 1941, the date that would have marked Paderewski's 81st birthday.

Many believe that the Paderewski Room is haunted by Paderewski himself. The staff recounts a number of incidents related by a number of people, including the cleaning crew who have claimed to experience ghostly-related phenomena late at night. The Ghost Research Society was even brought in by the museum staff to investigate these claims.[6]

In 1948 the Ignacy Paderewski Foundation was established in New York, on the initiative of the Polish community in the USA, York, to promote Polish culture in America.[7]

Due to the unusual combination of the notable achievements of being a world class pianist and a successful politician, Paderewski has become a favourite example of philosophers, and is often discussed in relation to Saul Kripke's "A Puzzle about Belief" for having a name that denotes two distinct qualities, that of being a politician and that of being a pianist.