Original Russian title on the poster:
ГОНЩИКИ
 Literally English translation:
AUTO-RACERS

POSTER ARTIST:          KONONOV VLADIMIR GAVRILOVICH

DIRECTED BY:             IGOR MASLENNIKOV

GENRE:                             DRAMA, SPORT

POSTER LANGUAGE:        RUSSIAN

PRINT YEAR:                1973

PRINT RUN:                  102.000

POSTER COUNTRY:          USSR

FILM COUNTRY:                USSR

PUBLISHED BY:           "REKLAMFILM" (MOSCOW)

SIZE:                                 IN: 22 x 34 = CM: 55.5 x 86

PRODUCED BY:            LENFILM STUDIO

CONDITION:                       POOR, USED TO BE FOLDED

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Original Soviet official movie poster for the film: "Gonshchiki" - is a Soviet feature film directed by Igor Maslennikov in 1972 with Soviet Top Cast.

This Soviet film tells about real male friendship. Two race car drivers - Ivan Mikhailovich Kukushkin (Evgeny Leonov) and Nikolai Nikolaevich Sergachev (Oleg Yankovsky) - once drove together in the Moskvich-412 racing car, participating in the rally (and at the same time working at AZLK). Ivan and Nikolay traveled a lot together. But one case turned everything upside down: in the Alps they have an accident. Trying to avoid a collision with the Volkswagen Käfer, Ivan lost control, the Moskvich falls into a ditch, and the racers end up in the hospital. After that, Sergachev decided that Kukushkin was already too old, and chose another partner. It was a shock for everyone that they went their separate ways. Just one incident ruined everything. As a result, they turned out to be rivals in the big Blue Pass rally.

At the rally, meanwhile, there were two crashes: the first happened to Bruno Lawrence, who, due to a bad road and a needle, turned over his Izh-412 and drove it into a ditch, thereby knocking down a wing. The second - with "Volga" at number 30, which also crashed due to a bad road and a needle. Sergachev's crew drives past the accident site without stopping to help the victim. During the rest between the stages, Kukushkin once again quarrels with his former partner over the tragedy, but Nikolai explains that he was asleep and entrusted the steering wheel to Spitsyn, who did not stop to help. Sergachev arranges a showdown with Alexander Spitsyn and, when the next stage of the competition begins, slips alcohol from a horn to Spitsyn. Spitsyn falls asleep ... Nikolai's brakes fail and his Moskvich reaches the edge of the cliff and threatens to fall. He cannot jump out of the car, balancing with his weight the sleeping Spitsyn, and keeping the Moskvich from falling into the abyss. The crew rescues Kukushkin, who was following, from death by hooking the car by the bumper with a cable and rolling it out to a safe place. As a result of unsuccessful attempts at braking in the Moskvich, the gearbox failed, and it is impossible to continue the race without repairing it. Ivan wants to help Nikolai, but his partner, Aleksey Shvedov, rushes Kukushkin, who remains the leader of the race. Ivan Mikhailovich with the greatest reluctance leaves a friend doomed to defeat. Passing rivals offer help, but Sergachev refuses.

  Evgeniy Leonov    Oleg Yankovskiy   Georgiy Burkov 


www.imdb.com/title/tt0068647/

Filming took place in different regions of the Soviet Union and abroad. During the preparation, it turned out that Oleg Yankovsky did not know how to drive a car, and a coach was attached to him to teach driving skills [1]. The filmmakers immediately abandoned the generally accepted technology of shooting dialogues inside a moving car using rear projection in the studio pavilion. All scenes were filmed in real conditions using a special attachment of the camera to the car body. The only episode was filmed in the studio due to the impossibility of one of the actors leaving for the expedition. To shoot scenes from a moving "Moskvich" operator with a manual camera 1KSHR sat in the trunk, the lid of which and the rear window of the passenger compartment were dismantled. The actors' dialogues inside the car were filmed from the front with a camera mounted on a frame, which was installed in place of the removed hood. At the same time, the actors performed the launch of the camera independently, and the dirty glass with working wipers increased the reliability. The low light sensitivity of the DS-5M film, on which the main part of the film was filmed, made it imitate the light of car headlights in night scenes with the help of special lighting devices. In some cases, oncoming cars, visible from a moving vehicle, were stationary on the road, and searchlights were placed in front of their hood. To create on the screen the illusion of their movement in the opposite direction, the car from which the shooting was carried out drove twice as fast.

