POSTER ARTIST: TSAREV YURIY VALENTINOVICH
DIRECTED BY: ELEM KLIMOV
GENRE: COMEDY, FAMILY,
POSTER LANGUAGE: RUSSIAN
PRINT YEAR: 1964
PRINT RUN: 50.000
POSTER COUNTRY: USSR
FILM COUNTRY: USSR
PUBLISHED BY: "REKLAMFILM" (MOSCOW)
SIZE: IN: 19 x 32= CM: 47.5 x 80.5
PRODUCED BY: MOSFILM STUDIO
CONDITION: ROLLED, USED TO BE FOLDED
Up for auction is original vintage Soviet movie poster for the film: "Dobro pozhalovat, ili Postoronnim vkhod vospreshchen" ( "WELCOME, OR NO TRESPASSING" ) is a Soviet feature film directed by Elem Klimov, filmed in the genre of satirical comedy based on a script by Semyon Lungin and Ilya Nusinov at the Mosfilm studio. The film was Klimov's graduation work and became his feature film debut.
The film is set in a pioneer camp. In the center of the plot is the adventures of the pioneer Kostya Inochkin, who was expelled from the camp by the decision of director Dynin, but later, having voluntarily returned back, took refuge in a room under the stands.
Even at the stage of preparation for filming, the director faced censorship restrictions. The censors of the State Film Agency saw in the picture a social satire on the Khrushchev era and the country as a whole. Initially, the film did not receive a license, but after the decision of the first secretary of the CPSU Central Committee Nikita Khrushchev, the picture was released on screens.
The film premiered on October 9, 1964. The picture was watched by 13.4 million viewers. The film was highly acclaimed by both Soviet and contemporary Russian critics.
The film is set in a pioneer camp run by the formalist Dynin - a kind, but extremely demanding person: he wants children to strictly obey the camp rules, because he is very afraid of responsibility. He excludes Kostya Inochkin from the camp, because he left the bathhouse and swam across the river without permission, although the children from the camp are forbidden to do this because of the fears of the camp medical staff, who consider the area unsanitary. In addition, Dynin believes that Kostya's act can serve as a bad example for other children.
The camp manager takes Kostya to the railway station and leaves him there, thinking that he will take the train on his own. While waiting for the train, Kostya imagines his grandmother's reaction when she learns that her grandson has been kicked out of the camp. Frightened by his thoughts, he does not get on the train and at night secretly returns to the camp, where he “becomes illegal”, hiding under a stage-tribune in the central square of the camp. In the morning, friends accidentally find him and begin to secretly help, carrying food from the cafeteria, taking him to the club to watch a movie, and so on.
However, parental day is approaching, on which Kostya's grandmother will come, and therefore it will not work to hide his exclusion from the camp. Kostya's friends make an unsuccessful attempt to cancel the parent's day, simulating an epidemic, but upon the denunciation of an unknown child, Dynin learns of the forgery. Then the pioneers have to tell the counselor Valya everything. She comes to Dynin to try to tell him everything, but he, without listening to her, reprimands her: in the detachment entrusted to her, many children, due to the fact that they were carrying their portions to Kostya from the dining room, began to lose weight. Then Valya, together with the physical education instructor and the caretaker, secretly from Dynin, discuss what to do for Kostya.
During the parade-carnival of masks, a combine harvester with a mask-corn - the queen of the fields - solemnly enters the camp. Everyone understands that the maize mask will receive the first prize, under which, most likely, the niece of the “big boss”, comrade Mitrofanov, is hiding, but when asked to open the mask, everyone sees that Kostya is hidden in it. Comrade Mitrofanov interrupts the program of events carefully rehearsed for the parent's day, and at his call everyone runs merrily to swim, and Dynin, who was left with a nose, leaves the camp.
Evgeny Evstigneev, Arina Aleinikova, Lydia Smirnova, Alexey Smirnov, Ilya Rutberg
www.imdb.com/title/tt0058022/
TSAREV YURIY VALENTINOVICH (1932-1995) Poster artist. Member of the Union of Artists of USSR.
Born in Moscow in 1932. In 1948 entered the Art Industrial School of Kalinin. In 1952 began working as an artist at the cinema "Hudozhestveny" in Moscow. In 1954 entered the All-Union State Institute of Cinematography "Art Department". In 1955 began working at the publishing house "Reklamfilm" also crated political posters. Draws and illustrates books for Ukrainian publishers.
Yuriy Tsarev artworks captivate the viewer with their simplicity, honesty, brevity, and ... naivety. Posters of Tsarev are represent in the Russian State Library and the Museum of Cinema, in many large museums in Russia and in other private collections.
POSTER ARTIST: 1234
DIRECTED BY: 1234
GENRE: 1234
POSTER COUNTRY: 1234
PRINT YEAR: 1234
PRINT RUN: 1234
FILM COUNTRY: 1234
LANGUAGE: 1234
PUBLISHED BY: 1234
SIZE: 1234
PRODUCED BY: 1234
CONDITION: 1234
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CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)
Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.
Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.
In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).
Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.
New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.
Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.
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POSTER ARTIST: 1234
DIRECTED BY: 1234
GENRE: 1234
POSTER COUNTRY: 1234
PRINT YEAR: 1234
PRINT RUN: 1234
FILM COUNTRY: 1234
LANGUAGE: 1234
PUBLISHED BY: 1234
SIZE: 1234
PRODUCED BY: 1234
CONDITION: 1234
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CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)
Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.
Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.
In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).
Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.
New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.
Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.
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POSTER ARTIST: 1234
DIRECTED BY: 1234
GENRE: 1234
POSTER COUNTRY: 1234
PRINT YEAR: 1234
PRINT RUN: 1234
FILM COUNTRY: 1234
LANGUAGE: 1234
PUBLISHED BY: 1234
SIZE: 1234
PRODUCED BY: 1234
CONDITION: 1234
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CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)
Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.
Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.
In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).
Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.
New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.
Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.
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POSTER ARTIST: 1234
DIRECTED BY: 1234
GENRE: 1234
POSTER COUNTRY: 1234
PRINT YEAR: 1234
PRINT RUN: 1234
FILM COUNTRY: 1234
LANGUAGE: 1234
PUBLISHED BY: 1234
SIZE: 1234
PRODUCED BY: 1234
CONDITION: 1234
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CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)
Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.
Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.
In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).
Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.
New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.
Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.
I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.
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YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Dear visitors and collectors up for auction is highly rare Soviet agitation poster issued in english by popular USSR tourism company "Intourist". Come to us in the USSR! - the meaning of the posters issued by the firm "Intourist" was advertising of tourist trips for foreign citizens beyond the "Iron Curtain". You would be surprised, but some same subject rare posters are putiing up from time to time for auctions in London at Christie's auction. Yalta Hotel - is still working nowadays under the same name. ........................................................ |
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| ARTIST: | unknown | ||||||
| DATE: | 1983 | ||||||
| EDITION: | 5000 | ||||||
| PUBLISHER: | "Intourist" | ||||||
| LANGUAGE: | English | ||||||
| SIZE: | in: 16x26 - cm: 40x60 | ||||||
| CONDITION: | Rolled | ||||||