by MICHAEL CRICHTON & RICHARD PRESTON

MICRO



Read by: John Bedford Lloyd
Running Time: 14 hrs approx
Categories: Thriller; Technology; Science Fiction
Released: Nov 2011
Media: mp3 on CD, Unabridged Audio Book
ISBN: 9780061760808

The Authors

John Michael Crichton was an American author and filmmaker. His books have sold over 200 million copies worldwide, and over a dozen have been adapted into films. His literary works are usually within the science fiction, techno-thriller, and medical fiction genres, and heavily feature technology. His novels often explore technology and failures of human interaction with it, especially resulting in catastrophes with biotechnology. Many of his novels have medical or scientific underpinnings, reflecting his medical training and scientific background.

Crichton received an M.D. from Harvard Medical School in 1969 but did not practice medicine, choosing to focus on his writing instead. Initially writing under a pseudonym, he eventually wrote 26 novels, including The Andromeda Strain (1969), The Terminal Man (1972), The Great Train Robbery (1975), Congo (1980), Sphere (1987), Jurassic Park (1990), Rising Sun (1992), Disclosure (1994), The Lost World (1995), Airframe (1996), Timeline (1999), Prey (2002), State of Fear (2004), and Next (2006). Several novels, in various states of completion, were published after his death in 2008.

Crichton was also involved in the film and television industry. In 1973, he wrote and directed Westworld, the first film to utilize 2D computer-generated imagery. He also directed Coma (1978), The First Great Train Robbery (1979), Looker (1981), and Runaway (1984). He was the creator of the television series ER (1994–2009), and several of his novels were adapted into films, most notably the Jurassic Park franchise.

The first novel that was published under Crichton's name was The Andromeda Strain (1969), which would prove to be the most important novel of his career and establish him as a bestselling author. The novel documented the efforts of a team of scientists investigating a deadly extraterrestrial microorganism that fatally clots human blood, causing death within two minutes. Crichton was inspired to write it after reading The Ipress File by Len Deighton while studying in England. Crichton says he was "terrifically impressed" by the book – "a lot of Andromeda is traceable to Ipcress in terms of trying to create an imaginary world using recognizable techniques and real people." He wrote the novel over three years. The novel became an instant hit, and film rights were sold for $250,000. It was adapted into a 1971 film by director Robert Wise.

During his clinical rotations at the Boston City Hospital, Crichton grew disenchanted with the culture there, which appeared to emphasize the interests and reputations of doctors over the interests of patients. He graduated from Harvard, obtaining an MD in 1969, and undertook a post-doctoral fellowship study at the Salk Institute for Biological Studies in La Jolla, California, from 1969 to 1970. He never obtained a license to practice medicine, devoting himself to his writing career instead. Reflecting on his career in medicine years later, Crichton concluded that patients too often shunned responsibility for their own health, relying on doctors as miracle workers rather than advisors.

The New York Times has also noted the boys' adventure quality to his novels infused with modern technology and science. According to The New York Times,

All the Crichton books depend to a certain extent on a little frisson of fear and suspense: that's what kept you turning the pages. But a deeper source of their appeal was the author's extravagant care in working out the clockwork mechanics of his experiments—the DNA replication in Jurassic Park, the time travel in Timeline, the submarine technology in Sphere. The novels have embedded in them little lectures or mini-seminars on, say, the Bernoulli principle, voice-recognition software or medieval jousting etiquette ...

The best of the Crichton novels have about them a boys' adventure quality. They owe something to the Saturday-afternoon movie serials that Mr. Crichton watched as a boy and to the adventure novels of Arthur Conan Doyle (from whom Mr. Crichton borrowed the title The Lost World and whose example showed that a novel could never have too many dinosaurs). These books thrive on yarn spinning, but they also take immense delight in the inner workings of things (as opposed to people, women especially), and they make the world—or the made-up world, anyway—seem boundlessly interesting. Readers come away entertained and also with the belief, not entirely illusory, that they have actually learned something"

Crichton's works were frequently cautionary; his plots often portrayed scientific advancements going awry, commonly resulting in worst-case scenarios. A notable recurring theme in Crichton's plots is the pathological failure of complex systems and their safeguards, whether biological (Jurassic Park), militaristic/organizational (The Andromeda Strain), technological (Airframe), or cybernetic (Westworld). This theme of the inevitable breakdown of "perfect" systems and the failure of "fail-safe measures" strongly can be seen in the poster for Westworld, whose slogan was, "Where nothing can possibly go worng", and in the discussion of chaos theory in Jurassic Park. His 1973 movie Westworld contains one of the earlier references to a computer virus and the first mention of the concept of a computer virus in a movie.

