POSTER ARTIST: MATROSOV MIKHAIL YURIEVICH
DIRECTED BY: GEORGIY KUZNETSOV
GENRE: WAR, ACTION, DRAMA
POSTER LANGUAGE: RUSSIAN
PRINT YEAR: 1989
PRINT RUN: 113.000
POSTER COUNTRY: USSR
FILM COUNTRY: USSR
PUBLISHED BY: "REKLAMFILM" (MOSCOW)
SIZE: IN: 22 x 34 ¹/₄ = CM: 56 x 87
PRODUCED BY: SVERDLOVSK FILM STUDIO
CONDITION: VERY GOOD, ROLLED
Original Soviet (very large format) official poster for the USSR movie: "GRUZ 300"
1989 Soviet anti-war feature film about the war in Afghanistan, filmed at the Sverdlovsk Film Studio by director Georgy Kuznetsov.
The film is named after the unofficial military term for a wounded soldier - "gruz 300". A lot of military equipment of the 1980s was involved in the filming, the servicemen of the Central Asian and Turkestan military districts, the veteran of the Afghan war Yevgeny Buntov, and students from the Republic of Afghanistan who also studied in Dushanbe were filmed.
Afghanistan. 1986. A column of soviet military Armour heads from the frontier for Kabul, along a mountain road. It is shielded from air by military helicopters. The way of a column lies through the only bridge in the neighborhood. Afghan militants are well informed about it, and, led by an American instructor, they prepare a trap. At the moment a Soviet geological expedition, located in mountains, is exposed to a night attack of dushmans (transl. from Afghanistan enemy). The Afghan column disperses and geologists decide to go to Kabul. On their way they get information about an approaching soviet column, which would make their trip to Kabul much safer. But they don't know that they are already a part of the operation on the bridge.
- Romualds Ancans, Aleksandr Danilchenko, Aleksandr Cheskidov
www.imdb.com/title/tt0309643/
MATROSOV MIKHAIL YURIEVICH (1952 - 2017)
Graphic artist, illustrator, painter, teacher, poster artist. Born: October 13, 1952, Moscow (Russian). In 1971 he graduated from art school and entered the Surikov Institute at the graphic faculty, in the studio of the famous Soviet illustrator E.A. Kibrika. In 1977 he worked as a poster artist.
He was a member of the artistic council of "Reklamfilm". The eighties and the first half of the 90s are a unique period of the Soviet film poster. Technological possibilities are expanding. At this time, such wonderful artists are working in the film poster: Lukyanov, Ulymov, Adaev, Adashev, Borisov, Maistrovsky, Boxer, Bogdanov, Matrosov.
The attitude to the poster changes, from a sheet containing a certain amount of information and, as a rule, portraits of the heroes of the film, it turns into a composition of a figurative solution, goes to another qualitative level. Matrosov M. is the author of movie posters for films of Soviet and foreign filmmakers "Cruel Romance", "And Life and Tears and Love", "Come and See", "European History" "Scarecrow," "Daki", "Mournful insensibility", "Boris Godunov", "Agony", "White Dew", "" Gardener, "" Alone and Without a Weapon ",
"The New Adventures of the Yankees at the Court of King Arthur".
"Valley of Revenge," "Solovetsky Power", "Beauty and Health by Shelton", "Meet me in Tahiti", "Comedy about Lysistratus",
"Ferry", "Sir", "Head of Gargon", "Legends of Vrubel,"
"The lynx returns," etc. (not a complete list).
In the same years, Matrosov M. is engaged in teaching activities. He teaches academic drawing and painting at the Moscow Architectural Institute and the Technological Institute. After closing "Reklamfilm" Works mainly in the field of book graphics. Collaborates with publishing houses "Astrel", "Lepta",
"Rosmen", "Irius" etc.
High professional qualities, an impeccable sense of composition, style, imaginative thinking allow us to solve a wide variety of problems: these are illustrations for Shakespeare's sonnets and historical themes, and landscape graphics and illustrations for young readers, magnificently executed with humor and warmth.
POSTER ARTIST: 1234
DIRECTED BY: 1234
GENRE: 1234
POSTER COUNTRY: 1234
PRINT YEAR: 1234
PRINT RUN: 1234
FILM COUNTRY: 1234
LANGUAGE: 1234
PUBLISHED BY: 1234
SIZE: 1234
PRODUCED BY: 1234
CONDITION: 1234
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CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)
Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.
Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.
In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).
Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.
New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.
Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.
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POSTER ARTIST: 1234
DIRECTED BY: 1234
GENRE: 1234
POSTER COUNTRY: 1234
PRINT YEAR: 1234
PRINT RUN: 1234
FILM COUNTRY: 1234
LANGUAGE: 1234
PUBLISHED BY: 1234
SIZE: 1234
PRODUCED BY: 1234
CONDITION: 1234
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CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)
Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.
Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.
In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).
Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.
New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.
Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.
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POSTER ARTIST: 1234
DIRECTED BY: 1234
GENRE: 1234
POSTER COUNTRY: 1234
PRINT YEAR: 1234
PRINT RUN: 1234
FILM COUNTRY: 1234
LANGUAGE: 1234
PUBLISHED BY: 1234
SIZE: 1234
PRODUCED BY: 1234
CONDITION: 1234
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LINK
CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)
Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.
Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.
In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).
Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.
New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.
Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.
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POSTER ARTIST: 1234
DIRECTED BY: 1234
GENRE: 1234
POSTER COUNTRY: 1234
PRINT YEAR: 1234
PRINT RUN: 1234
FILM COUNTRY: 1234
LANGUAGE: 1234
PUBLISHED BY: 1234
SIZE: 1234
PRODUCED BY: 1234
CONDITION: 1234
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LINK
CHANTSEV ALEXANDER VASILIEVCIH
(1949 - 2002)
Alexander Chantsev was born in 1949 in the city of Torun, Poland. In 1973 he graduated from the Moscow Higher School of Industrial Art (formerly the Stroganov School) with a degree in Artistic Ceramics. The second prize of the International Olympic Poster Competition in 1980 gave impetus to the work in the poster genre.
Several years of fruitful work in the circus poster followed, and during this period the individual style and technique of Alexander Chantsev gradually developed. In 1989 he was admitted to the Union of Artists. The film posters brought the artist international fame. Solo exhibitions of film posters by Alexander Chantsev took place in Rome in 1991 (together with Yuri Boxer) as part of the exhibition of Soviet film posters, which was held in the largest exhibition hall of the city - Palazzo delle Esposizioni.
In 2001, an exhibition of movie posters by Chantsev, Boxer and Maistrovsky was held in the city of Tavira (Portugal). Alexander Chantsev took part in the largest exhibitions of Soviet and Russian posters, regularly participated in international biennials in Warsaw, Lahti, Colorado, Brno, took part in a poster exhibition in the Louvre (1989), the International Poster Festival in Chaumont, France (1991), in the exhibitions “ Russian social poster "in the USA (1991-92)," Perestroika. Glasnost ”in Japan (1991-92), was awarded with diplomas of various competitions, a diploma of the finalist of the European competition of advertising EPICA in Paris (1992).
Exhibitions of posters, in which Alexander Chantsev participated, have traveled almost all over the world, the originals and prints have ended up in the most famous galleries and in private collections in the USA, France, Switzerland, Belgium, and the Czech Republic. However, the rise of poster art, which took place thanks to perestroika and the resulting freedom, gradually ended, and interest in the poster was largely lost.
New times have come when the emerging market relations have made completely different demands on artists. I had to master new genres - advertising booklets, annual reports, logos, corporate styles - and face a different customer. For the last seven years of his life, Alexander Chantsev was engaged in the design of exhibition stands, working as the art director of the Expoline company. It was a new business, and gradually the festive atmosphere of the exhibitions captured Alexander Chantsev entirely.
Possessing tremendous efficiency and real professionalism, he managed to create many interesting exhibition stands for such companies as Lucent Technologies, Avaya, Alcatel, A&T Trade, KRKA, Shreya, Orimi Trade, Sunway, Mobile TeleSystems. Nevertheless, in Russia and the world, Alexander Chantsev is known primarily as a brilliant poster artist who belonged to a remarkable generation of artists. And the soft, good-natured humor of his circus posters, the philosophical metaphors of the movie posters, the sharp, satirical images of political posters will forever remain in our memory.
I'm a paragraph. Simply double click here to add your own text and edit me. It's easy. Describe your product. Mention details and specifications that you believe are relevant to your buyers.
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YALTA HOTEL YALTA INTOURIST WELCOMES YOU! Dear visitors and collectors up for auction is highly rare Soviet agitation poster issued in english by popular USSR tourism company "Intourist". Come to us in the USSR! - the meaning of the posters issued by the firm "Intourist" was advertising of tourist trips for foreign citizens beyond the "Iron Curtain". You would be surprised, but some same subject rare posters are putiing up from time to time for auctions in London at Christie's auction. Yalta Hotel - is still working nowadays under the same name. ........................................................ |
|||||||
| ARTIST: | unknown | ||||||
| DATE: | 1983 | ||||||
| EDITION: | 5000 | ||||||
| PUBLISHER: | "Intourist" | ||||||
| LANGUAGE: | English | ||||||
| SIZE: | in: 16x26 - cm: 40x60 | ||||||
| CONDITION: | Rolled | ||||||