This postcard is very similar to the art seen on the rear of the Eat A Peach album cover by the Allman Brothers Band.

The art shows a giant watermelon being hauled on a train rail car. Wording at the top reads “The Kind We Grow in Texas.” This postcard was mailed to Centerville, California on April 23rd, 1956 and has two 1 cent postage stamps.

This postcard measures 5 1/2" X 3 1/2"

It's in excellent condition and comes in a protective sleeve.

From my smoke free home.

I've also listed for sale the “Peach” postcard as used on the front of the album cover

https://www.ebay.com/itm/126270185353

From Wikipedia

The album's artwork was created by W. David Powell at Wonder Graphics. He had seen old postcards at a drugstore in Athens, Georgia, one depicting a peach on a truck and a watermelon on a rail car. Believing them perfect for an Allman Brothers album, he purchased them and "bought cans of pink and baby-blue Krylon spray paint and created a matted area to make the cards on a twelve-by-twenty-four LP cover." He envisioned the album having "an early-morning-sky feel". He hand-lettered the band name and photographed it with a small Kodak camera, developing the photos at the drugstore. He then cut and pasted the letters on the side of the truck, underneath the peach.

The album includes an elaborate gatefold mural featuring a fantasy landscape of mushrooms (referencing the psychedelic drug, a band favorite in its early days) and fairies, drawn by Powell and J.F. Holmes. There was very little planning involved in the piece, which was created when the duo were in Vero Beach, Florida. When one would be drawing or painting the image, another would be swimming in the ocean. "We swapped off this way with virtually no conversation about the drawing, just fluid trade-offs," said Powell. The art was created on a large illustration board, "on a one-to-one scale—it was the size of the actual spread," according to Powell. Holmes' work is featured largely on the left, with Powell's on the right. Both were "profoundly influenced" by Early Netherlandish painter Hieronymous Bosh on the piece.

At the time the artwork was finalized, Duane Allman was still alive and the title had not been finalized. As a result, the album lacks a title on the cover, which was an unusual approach for bands at the time. Powell later said, "When we showed it to someone at the label, he said, 'They are so hot right now, we could sell it in a brown paper bag'". Atlantic initially intended to title the album The Kind We Grow in Dixie, the label of the postcard series Powell had seen in Athens, but the band refused. Trucks suggested they name the album Eat a Peach for Peace, after a quote from Duane Allman. When the writer Ellen Mandel asked him what he was doing to help the revolution, he replied:

I'm hitting a lick for peace—and every time I'm in Georgia, I eat a peach for peace. But you can't help the revolution, because there's just evolution. I understand the need for a lot of changes in the country, but I believe that as soon as everybody can just see a little bit better, and get a little hipper to what's going on, they're going to change it. Everybody will—not just the young people. Everybody is going to say, 'Man, this stinks. I cannot tolerate the smell of this thing anymore. Let's eliminate it and get straight with ourselves.' I believe if everybody does it for themselves, it'll take care of itself.

Drummer Butch Trucks considered Allman's comment a sly reference to the poem “The Love Song of J. Alfred Prifrock” by T.S. Eliot, one of Allman's favorite poets. An untrue story persisted for many years after the album's release that it was named after the truck Allman crashed into, purported to be a peach truck. The album art was later selected by Rolling Stone magazine in 1991 as one of the 100 greatest album covers of all time.

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