In 1990, Crichton published the novel Jurassic Park. Crichton utilized the presentation of "fiction as fact", used in his previous novels, Eaters of the Dead and The Andromeda Strain. In addition, chaos theory and its philosophical implications are used to explain the collapse of an amusement park in a "biological preserve" on Isla Nublar, a fictional island to the west of Costa Rica. The novel began as a screenplay Crichton wrote in 1983, about a graduate student who recreates a dinosaur. Eventually, given his reasoning that genetic research is expensive and "there is no pressing need to create a dinosaur", Crichton concluded that it would emerge from a "desire to entertain", leading to a wildlife park of extinct animals. Originally, the story was told from the point of view of a child, but Crichton changed it as everyone who read the draft felt it would be better if told by an adult.

Steven Spielberg learned of the novel in October 1989 while he and Crichton were discussing a screenplay that would become the television series ER. Before the book was published, Crichton demanded a non-negotiable fee of $1.5 million as well as a substantial percentage of the gross. Warner Bros. and Tim Burton, Sony Pictures Entertainment and Richard Donner, and 20th Century Fox and Joe Dante bid for the rights, but Universal eventually acquired the rights in May 1990 for Spielberg. Universal paid Crichton a further $500,000 to adapt his own novel, which he had completed by the time Spielberg was filming Hook. Crichton noted that, because the book was "fairly long", his script only had about 10% to 20% of the novel's content. The film, directed by Spielberg, was released in 1993.

In 1992, Crichton published the novel Rising Sun, an international bestselling crime thriller about a murder in the Los Angeles headquarters of Nakamoto, a fictional Japanese corporation. The book was adapted into the 1993 film directed by Philip Kaufman and starring Sean Connery and Wesley Snipes, released the same year as the adaptation of Jurassic Park.

His next novel, Disclosure, published in 1994, addresses the theme of sexual harassment previously explored in his 1972 Binary. Unlike that novel however, Crichton centers on sexual politics in the workplace, emphasizing an array of paradoxes in traditional gender functions by featuring a male protagonist who is being sexually harassed by a female executive. As a result, the book has been criticized harshly by feminist commentators and accused of anti-feminism. Crichton, anticipating this response, offered a rebuttal at the close of the novel which states that a "role-reversal" story uncovers aspects of the subject that would not be seen as easily with a female protagonist. The novel was made into a film the same year, directed by Barry Levinson and starring Michael Douglas and Demi Moore.

Crichton was the creator and an executive producer of the television drama ER based on his 1974 pilot script 24 Hours. Spielberg helped develop the show, serving as an executive producer on season one and offering advice (he insisted on Julianna Margulies becoming a regular, for example). It was also through Spielberg's Amblin Entertainment that John Wells was contacted to be the show's executive producer.

Crichton then published The Lost World in 1995 as the sequel to Jurassic Park. The title was a reference to Arthur Conan Doyle's The Lost World (1912). It was made into the 1997 film two years later, again directed by Spielberg. In March 1994, Crichton said there would probably be a sequel novel as well as a film adaptation, stating that he had an idea for the novel's story.

Then, in 1996, Crichton published Airframe, an aero-techno-thriller. The book continued Crichton's overall theme of the failure of humans in human-machine interaction, given that the plane worked perfectly and the accident would not have occurred had the pilot reacted properly.

He also wrote Twister (1996) with Anne-Marie Martin, his wife at the time.

