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A series of great JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records
More great Jazz and Vocal Records in my other listings!
Mandolin virtuoso Samuel Siegel (1875-1948) plays his own composition ESTELLITA. Also features R.H. Butin on harp-guitar accompaniment.
One of only 4 Victor records with Butin
ANNOUNCED WITH PIANO
La bonita waltz
Unverified composer information: Romaine
Samuel Siegel (instrumentalist : mandolin)
Description: Mandolin solo, with piano
5/20/1901 Camden, New Jersey [unconfirmed] 2 Master Victor 3381 10-in. Announced.
shows 3381 in inner rim overstamped with 4014.
Please see top of the page for condition
Samuel Siegel (born 1875, Des Moines, Iowa — died January 14, 1948, Los Angeles, California) was an American mandolin virtuoso and composer who played mandolin on 29 records for Victor Records, including 9 pieces of his own composition and two that he arranged.[1][2][3][4][5] Siegel was the first mandolinist to record on Emile Berliner's phonograph disk-records.[4] He was labeled "America's Greatest Mandoline Virtuoso" and "The King of the Mandolin" in the May 1900 Banjo World.[4]
Siegel performed both in vaudeville, as well as in concert halls.[4] He had no formal training in music, but saw that the mandolin needed original music, rather than relying on the transcribed violin music.[4] His compositions and arrangements were well known in his day.[4]
He was the author of Siegel's Special Mandolin Studies, published by Jos. W Stern and Company, 1901, in which he covered left hand Pizzicato and harmonic duo style.[6][7]
Recording partners
Siegel recorded with Roy Butin in 1908 on four Victor records, the tunes: Southern Fantasy, Estellita Waltz, American Valor March, and In Fairyland.[8]
He recorded Edison Diamond Disk record Ragtime Echoes in 1918 with Marie Caveny, with her on ukulele, and also Dance, Mouse Dance, and Medley.[9][10] Marie and her husband James Frank Caveny lived with Siegel as lodgers in Chicago during the 1910 United States Census.[11] They were performers or lecturers in the Lyceum movement.[12] James Franklin was a cartoonist and Marie sang soprano in their performance
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The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately
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