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Carl Martin is a long-established Danish brand of analog pedal effects. The company has many loyal users, especially European professionals, and is also well received by Japanese guitarists who are particular about their sound.


In its more than 20-year history, Carl Martin has released many types of effect pedals, and the Quattro, a multi-effect pedal for electric guitars, is especially popular. The Acoustic GIG is the acoustic guitar version of the Quattro, and was developed in response to requests from many Quattro users.


The Acoustic GIG combines the essence of many of Carl Martin's most popular pedals into a single pedal specifically designed for acoustic guitars, and it is not only great sounding, but also easy to use.


  

The Acoustic GIG is the Quattro for acoustic guitar, a simple multi-effect pedal with the bare essentials.


The compressor section, which is a transplant of the circuitry of Carl Martin's long-selling Compressor/Limiter model, is located at the beginning of the effects chain. The compressor section is the first in the chain of effects, with simple controls that create a crisp acoustic guitar sound.


The echo section is next in the chain and delivers a vintage-style tape echo sound. The delay time can be set with the tap tempo footswitch, and the unique "dotted eighth note" switch can be pressed for a slightly different echo nuance.


The reverb section is a hybrid of analog and digital reverbs that produce a warm, vintage-style sound that makes acoustic guitars look glossy and beautiful. The reverb section is a hybrid of analog and digital reverb, which produces a warm vintage-style sound that makes acoustic guitars beautiful and lustrous.


The boost behind it adds 15 dB of gain to the clean. For example, when soloing, the volume can be increased without changing the sound quality. Furthermore, it does not sound "rambunctious" when using piezo pickups.


Finally, there is a 3-band semi-parametric EQ section that is a direct port of Carl Martin's popular 3 Band Parametric Pre-Amp, which shapes the guitar's tone.


Between the booster and EQ sections, there is a send/return for adding effects to the chain. A spare DC out is provided in the rear to power the effects.


Other features include a phase switch to avoid feedback, a mute switch to turn off the overall output, a tuner that works with the mute switch, and a balanced DI out with ground lift switch. The amplifier has all the necessary and sufficient functions to create a great acoustic guitar sound.


Controls

  

Inputs and Outputs

Input jack: Standard phone (TS) input, impedance: 1MΩ


Send jack: Standard phone (TS) output, impedance: 200 ohms


Return jack: Standard phone (TS) input, impedance: 1 MΩ


DI Output jack: XLR balanced output, impedance: 600Ω


GND LIFT switch: On when ground loop noise occurs


DC 9-12V 1Amp jack: Connect included AC adapter (9V/1.5A/center negative)


DC Output 9-12V jack: Outputs DC of the same voltage and polarity as the supplied AC adapter


Output jack: Standard phone (TS) output, impedance: 600Ω


(*)Send/Return is turned off when the Return jack is not plugged in. In that case, Send can still be used as a pre-EQ output.


S/N ratio: 60dB


Compression range: 1:1 to 1:00


Compressor gain range: ±20dB


Maximum echo time: 1000 msec


Echo Tone: Low-pass filter


Maximum Boost: +15 dB


Bass EQ: ±15 dB, 20 to 500 Hz, 6 dB Oct.


Middle EQ: ±15dB, 220 to 5.1kHz, 6dB Oct.


Treble EQ: +15dB, 1.5 to 16kHz, 6dB Oct.


Specifications [2

Dimensions: 365 (W)×120 (D)×60 (H) mm


Weight: 1.25 kg


Maximum current consumption: 500 mA


Power supply: Included 9V output AC adapter (center-minus, 1.5A, 2.1 mm dia.)


*When using the DC Output 9-12V jack, current consumption should not exceed 1A.

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Estimated arrival date: 

EMS::1-3 weeks 

DHL :1-2 weeks 

UPS:1-2 weeks 

Fedex:1-2 weeks 

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