Mermaid Barrette Hair Clip HAND PAINTED Kholui Lacquer papier mache M Orlova ART

This product data sheet is originally written in English.


Hand Painted Russian Papier Mache Barret Hair clip created by the Russian Artist Marina Orlova in Kholui style. Clip is Lacquered.

Hair clips are made from papier mache and each hand painted.

Hand painted Hair Clip 8.7 cm or 3.42 inches long and 5.7 cm or 2.24 inches wide.

Mermaid is a mythological aquatic creature with a female human head and torso and the tail of a fish. Mermaids have a broad representation in folklore, literature, and popular culture. The word is a compound of mere, the Old English word for "sea", and maid, a woman. The male equivalent is a merman.

Much like sirens, mermaids sometimes sing to people and gods and enchant them, distracting them from their work and causing them to walk off the deck or run their ships aground. Other stories depict them squeezing the life out of drowning men while attempting to rescue them. They are also said to carry humans down to their underwater kingdoms. In Hans Christian Andersen's The Little Mermaid, it is said that they forget that humans cannot breathe underwater, while others say they drown men out of spite. The sirens of Greek mythology are sometimes portrayed in later folklore as mermaid-like; in fact, some languages use the same word for both bird and fish creatures, such as the Maltese word 'sirena'. Other related types of mythical or legendary creatures are water fairies (e.g., various water nymphs) and selkies, animals that can transform themselves from seals to humans.Ancient Near East

The first known mermaid stories appeared in Assyria, ca. 1000 BC. The goddess Atargatis, mother of Assyrianqueen Semiramis, loved a mortal shepherd and unintentionally killed him. Ashamed, she jumped into a lake to take the form of a fish, but the waters would not conceal her divine beauty. Thereafter, she took the form of a mermaid—human above the waist, fish below—though the earliest representations of Atargatis showed her as a fish with a human head and legs, similar to the Babylonian Ea. The Greeks recognized Atargatis under the name Derketo. Prior to 546 BC, the Milesian philosopher Anaximander proposed that mankind had sprung from an aquatic species of animal. He thought that humans, with their extended infancy, could not have survived otherwise. This idea reappeared as the aquatic ape hypothesis in the twentieth century

A popular Greek legend turns Alexander the Great's sister, Thessalonike, into a mermaid after she died. She lived, it was said, in the Aegean and when she encountered a ship, she asked its sailors only one question: "Is King Alexander alive?" , to which the correct answer was: "He lives and reigns and conquers the world" . This answer pleased her so she calmed the waters and wish the ship farewell. Any other answer would spur her into a rage. She would raise a terrible storm, with certain doom for the ship and every sailor on board. Lucian of Samosata in Syria(2nd century AD) in De Dea Syria ("Concerning the Syrian Goddess") wrote of the Syrian temples he had visited: "Among them - Now that is the traditional story among them concerning the temple. But other men swear that Semiramis of Babylonia, whose deeds are many in Asia, also founded this site, and not for Hera Atargatis but for her own Mother, whose name was Derketo"

"I saw the likeness of Derketo in Phoenicia, a strange marvel. It is woman for half its length, but the other half, from thighs to feet, stretched out in a fish's tail. But the image in the Holy City is entirely a woman, and the grounds for their account are not very clear. They consider fishes to be sacred, and they never eat them; and though they eat all other fowls, they do not eat the dove, for she is holy so they believe. And these things are done, they believe, because of Derketo and Semiramis, the first because Derketo has the shape of a fish, and the other because ultimately Semiramis turned into a dove. Well, I may grant that the temple was a work of Semiramis perhaps; but that it belongs to Derketo I do not believe in any way. For among the Egyptians, some people do not eat fish, and that is not done to honor Derketo.

