Alice in Wonderland White Rabbit hand painted Lacquer Hair Clip Kholui M. Orlova

This product data sheet is originally written in English.


Hand Painted Russian Papier Mache Barret Hair clip created by the Russian Artist Marina Orlova in Kholui style. Clip is Lacquered.

Hair clips are made from papier mache and each hand painted.

Hand painted Hair Clip measures 9.7cm or 3.81 inches long and 3.8 cm or 1.49 inches wide.

Alice's Adventures in Wonderland (1865) is a novel written by
English author Charles Lutwidge Dodgson under the pseudonym Lewis Carroll. It tells the story of a girl named Alice who falls down a rabbit-hole into a fantasy world populated by peculiar and anthropomorphic creatures.

The tale is filled with allusions to Dodgson's friends (and enemies), and to the lessons that British schoolchildren were expected to memorize. The tale plays with logic in ways that have given the story lasting popularity to adults as well as children. It is considered to be one of the most characteristic examples of the genre of literary nonsense, and its narrative course and structure has been enormously influential, mainly in the fantasy genre.

The book is commonly referred to by the abbreviated title Alice in Wonderland, an alternative title popularized by the numerous stage, film and television adaptations of the story produced over the years. Some printings of this title contain both Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, and What Alice Found There.

Alice was written in 1865, exactly three years after the Reverend Charles Lutwidge Dodgson and the Reverend Robinson Duckworth rowed in a boat up the River Thames with three little girls:

  • Lorina Charlotte Liddell (aged 13) ("Prima" in the book's prefatory verse)
  • Alice Pleasance Liddell (aged 10) ("Secunda" in the prefatory verse)
  • Edith Mary Liddell (aged 8) ("Tertia" in the prefatory verse)

The three girls were the daughters of Henry George Liddell, the Vice-Chancellor of Oxford University and Dean of Christ Church as well as headmaster of Westminster School. Most of the book's adventures were based on and influenced by people, situations and buildings in Oxford, England and at Christ Church, e.g., the "Rabbit Hole" which symbolized the actual stairs in the back of the main hall in Christ Church.

The journey had started at Folly Bridge near Oxford and ended five miles away in the village of Godstow. To while away time the Reverend Dodgson told the girls a story that, not so coincidentally, featured a bored little girl named Alice who goes looking for an adventure.

The girls loved it, and Alice Liddell asked Dodgson to write it down for her. After a lengthy delay — over two years — he eventually did so and on 26 November 1864 gave Alice the handwritten manuscript of Alice's Adventures Under Ground, with illustrations by Dodgson himself. Some, including Martin Gardner, speculate there was an earlier version that was destroyed later by Dodgson himself when he printed a more elaborate copy by hand (Gardner, 1965), but there is no known prima facie evidence to support this.

But before Alice received her copy, Dodgson was already preparing it for publication and expanding the 18,000-word original to 35,000 words, most notably adding the episodes about the Cheshire Cat and the Mad Tea-Party. In 1865, Dodgson's tale was published as Alice's Adventures in Wonderland by "Lewis Carroll" with illustrations by John Tenniel. The first print run of 2,000 was held back because Tenniel had objections over the print quality.A new edition, released in December of the same year, but carrying an 1866 date, was quickly printed. As it turned out, the original edition was sold with Dodgson's permission to the New York publishing house of Appleton. The binding for the Appleton Alice was virtually identical with the 1866 Macmillan Alice, except for the publisher's name at the foot of the spine. The title page of the Appleton Alice was an insert cancelling the original Macmillan title page of 1865, and bearing the New York publisher's imprint and the date 1866.

The entire print run sold out quickly. Alice was a publishing sensation, beloved by children and adults alike. Among its first avid readers were Queen Victoria and the young Oscar Wilde. The book has never been out of print. Alice's Adventures in Wonderland has been translated into 125 languages, including Esperanto and Faroese. There have now been over a hundred editions of the book, as well as countless adaptations in other media, especially theatre and film.

