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A series of great  JAZZ Records from early Ragtime to Beb-Bop on 78 rpm Victrola Records

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Martha Raye
MARTHA RAYE.jpg

 MARTHA RAYE in a burlesque rendition of Cole Porter's famous Lynching Song

"Miss Otis Regrets" is a song about the lynching of a society woman after she murders her unfaithful lover.[1] It was composed by Cole Porter in 1934, and first performed by Douglas Byng in Hi Diddle Diddle,[2] a revue that opened on October 3, 1934, at London's Savoy Theatre.

Martha Raye – Miss Otis Regrets / Life's Only Joy
Discovery Records – 505

1949

A  Miss Otis Regrets
Written-By – Cole Porter
2:51
B  Life's Only Joy
Written-By – Phil Moore (2)
3:03


Orchestra – Phil Moore And His Orchestra


Please see top of the page for condition


Martha Raye (born Margy Reed; August 27, 1916 – October 19, 1994), nicknamed The Big Mouth, was an American comic actress and singer who performed in movies, and later on television. She also acted in plays, including Broadway.[1] She was honored in 1969 at the Academy Awards as the Jean Hersholt Humanitarian Award recipient for her volunteer efforts and services to the troops.


Early years
Raye's life as a singer and comedic performer began in very early childhood. She was born at St. James Hospital in Butte, Montana, as Margy Reed;[2][3] despite her birth certificate showing Reed, some sources in the 1970s and 1980s gave her the surname O'Reed.[4][5]

Her father, Peter F. Reed Jr., was an Irish immigrant; her mother, Maybelle Hazel (Hooper) Reed, was raised in Milwaukee and Montana.[6] Her parents were performing in a local vaudeville theatre as Reed and Hooper when their daughter was born.[7] Two days later, her mother was performing again. Martha first appeared in their act when she was three years old. She later performed with her brother Bud, and the children became so popular that their parents' act was renamed Margie and Bud.

Career
In the early 1930s, Raye was a band vocalist with the Paul Ash and Boris Morros orchestras. She made her first film appearance in 1934 in a band short titled A Nite in the Nite Club. In 1936, she was signed for comic roles by Paramount Pictures, and made her first picture for Paramount. Her first feature film was Rhythm on the Range with crooner Bing Crosby. She made her Broadway debut in the Harry Akst musical Calling All Stars in 1934, and later returned to Broadway in starring roles in Yip Harburg's Hold On to Your Hats (1941, as Marnie), Jerry Herman's Hello, Dolly! (1967, as Dolly), and Vincent Youmans's No, No, Nanette (1972, as Pauline).

From 1936–1939, she was a featured cast member in 39 episodes of Al Jolson's weekly CBS radio show, The Lifebuoy Program, also called Cafe Trocadero. In addition to comedy, Martha sang both solos and duets with Jolson. Over the next quarter century, she would appear with many of the leading comics of her day, including Joe E. Brown, Bob Hope, W. C. Fields, Abbott and Costello (in Keep 'Em Flying), Charlie Chaplin (in Monsieur Verdoux), and Jimmy Durante. She joined the USO in 1942, soon after the US entered World War II.[8]

She was known for the size of her mouth, which was large in proportion to her face, earning her the nickname The Big Mouth. She later referred to this in a series of television commercials for Polident denture cleaner in the 1980s: "So take it from The Big Mouth: new Polident Green gets tough stains clean!" Her large mouth would relegate her motion picture work to supporting comic parts, and was often made up so it appeared even larger. In the Disney cartoon Mother Goose Goes Hollywood, she is caricatured while dancing alongside Joe E. Brown, another actor known for a big mouth. In the Warner Bros. cartoon The Woods Are Full of Cuckoos (1937), she was caricatured as a jazzy scat-singing donkey named 'Moutha Bray'.[9]

In 1968, she was awarded the Jean Hersholt Humanitarian Award in the form of an Oscar. After her death the statuette was displayed for many years in a specially constructed lighted niche at the Friars Club in Beverly Hills. On November 2, 1993, she was awarded the Presidential Medal of Freedom by President Bill Clinton for her service to her country.[8] The citation reads:

A talented performer whose career spans the better part of a century, Martha Raye has delighted audiences and uplifted spirits around the globe. She brought her tremendous comedic and musical skills to her work in film, stage, and television, helping to shape American entertainment. The great courage, kindness, and patriotism she showed in her many tours during World War II, the Korean War, and the Vietnam War earned her the nickname 'Colonel Maggie'. The American people honor Martha Raye, a woman who has tirelessly used her gifts to benefit the lives of her fellow Americans.[10]

Television career
She was a television star very early in its history. She starred in the short-lived (28 episodes) The Martha Raye Show (1954–1956), opposite retired middleweight boxer Rocky Graziano, who played her boyfriend. (Raye was known to call Graziano "goombah", the Sicilian abbreviation of the Italian 'compáré' ('cumpari' in Southern Italian - friend, comrade)). The writer and producer was future The Phil Silvers Show creator Nat Hiken.

Some of the guest stars on the show were Zsa Zsa Gabor, Cesar Romero, and Broadway dancer Wayne Lamb. She also appeared on other TV shows in the 1950s, such as What's My Line?

Following the demise of her TV variety show, the breakup of her fifth marriage, and a series of other personal and health problems, she attempted suicide by overdosing on sleeping pills on August 14, 1956. Well-wishers gave her a St. Christopher's medal, a St. Genesius medal, and a Star of David. After her recovery, she wore these amulets faithfully, although she was neither Catholic nor Jewish. At the conclusion of each episode of her TV shows, she would thank the nuns at the Sisters of St. Francis Hospital in Miami, Florida, where she had recovered. She always said "Goodnight, Sisters" as a sign of appreciation and gratitude.

Later in her career, she made television commercials for Polident denture cleanser, principally during the 1970s and 1980s.

Later career
In 1970, she portrayed Boss Witch, the "Queen of all Witchdom", in the feature film Pufnstuf for Sid and Marty Krofft. This led to her being cast as villainess Benita Bizarre in The Bugaloos (1970), which the Kroffts produced the same year.

She often appeared as a guest on other programs, particularly those which often featured older performers as guest stars, such as ABC's The Love Boat, and also on variety programs, including the short-lived The Roy Rogers and Dale Evans Show. She appeared from the third to the ninth seasons as Carrie Sharples, Mel's mother on Alice, making two or three appearances a season. She made guest appearances or did cameo roles in such series as Murder, She Wrote on CBS and The Andy Williams Show and McMillan & Wife, both on NBC. She appeared again as Agatha for the six-episode run of the retooled McMillan, taking over for Nancy Walker, who had left the series. Her last film appearance was as an incontinent airline passenger in the disaster film The Concorde ... Airport '79 (1979).



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