Car racers, masters of sports, Yuri Ivin, Yakov Agishev, Iosif Halperin, Alexander Matveev, Anatoly Pechenkin, Eduard Singurindi, Viktor Shchavelev, Gunar Holm and V. Bubnov, took part in the filming as backup. Two of the last two years earlier performed on "Moskvich-412" in the 1970 London-Mexico rally. Roman Chertov and Alexander Ipatenko worked as consultants.

International Master of Sports Mikhail Titov, who took part in the filming of the film as one of the members of the USSR national rally team, considered that the filmmakers had clearly gone too far in a number of moments with fiction. Like with the episode - when the navigator drinks wine and then sleeps in the back seat. Yes, and racers-dudes such as Sergachev, according to Titov, at that time did not meet.

Original title on the poster:
FILM NAME
English released title:
FILM NAME

POSTER ARTIST:  1234

DIRECTED BY:  1234

GENRE: 1234

POSTER COUNTRY: 1234

PRINT YEAR:  1234

PRINT RUN:  1234

FILM COUNTRY: 1234

LANGUAGE:  1234

PUBLISHED BY: 1234

SIZE:  1234

PRODUCED BY:  1234

CONDITION: 1234

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   CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)

Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.

Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.

In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).

Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.

New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.

Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.

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Original title on the poster:
FILM NAME
English released title:
FILM NAME

POSTER ARTIST:  1234

DIRECTED BY:  1234

GENRE: 1234

POSTER COUNTRY: 1234

PRINT YEAR:  1234

PRINT RUN:  1234

FILM COUNTRY: 1234

LANGUAGE:  1234

PUBLISHED BY: 1234

SIZE:  1234

PRODUCED BY:  1234

CONDITION: 1234

FILM
PLOT
STARS
IMDB
ARTIST
CONDITION
FILMPLOTSTARSIMDBARTISTCONDITION

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   CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)

Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.

Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.

In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).

Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.

New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.

Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.

I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.

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Original title on the poster:
FILM NAME
English released title:
FILM NAME

POSTER ARTIST:  1234

DIRECTED BY:  1234

GENRE: 1234

POSTER COUNTRY: 1234

PRINT YEAR:  1234

PRINT RUN:  1234

FILM COUNTRY: 1234

LANGUAGE:  1234

PUBLISHED BY: 1234

SIZE:  1234

PRODUCED BY:  1234

CONDITION: 1234

FILM
PLOT
STARS
IMDB
ARTIST
CONDITION
FILMPLOTSTARSIMDBARTISTCONDITION

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LINK

   CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)

Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.

Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.

In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).

Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.

New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.

Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.

I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.

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Film title:
FILM NAME

POSTER ARTIST:  1234

DIRECTED BY:  1234

GENRE: 1234

POSTER COUNTRY: 1234

PRINT YEAR:  1234

PRINT RUN:  1234

FILM COUNTRY: 1234

LANGUAGE:  1234

PUBLISHED BY: 1234

SIZE:  1234

PRODUCED BY:  1234

CONDITION: 1234

FILM
PLOT
STARS
IMDB
ARTIST
CONDITION
FILMPLOTSTARSIMDBARTISTCONDITION

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LINK

   CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)

Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.

Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.

In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).

Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.

New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.

Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.

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!!! COLLECTION SALE !!!


YALTA HOTEL

YALTA INTOURIST WELCOMES YOU!

Dear visitors and collectors up for auction is highly rare Soviet agitation poster issued in english by popular USSR tourism company "Intourist". Come to us in the USSR! - the meaning of the posters issued by the firm "Intourist" was advertising of tourist trips for foreign citizens beyond the "Iron Curtain". You would be surprised, but some same subject rare posters are putiing up from time to time for auctions in London at Christie's auction. Yalta Hotel - is still working nowadays under the same name.


........................................................

                                       ARTIST:

              unknown
 
                                       DATE:

              1983
              
                                       EDITION:

              5000
 
                                       PUBLISHER:

              "Intourist"
 
                                       LANGUAGE:

              English
 
                                       SIZE:

              in: 16x26 - cm: 40x60
 
                                       CONDITION:

              Rolled