1986 TALKING MOTHER GOOSE WORLDS OF WONDER PLUSH TOY CASSETTE PLAYER ANIMATED 

The figure of Mother Goose is an imaginary author of a collection of fairy tales and nursery rhymes often published as Mother Goose Rhymes. As a character, she appears in one nursery rhyme. A Christmas pantomime called Mother Goose is often performed in the United Kingdom. The so-called "Mother Goose" rhymes and stories have formed the basis for many classic British pantomimes. Mother Goose is generally depicted in literature and book illustration as an elderly country woman in a tall hat and shawl, a costume identical to the peasant costume worn in Wales in the early 20th century, but is sometimes depicted as a goose (usually wearing a bonnet).

Identity: Mother Goose is the name given to an archetypal country woman. She is credited with the Mother Goose stories and rhymes popularized in the 1700s in English-language literature, although no specific writer has ever been identified with such a name.

17th century English readers would have been familiar with Mother Hubbard, a stock figure when Edmund Spenser published his satire Mother Hubberd's Tale in 1590; as well as with similar fairy tales told by "Mother Bunch" (the pseudonym of Madame d'Aulnoy) in the 1690s. An early mention appears in an aside in a French versified chronicle of weekly happenings, Jean Loret's La Muse Historique, collected in 1650. His remark, comme un conte de la Mère Oye ("like a Mother Goose story") shows that the term was readily understood. Additional 17th century Mother Goose/Mere l'Oye references appear in French literature in the 1620s and 1630s.

In "The Real Personages of Mother Goose" (1930), Katherine Elwes-Thomas submits that the image and name "Mother Goose", or "Mère l'Oye", may be based upon ancient legends of the wife of King Robert II of France, known as "Berthe la fileuse" ("Bertha the Spinner") or Berthe pied d'oie ("Goose-Foot Bertha" ), who, according to Elwes-Thomas, is often referred in French legends as spinning incredible tales that enraptured children. Another authority on the Mother Goose tradition, Iona Opie, does not give any credence to either the Elwes-Thomas or the Boston suppositions.

Despite evidence to the contrary, there are reports, familiar to tourists to Boston, Massachusetts, that the original Mother Goose was a Bostonian wife of an Isaac Goose, either named Elizabeth Foster Goose (1665–1758) or Mary Goose (d. 1690, age 42) who is interred at the Granary Burying Ground on Tremont Street. According to Eleanor Early, a Boston travel and history writer of the 1930s and '40s, the original Mother Goose was a real person who lived in Boston in the 1660s. She was reportedly the second wife of Isaac Goose (alternatively named Vergoose or Vertigoose), who brought to the marriage six children of her own to add to Isaac's ten. After Isaac died, Elizabeth went to live with her eldest daughter, who had married Thomas Fleet, a publisher who lived on Pudding Lane (now Devonshire Street). According to Early, "Mother Goose" used to sing songs and ditties to her grandchildren all day, and other children swarmed to hear them. Finally, her son-in-law gathered her jingles together and printed them.

John Newbery was once believed to have published a compilation of English nursery rhymes entitled Mother Goose's Melody, or, Sonnets for the cradle some time in the 1760s, but the first edition was probably published in 1780 or 1781 by Thomas Carnan, one of Newbery's successors. This edition was registered with the Stationers' Company in 1780. However, no copy has been traced, and the earliest surviving edition is dated 1784. The name "Mother Goose" has been associated, in the English-speaking world, with children's poetry ever since.

In 1837, John Bellenden Ker Gawler published a book (with a 2nd-volume sequel in 1840) deriving the origin of the Mother Goose rhymes from Flemish ('Low Dutch') puns.

In music, Maurice Ravel wrote Ma mère l'oye, a suite for the piano, which he then orchestrated for a ballet. There is also a song called "Mother Goose" by progressive rock band Jethro Tull from their 1971 Aqualung album. The song seems to be unrelated to the figure of Mother Goose since she is only the first of many surreal images that the narrator encounters and describes through the lyrics.

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Geese are waterfowl belonging to the tribe Anserini of the family Anatidae. This tribe comprises the genera Anser (the grey geese), Branta (the black geese) and Chen (the white geese). A number of other birds, mostly related to the shelducks, have "goose" as part of their name. More distantly related members of the Anatidae family are swans, most of which are larger than true geese, and ducks, which are smaller.

The word goose is a direct descendant of Proto-Indo-European root, *ghans-. In Germanic languages, the root gave Old English gos with the plural ges and gandres (becoming Modern English goose, geese, and gander, respectively), New High German Gans, Gänse, and Ganter, and Old Norse gas. This term also gave Lithuanian žasìs, Irish gé (goose, from Old Irish géiss), Latin anser, Greek chen, Albanian gatë (heron), Sanskrit hamsi, Finnish hanhi, Avestan zao, Polish ges, Russian ????, Czech husa, and Persian ghaz.

The term goose applies to the female in particular while gander applies to the male in particular. Young birds before fledging are called goslings. The collective noun for group of geese on the ground is a gaggle; when in flight, they are called a skein, a team or a wedge; when flying close together, they are called a plump.

There are three living genera of true geese: Anser, grey geese, including the domesticated goose and the Swan Goose; Chen, white geese (often included in Anser); and Branta, black geese, such as the Canada goose.

Two genera of "geese" are only tentatively placed in the Anserinae; they may belong to the shelducks or form a subfamily on their own: Cereopsis, the Cape Barren Goose, and Cnemiornis, the prehistoric New Zealand Goose.

Either these or, more probably, the goose-like Coscoroba Swan is the closest living relative of the true geese.

Fossils of true geese are hard to assign to genus; all that can be said is that their fossil record, particularly in North America, is dense and comprehensively documents many different species of true geese that have been around since about 10 million years ago in the Miocene. The aptly named Anser atavus (meaning "Great-great-great-grandfather goose") from some 12 million years ago had even more plesiomorphies in common with swans. In addition, there are some goose-like birds known from subfossil remains found on the Hawaiian Islands.

Geese are monogamous, living in permanent pairs throughout the year; however, unlike most other permanently monogamous animals, they are territorial only during the short nesting season. Paired geese are more dominant and feed more, two factors that result in more young.

Other birds called "geese" - There are a number of mainly southern hemisphere birds called "geese", most of which belong to the shelduck subfamily Tadorninae. These are:

Orinoco Goose, Neochen jubata

Egyptian Goose, Alopochen aegyptiacus

The South American sheldgeese, genus Chloephaga

The prehistoric Madagascar Sheldgoose, Centrornis majori, the "Woodard"

The Blue-winged Goose, Cyanochen cyanopterus belongs either to these, or to lineage closer to ducks.

The Spur-winged Goose, Plectropterus gambensis, is most closely related to the shelducks, but distinct enough to warrant its own subfamily, the Plectropterinae.

The three species of small waterfowl in the genus Nettapus are named "pygmy geese", e.g. the Cotton Pygmy Goose (N. javanica). They seem to represent an ancient lineage like the Cape Barren Goose and the Spur-winged Goose.

A genus of prehistorically extinct seaducks, Chendytes, is sometimes called "diving-geese" due to their large size.

The unusual Magpie Goose is in a family of its own, the Anseranatidae.

The Northern Gannet, a seabird, is also known as the "Solan Goose" although it is a bird unrelated to the true geese, or any other Anseriformes for that matter.