Classic mandolin Roman
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MANDOLIN
CARMENCITA
ANTIQUE CLASSICAL
ROMAN STYLE
ORIGINAL PARTS
NAME OF THIS MANDOLIN - CARMEN
DIMENSIONS 24 x 7 x 7 INCHES - Close
approximation.
Head
The tip of the neck.
Original
Sturdy and in good condition.
Pegs
Parts to wind the strings. Perform tuning by adjusting the string
tension by turning these. These are divided into left and right with 4 strings
each.
Original Pegs
Sturdy and in good condition.
One metal top of one peg has been replaced, as shown in the
photos. One peg is slightly deeper. The back and winding portions are solid.
Nut
The part between the fingerboard and the head. Grooves are carved
at the position where the strings pass, and it has the role of maintaining the
spacing between the strings and supporting the strings. This is also the
fulcrum for the sound of the open string.
Original Nut
Sturdy and in good condition.
Neck
The stringed portion. The difference in thickness, shape, material,
and the finish change the sound and feel.
Original Neck
Sturdy and in good condition.
Fingerboard
The top surface of the neck. This is the part that determines the
pitch of the sound by pressing the strings with the fingers of the left hand.
Original Fingerboard
Sturdy and in good condition.
Frets
Metal on the fingerboard that determines the pitch, and it changes
by one semitone for each fret. From the end closer to the head, they are called
the 1st fret, the 2nd fret, and so on.
Original Fingerboard
Sturdy and in good condition.
The frets have good feel are are evenly balanced.
Position Markers
Marks on the surface and sides of the fingerboard to make it
easier to see the playing position on the fingerboard. There are various marks
depending on the model, such as dots, blocks, snowflakes, and cat's eyes.
Original Fingerboard
Sturdy and in good condition.
The positions are clear and visible.
Body
A part where the vibration of the strings resonates. The tone
changes greatly depending on the material and shape of the body. Flat mandolins
come in two shapes, A-style and F-style. The back side of the body of the
classic mandolin is made by laminating multiple thin wooden plates and it
swells in a hemispherical shape.
Original Body
Sturdy and in good condition.
As shown n the pictures, one side on the left of the back of the
Mandolin, has a slightly wider separation on one of the wood panels
as you look at it straight on. It's unclear is if has slightly opened but the
area is solid, you can just see the space is wider than the rest. Possibly a
maker's mark when being produced, but the ridge it blends into is strong.
Sound Hole
A hole that emits the sound resonating inside the body. There are
various shapes. Flat mandolins generally have f-holes, and classic mandolins
generally have round holes or oval holes.
Original Body
Sturdy and in good condition.
Pick Guard
A part to prevent the body from being scratched by picking. Most
flat mandolins have a floating type pick guard, while some models do not have a
pickguard.
The pick guard on a classic mandolin is embedded in the top of the body, and
the shape and material vary depending on the model. It also plays a large role
as a decoration and emphasizes the individuality of the instrument.
Original Pick Guard
Sturdy and in good condition.
Bridge
The part that supports the strings and transmits the vibration of
the strings to the body. It is not fixed to the body and the position can be
adjusted.
Original Pick Guard
Sturdy and in good condition.
Tail Piece
The part that fastens the end of the string. Hang the loop on the
end of the string on the pin attached to the tail piece. It is located on the
lower surface of the body for flat mandolins and on the lower side of the body
for classic mandolins. A cover is attached to the tail piece of the flat
mandolin.
Original Pick Guard
Sturdy and in good condition.