Pet Shop Boys - Introspective: Further Listening 1988-1989 [New CD]

Artist: Pet Shop Boys

Title: Introspective: Further Listening 1988-1989

Condition:

Format: CD

Release Date: 2018

Label: Rhino / Parlophone

UPC: 190295826178

Genre: Rock

Album Tracks

DISC 1:
1. Left to My Own Devices (2018 Remastered Version)
2. I Want a Dog (2018 Remastered Version)

DISC 2:
1. Domino Dancing (2018 Remastered Version)
2. I'm Not Scared (2018 Remastered Version)
3. Always on My Mind / in My House (2018 Remastered Version)
4. It's Alright (2018 Remastered Version)

DISC 3:
1. I Get Excited (You Get Excited Too) [2018Remastered Version]
2. Don Juan (Demo Version) [2018 Remastered Version]
3. Domino Dancing (Demo Version) [2018 Remastered Version]
4. Domino Dancing (Alternative Version) [2018Remastered Version]
5. The Sound of the Atom Splitting (2018 Remastered Version)
6. What Keeps Mankind Alive? (2018 Remastered Version)
7. Don Juan (Disco Mix) [2018 Remastered Version]
8. Losing My Mind (Disco Mix) [2018 Remastered Version]
9. Nothing Has Been Proved (Demo for Dusty) [2018 Remastered Version]
10. So Sorry, I Said (Demo for Liza) [2018 Remastered Version]
11. Left to My Own Devices (7' Mix) [2018 Remastered Version]
12. It's Alright (10' Version) [2018 Remastered Version]
13. One of the Crowd (2018 Remastered Version)
14. It's Alright (7' Version) [2018 Remastered Version]
15. Your Funny Uncle (2018 Remastered Version)

Digitally remastered and expanded two CD edition. Includes bonus CD containing additional tracks including b-sides, edits, demos and more. Introspective is the third studio album by British synthpop duo Pet Shop Boys. It was first released on 11 October 1988 and is the Pet Shop Boys' second-best-selling album, selling over 4.5 million copies worldwide (their fifth studio album, Very, sold more than 5 million copies). It is so named because "all the songs, although it's a dance album, are introspective". Perhaps the biggest change in Pet Shop Boys' sound evident on this album is an increasing attention to orchestration using real orchestras, particularly on the Trevor Horn-produced "Left to My Own Devices", which took months to produce.

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