Max Uhlig (1937 in Dresden) is one of the outstanding artistic personalities of the present day. This title focuses on his entire oeuvre and shows a cross-section through 45 years of paintings and drawings which remain distinctive to this day for their spontaneity, their colour intensity and their characteristic web of lines and brushstrokes.
Max Uhlig (* 1937 in Dresden) is one of the outstanding artistic personalities of the present day. For the first time a publication focuses exclusively on the entire oeuvre of the artist and shows a cross - section through 45 years of paint ings and drawings which remain distinctive to this day for their spontaneity, their sparkling colour intensity and their characteristic web of lines and brushstrokes. "For me, something becomes interesting when it starts to look alien after long observatio n," (Max Uhlig). Since the late 1960s the artist has adopted this approach to seeing, which has been transferred to the method used in the painting process and in the ensuing picture structures. The lines and dots in his paintings ignore the surface, penet rating more deeply and arousing the impression of disembodied traces of essential appearance. In addition to portraits it is above all landscapes which repeatedly fascinate him anew. The first monograph on Max Uhlig offers a systematic survey of his works, which are preserved in numerous museums and private collections, and presents them in a high - quality series of illustration
Annegret Laabs is director of the Kunstmuseum Kloster Unser Lieben Frauen in Magdeburg.
Grown Up in Front of Nature - Annegret Laabs The Cloud-Gridded Land: An Examination of a Work - Ilka Rambausek The Beginnings Until 1976 L
"Uhlig's landscapes are emotional translations with strong colors behind black expressive cuts. . . . The essays trace his development chronologically with work from the 1970s to 2011. . . . Recommended."-- "Choice" (6/25/2015 12:00:00 AM)
"Uhlig's landscapes are emotional translations with strong colors behind black expressive cuts. . . . The essays trace his development chronologically with work from the 1970s to 2011. . . . Recommended."