In 1999, Crichton published Timeline, a science fiction novel in which experts time travel back to the medieval period. The novel, which continued Crichton's long history of combining technical details and action in his books, addresses quantum physics and time travel directly and received a warm welcome from medieval scholars, who praised his depiction of the challenges in studying the Middle Ages.

In 1999, Crichton founded Timeline Computer Entertainment with David Smith. Despite signing a multi-title publishing deal with Eidos Interactive, only one game was ever published, Timeline. Released by Eidos Interactive on November 10, 2000, for the PC, the game received negative reviews. A 2003 film based on the book was directed by Richard Donner and starring Paul Walker, Gerard Butler and Frances O'Connor.

Awards

  • Mystery Writers of America's Edgar Allan Poe Award, Best Novel, 1969 – A Case of Need
  • Association of American Medical Writers Award, 1970
  • Mystery Writers of America's Edgar Allan Poe Award, Best Motion Picture, 1980 – The Great Train Robbery
  • Named to the list of the "Fifty Most Beautiful People" by People magazine, 1992
  • Golden Plate Award of the American Academy of Achievement, 1992
  • Academy of Motion Picture Arts and Sciences Technical Achievement Award, 1994
  • Writers Guild of America Award, Best Long Form Television Script of 1995 (The Writer Guild list the award for 1996)
  • George Foster Peabody Award, 1994 – ER
  • Prime time Emmy Award for Outstanding Drama Series, 1996 – ER
  • Ankylosaur named Crichtonsaurus bohlini, 2002
  • American Association of Petroleum Geologists Journalism Award, 2006
Richard Preston is an internationally acclaimed bestselling author of eight books, including The Hot Zone and The Wild Trees. Many of Preston's books have first appeared in The New Yorker.

He has won numerous awards, including the American Institute of Physics Award and the National Magazine Award, and he is the only person not a medical doctor ever to receive the Centre for Diseases Control's Champion of Prevention Award for public health.

He lives with his wife and three children near Princeton, New Jersery.


Synopsis

In the vein of Jurassic Park, this high concept thriller follows a group of graduate students lured to Hawaii to work for a mysterious biotech company—only to find themselves cast out into the rain forest, with nothing but their scientific expertise and wits to protect them.

In a locked Honolulu office building, three men are found dead, covered in ultrafine, razor-sharp cuts. The only clue left behind is a tiny bladed robot.

Meanwhile, in the lush forests of Oahu, trillions of microorganisms are being discovered, feeding a search for priceless drugs.

And in Cambridge, Massachusetts, seven graduate students are recruited by a microbiology start-up and dispatched to a mysterious lab in Hawaii, where they are promised access to tools that will open a whole new scientific frontier.

But once in the Oahu rain forest, the scientists are thrust into a hostile wilderness where they find themselves prey to a technology of radical and unbridled power. To survive, they must harness the inherent forces of nature itself.

An instant classic, Micro pits nature against technology in vintage Crichton fashion. Completed by visionary science writer Richard Preston, this boundary-pushing thriller melds scientific fact with pulse-pounding fiction to create yet another masterpiece of sophisticated, cutting-edge entertainment.

Reviews

“Vintage high-concept Crichton.” - New York Times

“A nonstop fight for survival in the micro-world, where insects are as big as cars, bats the size of airplanes, and everything is hungry.” - Publishers Weekly

“A jungle nightmare only Crichton could concoct. John Bedford Lloyd’s delivery is solid…Lloyd compellingly voices the psychotic CEO at the heart of the horror…Female characters are well voiced and differentiated from the predominately male cast. Crichton’s fans and sci-fi junkies will love it.” - AudioFile

“Preston seems like a good match up with the author of Jurassic Park, and fans of both authors will want this.” - Library Journal

“Another high-adventure thriller that blends cutting-edge science with almost unrelenting suspense. Begun by Crichton and completed by seasoned author Richard Preston, this thrilling novel traces the story of a group of biotech grad students stranded in the Hawaiian rain forest with only their wits to save them. Un-put-downable.” - Barnes & Noble, editorial review

On Media

Audiobook on 2 CD-ROMs, complete with cover art on the CDs. Supplied in windowed CD sleeves, no case provided.

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