KHOLUI

Kholui is among the most ancient villages in the Vladimir-Suzdal area. Legend has it that arts and crafts were practiced in these parts from as early as the time of the Tatar-Mongol invasion. In the 1230-40s the highly developed urban culture of Northeastern Russia was almost wiped out by the Tatar-Mongol hordes. The local people fled to remote marshlands that were inaccessible to the Tatar cavalry. Kholui may well have been such a place, its name meaning "marshlands" in Finno-Ugrian languages. The first recorded mention of the settlement in Kholui goes back to the mid-16th century. It is the deed issued by the grand prince Ivan Vasilievich to the Trinity-St. Sergius Monastery near Moscow relieving the Starodubsky salt works of obligations to the state. This indicates that at the time Kholui was owned by the monastery, which supplied Moscow with that highly prized commodity, salt. Document of the 17th century already mention Kholui icon-painters. These documents are dated 1613, the year when the Kholui sloboda (settlement exempt from state obligations) was given as an allodium to Prince Dmitry Mikhailovich Pozharsky who liberated Moscow besieged by the Poles in 1612. The level of literacy in the icon-painting centers of Kholui, Palekh and Mstera was markedly superior to that among the peasants of surrounding villages. In 1861 the village community opened the Sofinskaya School in Kholui with the assistance of Duchess Sofia Bobrinskaya.

Almost the whole male population of Kholui was engaged in iconmaking. In the 1870s, many icon-painting shops sprang up, some of them were quite large, such as the two-storied workshop of Blinnichev which had craftsmen from Kholui and Palekh: among them were the Kryukovs-father Alexander and his sons Pavel and Ivan; the Denisovs-father Ivan and sons Ivan and Alexander; V.M.Blinnichev, V.I.Kurakin, and M.F.Khrenkin. Professor Kondakov, who visited the old icon-making centers of Palekh, Mstera and Kholui in 1900, pointed out that the craft of icon painting was sustained in those areas thanks to old legends. Student of icon-painting centers in the Vladimir gubernia in the 19th century, including Palekh, Mstera and Kholui pointed out that Kholui as an icon-paining center Predated all others. The first experiments in papier-m?ch? miniature painting were made in Kholui as early as in 1928. By that time the artists of Palekh, looking for ways to apply their icon-painting skills, Started decorating papier-m?ch? boxes following the technology they borrowed from the Fedoskino artists. But while the latter used oil, the Palekh artists used tempera technique. Kholui artists decorated several semi-processed plates and boxes made in Palekh. Kholui lacquer workshops were founded in 1993 on the basis of an artistic Guild, which existed since 1934. Kholui miniature painting is executed with egg yolk tempera over papier-m?ch? articles. They represent folklore and historic subjects, everyday life motive with stylized figures, which are depicted against the stylized landscape background. Famous artists are involved into the workshops activities; each of them is of person of vivid talent and inimitable individuality. Their creative won great fame - their artworks were rewarded with high awards, including the Great Silver Medal of the International Exhibition in Bruxelles. The artists were rewarded with honorary titles of Peoples Artist and Honored Artist of the Russian Federation; they also were honored with the Russian Federation State Prize named after Ilya Repin. 

I also have a selection of other amazing works in my shop as earings, baby rattles, key rings and fridge magnets so please take a look and see if there is something else you like.

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Almost the whole male population of Kholui was engaged in iconmaking. In the 1870s, many icon-painting shops sprang up, some of them were quite large, such as the two-storied workshop of Blinnichev which had craftsmen from Kholui and Palekh: among them were the Kryukovs-father Alexander and his sons Pavel and Ivan; the Denisovs-father Ivan and sons Ivan and Alexander; V.M.Blinnichev, V.I.Kurakin, and M.F.Khrenkin. Professor Kondakov, who visited the old icon-making centers of Palekh, Mstera and Kholui in 1900, pointed out that the craft of icon painting was sustained in those areas thanks to old legends. Student of icon-painting centers in the Vladimir gubernia in the 19th century, including Palekh, Mstera and Kholui pointed out that Kholui as an icon-paining center Predated all others. Th
Style Hand Painted Hair Clip
EAN Does Not apply
Brand Handmade
Country/Region of Manufacture Russian Federation
Type Barrette
Colour Black