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A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola Records
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Hanns Udo Mueller at the Piano:
Gerhard Hüsch, Hanns Udo Müller PianoBetween 1925 and 1942, Hüsch sang regularly at several German (as well as British and Italian) opera houses, primarily in Berlin from 1930 onwards. The role for which he is best remembered is that of Papageno in Mozart's The Magic Flute, but his repertoire included most of the standard lighter baritone roles, including Wagner's (he appeared at Bayreuth, most notably as Wolfram in Tannhäuser) and Richard Strauss's (he appeared in the premiere of Strauss's Intermezzo). Lacking the sheer devastating vocal amplitude of his contemporaries Hans Hotter and Gottlob Frick, Hüsch concentrated on beautifully lucid diction and an unfailingly smooth vocal line.
Nowhere were these qualities better displayed than in his pioneering prewar Lieder records. Here he shows the art which conceals art. He gave us the first more-or-less-uncut versions of Schubert's Winterreise and Die Schöne Müllerin song-cycles, not to mention Beethoven's An die Ferne Geliebte; his discs of songs by Hugo Wolf, made under Walter Legge's auspices, helped introduce that composer to thousands of music-lovers previously unfamiliar with Wolf's output; and he released a generous selection of songs by Hans Pfitzner, these recordings bearing the imprimatur of Pfitzner himself at the piano. The obscure Finnish composer Yrjö Kilpinen found in Hüsch a steadfast champion. Sometimes Hüsch performed in choral masterpieces as well, his recorded work in this field including an exceptional Jesus in a wartime set – severely abridged – with Günther Ramin conducting, of Bach's St. Matthew Passion.
After World War II, Hüsch, whose political naïveté during the Third Reich (and, in particular, closeness to Rosalind von Schirach, the sister of Baldur von Schirach)[1] was unlikely to endear him to the Allies, mostly abandoned concert and operatic appearances, preferring to concentrate on teaching. A professor at the Munich Hochschule für Musik, he numbered among his pupils the British tenor Nigel Rogers. He gave masterclasses not only in Europe but in Japan.
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A Quick NOTE ON GRADING AND SHIPPING:
As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS.
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Quick note on grading:
The Grade (Excellent to Poor, I don't give Mint) refers to the WEAR of the record. Any other defects are stated separately
When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise.
"EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing.
"VERY QUIET" is an above average quiet record for a given pressing.
"Quiet" is a record that is a great example with some noise.
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