Print
Specifics:
- Type
of print: Intaglio: Steel engraving - Original antique
print
- Year
of printing: not indicated in the print. Based on the Internet research: 1850
- Original
artist: W.H. Bartlett
- Publisher: Virtue and Co. City Road and Ivy Lane, London
- Condition: 1-2 (1. Excellent - 2. Very good - 3. Good -
4. Fair). The print is slightly wavy/uneven.
- Dimensions: 6.25 x 9.75 inches, (15,5 x 24,5 cm) including blank margins (borders)
around the image.
- Paper
weight: 2 (1. Thick - 2. Heavier - 3. Medium
heavy - 4. Slightly heavier - 5. Thin)
- Reverse
side: Blank
- Note: (1)
Green color 'border' around the print in the photo is a contrasting
background on which the print was photographed. (2) The print detail is
much sharper than the photo of the print.
Original Narrative:
- The
ruin known by the name of the Palace of Belisarius, is situated at an
angle of the city walls; and, according to the authority of the learned
Constantius, Archbishop of Senai, and Ex-Patriarch of Constantinople,
(still in exile for his work on the Antiquities of Byzantium,) it was
one of the Imperial residences of the first Constantine; and he
asserts, that, it owes its present designation to the fact of its being
placed in a quarter of the city called Balata, a corruption of Balati,
or the Gate of the Palace, which has gradually grown, from the hasty
and undigested impressions of Frank travellers, into the Palace of
Belisarius. There are the remains of a lofty and handsome gate-way, and
the disposition of the masonry is highly extolled by architects; but to
the mere tourist, the ruined Palace of Constantine, reft of its
old-world associations, is possessed of little interest; and that
little is absolutely negatived by the price which he is compelled to
pay for a visit to its neighbourhood. To all oriental travellers it
will be sufficient to state that the building has been given up to the
Jews as a pauper-hospital, for them to understand at once that it is
almost unapproachable, being the head-quarters of filth, and the hotbed
of pestilence, where every sense is pained by scents and sights
calculated to inspire dread and disgust.
Martin2001
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