A rare original Napoleon Sarony sepia cabinet photo circa 1875 of the great American actress Fanny Davenport in costume. Light wear otherwise good. An amazing early theatrical image, and a stunning pose. See Fanny Davenport and Napoleon Sarony's extraordinary biographies below.
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FROM WIKIPEDIA:
Fanny Lily Gipsey Davenport (April 10, 1850 – September 26, 1898) was an English-American stage actress,
The eldest child of Edward Loomis Davenport and Fanny Elizabeth (Vining) Gill Davenport,[1] Fanny Lily Gypsey Davenport was born on April 10, 1850 in London.[2]:233
Most of her siblings were actors, including Harry Davenport. She was brought to the United States in 1854[3] and educated in the Boston public schools.[4] At age 7, she appeared at Boston's Howard Athenæum as Metamora's child,[citation needed] but her real debut occurred in February 1862 when she portrayed King Charles in Faint Heart Never Won Fair Lady at Niblo's Garden.[1]
In February 1862, she appeared in New York City at Niblo's Garden at the age of 12 as the King of Spain in Faint Heart Never Won Fair Lady.[4]
From 1869 to 1877, she performed in Augustin Daly's company;[1] and afterwards, with a company of her own, acted with especial success in Sardou's Fédora (1883) her leading man being Robert B. Mantell, Cleopatra (1890), and similar plays. She took over emotional Sardou roles that had been originated in Europe by Sarah Bernhardt. Her last appearance was at the Grand Opera House in Chicago[4] on March 25, 1898, shortly before her death.[citation needed]
Her first husband was Edwin B. Price, an actor. They married on July 30, 1879, and divorced on June 8, 1888. On May 18, 1889, she married her leading man, Melbourne MacDowell. Both marriages were childless.[1]
Davenport died September 26, 1898, from an enlarged heart, at her summer home in Duxbury, Massachusetts.
Napoleon Sarony (March 9, 1821 – November 9, 1896)[1] was an Americanlithographer and photographer. He was a highly popular and great portraitphotographer, most known for his portraits of the stars of late-19th-century American theater. His son, Otto Sarony, continued the family business as an accomplished theater and film star photographer.
Life
Sarony was born in Quebec in 1821 and moved to New York City around 1836. He worked as an illustrator for Currier and Ives before joining with James Majorand starting his own lithography business, Sarony & Major, in 1843. In 1845, James Major was replaced by Henry B. Major in Sarony & Major and it continued operating under that name until 1853. From 1853 to 1857, the firm was known as Sarony and Company, and from 1857 to 1867, as Sarony, Major & Knapp. Sarony left the firm in 1867 and established a photography studio at 37 Union Square, during a time when celebrity portraiture was a popular fad.[2][3] Photographers would pay their famous subjects to sit for them, and then retain full rights to sell the pictures. Sarony reportedly paid famed stage actress Sarah Bernhardt $1,500 to pose for his camera, the equivalent of more than $20,000 today.[3] In 1894 he published his portfolio of prints titled, "Sarony's Living Pictures."
Associations
Included among the thousands of people that came into Sarony's world were many distinguished people, such as American Civil War General, William T. Sherman, and American authors Samuel Clemens (Mark Twain), Lew Wallace and Oscar Wilde.
William T. Sherman
In 1888, Sarony photographed William T. Sherman, three years before he died in 1891. Sarony's photograph would be used as a model for the engraving of the first Sherman Postage stamp.[4]
Samuel Clemens; the Lotos, Salmagundi and Tile Clubs
Sarony took numerous photographs of Samuel Clemens (Mark Twain).[3] Clemens and Sarony were in the same social circles and shared many mutual acquaintances. They both belonged to the Lotos Club in New York City. Sarony helped in the founding of the Salmagundi Club, an association of artists, and was also a member of the Tile Club, whose members included well-known authors and journalists. In 1883, English author Wilkie Collins dedicated his anti-vivisection book Heart and Science to Sarony. In 1884, Sarony was a participant in an April Fool's joke played on Clemens when George Washington Cable arranged for 150 of Clemens's friends to write to him simultaneously, requesting his autograph. As part of the joke, no stamps or envelopes were to be provided for a reply.
Oscar Wilde
One of Sarony's portraits of writer Oscar Wilde became the subject of a U.S. Supreme Court case, Burrow-Giles Lithographic Co. v. Sarony 111 U.S. 53 (1884), in which the Court upheld the extension of copyright protection to photographs. Sarony sued Burrow-Giles after it used unauthorized lithographs of Oscar Wilde No. 18 in an advertisement, and won a judgment for $610 (the modern equivalent of just over $12,000) that was affirmed on appeal by the Second Circuit Court of Appeals and the Supreme Court. Sarony later photographed the Supreme Court itself, to celebrate the centennial of the federal judiciary in 1890.[3][5]
Family
Sarony was married twice. His first wife died in 1858; his second, Louie, reportedly shared his tendency towards eccentricity and preference for outlandish dress. She rented elaborate costumes that she wore during her daily afternoon walk through Washington Square, wearing them once before returning them.
His brother, Oliver François Xavier Sarony, was also a portrait photographer, working primarily in England, and who died in 1879. Napoleon's son Otto (1859–1903) continued the family name for a few years until his own early death in 1903.
Sarony was buried in Green-Wood Cemetery in Brooklyn.[3]