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This is an outstanding Paul Whiteman acoustic Record: From Ziegfeld follies that non-sensical, Irish Caricature MR GALLAGHER AND MR SHEAN voiced by uncredited Billy Murray

The Parade of the Wooden Soldiers from Leon Jessel's famous Russian Exile Production La Chauve Souris

1922 program cover for first U.S. tour




Paul Whiteman And His Orchestra ?– Parade Of The Wooden Soldiers / Mister Gallagher And Mister Shean
Label:
Victor ?– 19007

A Parade Of The Wooden Soldiers
Composed By – Leon Jessel*
B Mister Gallagher And Mister Shean ("Positively, Mr. Gallagher?" "Absolutely, Mr. Shean !"
Written-By – Al. Shean*, Ed. Gallagher*
Primis Player Placeholder

Speech [Uncredited] – Billy Murray (tracks: B)
Violin [Uncredited] – George Tordy
Notes
Fox Trots

A - From "Chauve-Souris"
B - Featured In "Ziegfeld Follies"

A side (mx. B-27268-8) recorded New York, NY, January 2, 1923.
B side (mx. B-27277-3) recorded New York, NY, January 2, 1923.

10" 78 rpm record

Condition:

LOUD GREAT SOUND

VERY GOOD PLUS PLUS unworn light rubs rare fine scratch on PARADE Plays E Very quiet lightest hiss

A GREAT COPY

The Rockettes' annual "Parade of the Wooden Soldiers" mimics the original Chauve-Souris choreography.



La Chauve-Souris (French: The Bat) was the name of a touring revue during the early 1900s. Originating in Moscow and then Paris, and directed by Nikita Balieff, the revue toured the United States, Europe, and South Africa. The show consisted of songs, dances, and sketches, most of which had been originally performed in Russia.[1] The revue was enormously successful in the U.S., and one of its legacies is the popularization of the jaunty tune The Parade of the Wooden Soldiers by Leon Jessel.


in Moscow, Paris, and London
In 1906, Armenian actor Nikita Balieff moved to Moscow, and took a job at the Moscow Art Theatre under Constantin Stanislavski. After years of only non-speaking roles, and with a desire to perform comedy rather than drama, Balieff, along with theatre devotee Nikolai Tarasov, co-created his own theatre group in a basement near the Moscow Art Theatre. He named the cabaret and troupe The Bat, after a well-known cabaret in Vienna called Fledermaus.

The Bat enjoyed much success and popularity in Moscow, until the Russian Revolution in 1917. Balieff then went into exile in western Europe, and began presenting vaudeville shows there with other Russian émigrés. La Chauve-Souris opened in Paris in December 1920. The spectacle was noticed by the British theatrical producer Charles B. Cochran, who brought Balieff and his troupe and show to London.

In the United States
In 1922 La Chauve-Souris made its first tour to America, through an arrangement with the producer Morris Gest. La Chauve Souris performed on Broadway from February 1922 to June 1922 (153 performances) and January 1925 to March 1925 (61 performances) in productions produced by F. Ray Comstock and Morris Gest. Balieff and his company also toured from Washington, D.C. to California for 65 consecutive weeks.



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As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS.

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Quick note on grading:

The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately

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