Artist: Diana Ross & the Supremes

Title: Number Ones

Format: Vinyl LP

Genre: Rock

UPC: 600753576724

Release Date: 2015

Record Label: Music on Vinyl

Album Tracks

DISC 1:
1. Where Did Our Love Go
2. Baby Love
3. Come See About Me
4. Stop! In The Name of Love
5. Back In My Arms Again
6. I Hear A Symphony
7. You Can't Hurry Love
8. You Keep Me Hangin' On
9. Love Is Here And Now You're Gone
10. The Happening
11. Reflections
12. Love Child
13. I'm Gonna Make You Love Me (With The Temptations)
14. Someday We'll Be Together

DISC 2:
1. Stoned Love
2. Ain't No Mountain High Enough
3. Touch Me In The Morning
4. Theme From Mahogany (Do You Know Where You're Going To?)
5. Love Hangover
6. The Boss
7. Upside Down
8. I'm Coming Out
9. Endless Love (With Lionel Richie)
10. You Keep Me Hangin' On (Almighty Mix Edit) (bonus track)

Limited double 180gm vinyl LP pressing in gatefold sleeve includes bonus track. The Supremes, the most commercially successful girl group in Pop history, were one of the jewels in Motown Records' artist stable. Given wonderful material by Motown's amazing songwriters, the group scored numerous #1 Pop hits, as did singer Diana Ross when she left the group and went solo, and Motown's bright, modern and uptown image as a label had a lot to do with the way these ladies gracefully and elegantly presented themselves and took over a song. Two dozen of those Number One hits, both as The Supremes and as Ross solo, are collected here, including the timeless classics 'Come See About Me', 'You Can't Hurry Love', 'You Keep Me Hangin' On' and 'Stop! In the Name of Love'. The album also features a bonus remix of 'You Keep Me Hangin' On'. Several songs on this album are longer than the original versions. The songs have all been remastered and remixed from the original master tapes. The quality of the sound is much clearer than any collection before. Having used the original elements from the original masters, the mixers were able to attain new recordings, with much clearer sounds, heavier bass and noticeably higher volume levels of the background vocals. The vocals and instrumentations are let go on until the musicians stopped playing and the girls finished singing, without fade-outs. These had never been heard before being issued on this album.