KHOLUI

Kholui is among the most ancient villages in the Vladimir-Suzdal area. Legend has it that arts and crafts were practiced in these parts from as early as the time of the Tatar-Mongol invasion. In the 1230-40s the highly developed urban culture of Northeastern Russia was almost wiped out by the Tatar-Mongol hordes. The local people fled to remote marshlands that were inaccessible to the Tatar cavalry. Kholui may well have been such a place, its name meaning "marshlands" in Finno-Ugrian languages. The first recorded mention of the settlement in Kholui goes back to the mid-16th century. It is the deed issued by the grand prince Ivan Vasilievich to the Trinity-St. Sergius Monastery near Moscow relieving the Starodubsky salt works of obligations to the state. This indicates that at the time Kholui was owned by the monastery, which supplied Moscow with that highly prized commodity, salt. Document of the 17th century already mention Kholui icon-painters. These documents are dated 1613, the year when the Kholui sloboda (settlement exempt from state obligations) was given as an allodium to Prince Dmitry Mikhailovich Pozharsky who liberated Moscow besieged by the Poles in 1612. The level of literacy in the icon-painting centers of Kholui, Palekh and Mstera was markedly superior to that among the peasants of surrounding villages. In 1861 the village community opened the Sofinskaya School in Kholui with the assistance of Duchess Sofia Bobrinskaya.

Almost the whole male population of Kholui was engaged in iconmaking. In the 1870s, many icon-painting shops sprang up, some of them were quite large, such as the two-storied workshop of Blinnichev which had craftsmen from Kholui and Palekh: among them were the Kryukovs-father Alexander and his sons Pavel and Ivan; the Denisovs-father Ivan and sons Ivan and Alexander; V.M.Blinnichev, V.I.Kurakin, and M.F.Khrenkin. Professor Kondakov, who visited the old icon-making centers of Palekh, Mstera and Kholui in 1900, pointed out that the craft of icon painting was sustained in those areas thanks to old legends. Student of icon-painting centers in the Vladimir gubernia in the 19th century, including Palekh, Mstera and Kholui pointed out that Kholui as an icon-paining center Predated all others. The first experiments in papier-m?ch? miniature painting were made in Kholui as early as in 1928. By that time the artists of Palekh, looking for ways to apply their icon-painting skills, Started decorating papier-m?ch? boxes following the technology they borrowed from the Fedoskino artists. But while the latter used oil, the Palekh artists used tempera technique. Kholui artists decorated several semi-processed plates and boxes made in Palekh. Kholui lacquer workshops were founded in 1993 on the basis of an artistic Guild, which existed since 1934. Kholui miniature painting is executed with egg yolk tempera over papier-m?ch? articles. They represent folklore and historic subjects, everyday life motive with stylized figures, which are depicted against the stylized landscape background. Famous artists are involved into the workshops activities; each of them is of person of vivid talent and inimitable individuality. Their creative won great fame - their artworks were rewarded with high awards, including the Great Silver Medal of the International Exhibition in Bruxelles. The artists were rewarded with honorary titles of Peoples Artist and Honored Artist of the Russian Federation; they also were honored with the Russian Federation State Prize named after Ilya Repin. 

I also have a selection of other amazing works in my shop as earings, baby rattles, key rings and fridge magnets so please take a look and see if there is something else you like.

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Almost the whole male population of Kholui was engaged in iconmaking. In the 1870s, many icon-painting shops sprang up, some of them were quite large, such as the two-storied workshop of Blinnichev which had craftsmen from Kholui and Palekh: among them were the Kryukovs-father Alexander and his sons Pavel and Ivan; the Denisovs-father Ivan and sons Ivan and Alexander; V.M.Blinnichev, V.I.Kurakin, and M.F.Khrenkin. Professor Kondakov, who visited the old icon-making centers of Palekh, Mstera and Kholui in 1900, pointed out that the craft of icon painting was sustained in those areas thanks to old legends. Student of icon-painting centers in the Vladimir gubernia in the 19th century, including Palekh, Mstera and Kholui pointed out that Kholui as an icon-paining center Predated all others. Th
Style Hand Painted Hair Clip
EAN Does Not apply
Brand Handmade
Country/Region of Manufacture Russian Federation
Type Barrette
Colour Black